Format : Sheet music + Audio access
SKU: BT.MUSAM993861
ISBN 9781847725820.
A beautifully presented, full-colour illustrated collection of songs to soothe and calm. Lyrics to all songs are included, in addition to a CD that contains performances of every song to help you and your child tounwindand relax.
SKU: BT.MUSAM993850
ISBN 9781847725813.
A beautifully presented, full-colour illustrated collection of songs and poems, to soothe, calm and relax. Calming songs arranged for easy Piano and voice. Relaxing poems including A Cradle Song byWilliamBlake, Lullaby for Titania from A Midsummer Night's Dream by William Shakespeare and many more. Includes a sing-along CD.
SKU: CF.BAS5
ISBN 9780825845086. UPC: 798408045081. 8.5 X 11 inches. Key: D major.
The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.The musical effect ofA Prarie LullabyA should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close toA p as possible. Beginning at m.39, the violin and viola parts are markedA pizzicato. If young players are unable to return quickly toA argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. TheA divisiA notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.The musical effect ofA Prarie LullabyA should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close toA p as possible. Beginning at m.39, the violin and viola parts are markedA pizzicato. If young players are unable to return quickly toA argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. TheA divisiA notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible.Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score.The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes.Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead.The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54.Performance time with the repeat is two and a half minutes.
About Carl Fischer Beginning String Orchestra Series
This series of Grade 1 pieces is designed for first year string groups. The pieces in this series are characterized by:
SKU: HL.282475
ISBN 9781540034328. UPC: 888680789190. 9.0x12.0x0.847 inches.
Music is what helped many keep their spirits up during the Great Depression in the 1930s. Here are 100 of the most memorable songs of the decade presented in easy piano arrangements with lyrics. Songs include: As Time Goes By * Blue Moon * Body and Soul * Embraceable You * Georgia on My Mind * The Glory of Love * How Deep Is the Ocean (How High Is the Sky) * I Don't Know Why (I Just Do) * I Got Rhythm * I'll Be Seeing You * In the Mood * The Lady Is a Tramp * Love Is Here to Stay * Mood Indigo * My Funny Valentine * The Nearness of You * Over the Rainbow * Sing, Sing, Sing * Summertime * Thanks for the Memory * The Very Thought of You * The Way You Look Tonight * and more.
SKU: HL.327506
ISBN 9781540081520. UPC: 888680989743. 9.0x12.0x0.416 inches.
If you're anxious to put those piano lessons to work, here are 50 calming pieces to play while you continue your studies! Songs are arranged for easy piano with lyrics and include: Bella's Lullaby • Blowin' in the Wind • Brian's Song • Chariots of Fire • (They Long to Be) Close to You • Dawn • Fields of Gold • Gabriel's Oboe • Imagine • Longer • Mia & Sebastian's Theme • New York State of Mind • Over the Rainbow • Tears in Heaven • Time After Time • The Wind Beneath My Wings • Yesterday • You've Got a Friend • and more!
About First 50
You've been taking lessons, you've got a few chords under your belt, and you're ready to buy a songbook. Now what? Hal Leonard has the answers in its First 50 series. The First 50 series steers new players in the right direction. These books contain easy to intermediate arrangements for must-know songs. Each arrangement is simple and streamlined, yet still captures the essence of the tune.
SKU: CF.CM9701
ISBN 9781491160091. UPC: 680160918690. Key: E major. English. Louisa May Alcott.
Evening Lullaby is based on the poem Lullaby by Louisa May Alcott. This poem describes nature's response to the evening and narrates how various creatures are soothed to sleep by the evening's quiet melody. When performing, please bear in mind the lilting feel of the 3/4 time signature. Placing emphasis on the strong beat (beat 1) should create the soothing, rocking motion needed for the lullaby. Within each phrase, connect the lines while performing the rise and fall of the dynamics. In respect to dynamics, be careful not to exceed mezzo-forte while always maintaining energy in the tone. Regarding the harmonic texture, be intentional to blend and balance each section with tall vowels and steady vibrato as suspensions are prevalent throughout the piece. .Evening Lullaby is based on the poem Lullaby by Louisa May Alcott. This poem describes nature's response to the evening and narrates how various creatures are soothed to sleep by the evening's quiet melody.When performing, please bear in mind the lilting feel of the ¾ time signature. Placing emphasis on the strong beat (beat 1) should create the soothing, rocking motion needed for the lullaby. Within each phrase, connect the lines while performing the rise and fall of the dynamics. In respect to dynamics, be careful not to exceed mezzo-forte while always maintaining energy in the tone.Regarding the harmonic texture, be intentional to blend and balance each section with tall vowels and steady vibrato as suspensions are prevalent throughout the piece. .
SKU: HL.14003444
ISBN 9780711922624. UPC: 884088456344. 9.0x12.0x0.108 inches. English.
Beginner to pre-Grade 1. Ideal for the beginner, with five-finger positions, alternating hands and very simple hands together. Pieces include Purcell's Rigadoon and the beautiful Au Clair De La Lune. Contents: Air Des Bouffons * Au Clair de la Lune * Ballooning * Cossack Dance * Evening Song * Exercise Time * Hop, Skip, Jump * Hot Cross Buns * J'ai Du Bon Tabac * Jody's Cake Walk * Lullaby * March of the Pigs * Merrily we Roll Along * Off to Work * Wold Woman * Oranges and Lemons * Ragtime * Resting * Rigadoon * Three Nursery Rhymes * Waltz for Diddles.
SKU: BT.DHP-1074205-130
9x12 inches. English-German-French-Dutch.
Leroy Anderson is part of American cultural heritage and he is often compared to such masters as Gershwin and Copland. Trumpeter’s Lullaby was written for The Boston Pops Orchestra of which he was the conductor. This new arrangement for brass band gives your three cornet soloists a chance to ‘take to the fore’ in a variety of up-tempo jazz styles. Once performed this item will become a favourite that you will use time and time again. Der amerikanische Komponist Leroy Anderson wird zu Recht oft in einem Atemzug mit großen Namen wie George Gershwin, Aaron Copland oder Charles Ives genannt. Nostalgische Lieder aus Andersons Feder, wie zum Beispiel Sleigh Ride und Blue Tango, sind unsterblich geworden. Anderson schrieb im Jahr 1949 auch das anmutige Stück Trumpeter’s Lullaby, das Naohiro Iwai ganz hervorragend für Brass Band umsetzte. Selon le journaliste Mark Azzara, nombreux sont ceux qui considèrent Leroy Anderson (1908-1975) comme « l’un des quatre meilleurs compositeurs de musique instrumentale du XXe siècle avec George Gershwin, Aaron Copland et Charles Ives ». Les nombreuses mélodies nostalgiques qu’il a composées (Sleigh Ride, Blue Tango, etc.) sont solidement ancrées dans les traditions de la culture musicale américaine. En 1949, Leroy Anderson compose le très aérien Trumpeter’s Lullaby (“Berceuse pour un trompettiste”) la demande de Roger Voisin qui fut alors trompette solo du Boston Pops Orchestra.
SKU: BT.DHP-1074205-030
SKU: HL.348318
ISBN 9781540097347. UPC: 840126930009. 9.0x12.0x0.731 inches.
A giant Christmas collection with easy-to-read and play arrangements for all keyboardists! E-Z Play Today songbooks feature simple arrangements with authentic-sounding chords and melody lines with a minimum number of page turns. The books also include lyrics for ultimate playing and sing-along enjoyment. This collection features a variety of holiday favorites, including: Baby, It's Cold Outside • The Christmas Shoes • The Christmas Song (Chestnuts Roasting on an Open Fire) • Christmas Time Is Here • Do You Hear What I Hear • Have Yourself a Merry Little Christmas • I'll Be Home for Christmas • The Little Drummer Boy • Mary, Did You Know? • Merry Christmas, Darling • O Holy Night • Silver Bells • Ukrainian Bell Carol • White Christmas • and many more! Over 300 pages!
About Hal Leonard E-Z Play Today
For organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
SKU: CF.BAS5F
ISBN 9780825845093. UPC: 798408045098. 8.5 X 11 inches.
The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible.Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score.The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes.Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead.The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54.Performance time with the repeat is two and a half minutes.
SKU: HL.295574
ISBN 9781540056306. UPC: 888680947811. 8.0x11.0x0.15 inches. Edited by Annie Patterson & Peter Blood.
This songbook features over 50 of the most memorable songs by legendary folk singer, songwriter and banjo player Pete Seeger presented with words and chords. Edited by Annie Patterson and Peter Blood, the creators of the Rise Up Singing books, it also includes background information on many of the songs with quotations by Seeger drawn from his autobiography Where Have All the Flowers Gone: A Singalong Memoir. Songs include: All Mixed Up * The Bells of Rhymney * Goodnight, Irene * How Can I Keep from Singing * If I Had a Hammer (The Hammer Song) * Kisses Sweeter Than Wine * Last Night I Had the Strangest Dream * Lonesome Valley * Midnight Special * Old Time Religion * Sing People Sing * This Land Is Your Land * Turn! Turn! Turn! (To Everything There Is a Season) * Water Is Wide * We Shall Overcome * Where Have All the Flowers Gone? * and more. Spiral bound.
