SKU: CF.W2693
ISBN 9781491158586. UPC: 680160917198. 9 x 12 inches.
While unknown today, composer William Pettee (1839a1891) was clearly a remarkable musician and composer evidenced by the fact that he wrote funeral music for Abraham Lincoln and General Ulysses S. Grant. This funeral music survives to this day in a piano reduction format and is the basis of some of my most current arranging projects. This new edition of Olosabut was the culmination of years of research into the era commonly called The Golden Age of Bands, a period spanning 1880a1920. This project initially began when I played the solo part for Olosabut with a reading band when I was a guest artist at the Northwest Brass Festival in Seattle in 2010. For this new edition, I created a score with modern transpositions. Prior to this, there has been no score for this music. There is often no score for American band music from this era. I also adjusted the dynamics and articulations to allow the soloist to be heard and composed a handful of new musical lines to correct the problems stemming from inconsistent number of measures in the original edition. Finally, I created a reduction for tuba and piano as well as a new edition for solo tuba and orchestra. Olosabut (atuba soloa spelled backwards) from 1885 is possibly the oldest American tuba solo to survive to the twenty-first century. I have done extensive research in this area, and while there may be some earlier pieces with small obbligato solos for tuba, and perhaps even earlier full-fledged tuba solos, I believe this is the earliest music with a serious solo tuba part throughout that survives to this day. In the Tuba Source Book, several early solos are listed from the 1880s. In my research, I have attempted to obtain all of the music listed in the Tuba Source Book from the 1880s or earlier though the Library of Congress and various historic libraries in America. Most of this music for solo tuba and band is incomplete or entirely unavailable today though. The earliest of these is Southwellas Quickstep (Fun for Basses) from 1881. This is described as a novelty march for tuba section, however. A notable omission from the Tuba Source Book, though, is William Petteeas Olosabut, which is clearly marked 1885 on the original published sheet music. This piece is not listed in the Tuba Source Book. However, a different piece by Pettee called Osceola is listed from 1889.While unknown today, composer William Pettee (1839-1891) was clearly a remarkable musician and composer evidenced by the fact that he wrote funeral music for Abraham Lincoln and General Ulysses S. Grant. This funeral music survives to this day in a piano reduction format and is the basis of some of my most current arranging projects. This new edition of Olosabut was the culmination of years of research into the era commonly called The Golden Age of Bands, a period spanning 1880-1920. This project initially began when I played the solo part for Olosabut with a reading band when I was a guest artist at the Northwest Brass Festival in Seattle in 2010. For this new edition, I created a score with modern transpositions. Prior to this, there has been no score for this music. There is often no score for American band music from this era. I also adjusted the dynamics and articulations to allow the soloist to be heard and composed a handful of new musical lines to correct the problems stemming from inconsistent number of measures in the original edition. Finally, I created a reduction for tuba and piano as well as a new edition for solo tuba and orchestra. Olosabut (tuba solo spelled backwards) from 1885 is possibly the oldest American tuba solo to survive to the twenty-first century. I have done extensive research in this area, and while there may be some earlier pieces with small obbligato solos for tuba, and perhaps even earlier full-fledged tuba solos, I believe this is the earliest music with a serious solo tuba part throughout that survives to this day. In the Tuba Source Book, several early solos are listed from the 1880s. In my research, I have attempted to obtain all of the music listed in the Tuba Source Book from the 1880s or earlier though the Library of Congress and various historic libraries in America. Most of this music for solo tuba and band is incomplete or entirely unavailable today though. The earliest of these is Southwell's Quickstep (Fun for Basses) from 1881. This is described as a novelty march for tuba section, however. A notable omission from the Tuba Source Book, though, is William Pettee's Olosabut, which is clearly marked 1885 on the original published sheet music. This piece is not listed in the Tuba Source Book. However, a different piece by Pettee called Osceola is listed from 1889.While unknown today, composer William Pettee (1839–1891) was clearly a remarkable musician and composer evidenced by the fact that he wrote funeral music for Abraham Lincoln and General Ulysses S. Grant. This funeral music survives to this day in a piano reduction format and is the basis of some of my most current arranging projects. This new edition of Olosabut was the culmination of years of research into the era commonly called The Golden Age of Bands, a period spanning 1880–1920. This project initially began when I played the solo part for Olosabut with a reading band when I was a guest artist at the Northwest Brass Festival in Seattle in 2010. For this new edition, I created a score with modern transpositions. Prior to this, there has been no score for this music. There is often no score for American band music from this era. I also adjusted the dynamics and articulations to allow the soloist to be heard and composed a handful of new musical lines to correct the problems stemming from inconsistent number of measures in the original edition. Finally, I created a reduction for tuba and piano as well as a new edition for solo tuba and orchestra.Olosabut (“tuba solo†spelled backwards) from 1885 is possibly the oldest American tuba solo to survive to the twenty-first century. I have done extensive research in this area, and while there may be some earlier pieces with small obbligato solos for tuba, and perhaps even earlier full-fledged tuba solos, I believe this is the earliest music with a serious solo tuba part throughout that survives to this day. In the Tuba Source Book, several early solos are listed from the 1880s. In my research, I have attempted to obtain all of the music listed in the Tuba Source Book from the 1880s or earlier though the Library of Congress and various historic libraries in America. Most of this music for solo tuba and band is incomplete or entirely unavailable today though. The earliest of these is Southwell’s Quickstep (Fun for Basses) from 1881. This is described as a novelty march for tuba section, however. A notable omission from the Tuba Source Book, though, is William Pettee’s Olosabut, which is clearly marked 1885 on the original published sheet music. This piece is not listed in the Tuba Source Book. However, a different piece by Pettee called Osceola is listed from 1889.
SKU: BR.KM-2515
World premiere: 's-Hertogenbosch, December 16, 2007
ISBN 9790004503355. 11 x 14 inches.
Libro de glosas is based on the Trattado de glosas by Diego Ortiz (1510 - ca. 1570). The intertextuality between different materials and musical techniques and processes of the 16th century was one of my main interests when I wrote this piece for the wonderful sound and quality of the Calefax ensemble.The intertextual relationships are as follows:Recercada I is based on the first chords of the chanson Doulce memoire by Pierre Sandrin. It is also used in Trattado de glosas.Recercada II is based on the incipit of the madrigal O felici occhi miei by Jacques Arcadelt. It is also used in Trattado de glosas.Recercada III is based on the ostinato Passamezzo antico. It is also used in Trattado de glosas.Recercada IV is freely based on the tenor La Spagna. It is also used in Trattado de glosas.Batalla (V) is a free composition in form of a battaglia and is based on some ostinati of Spanish origin as well as on an anonymous theme from the 16th century. There are also some bars of a batalla by Joseph Ximenez (18th century).Libro de glosas esta basada en el Trattado de glosas de Diego Ortiz (1510 - ca. 1570). La intertextualidad entre diferentes materiales y tecnicas y procesos de la musica del siglo XVI era uno de mis principales intereses cuando escribi esta pieza para el maravilloso sonido y calidad del Calefax ensemble.Las relaciones intertextuales son las siguientes:Recercada I esta basada libremente sobre los primeros acordes de la chanson Doulce memoire de Pierre Sandrin. Esta es utilizada como ejemplo en el Trattado de glosas.Recercada II esta basada libremente sobre el incipit del madrigal O felici occhi miei de Jacques Arcadelt. Esta pieza es utilizada tambien como ejemplo en el Trattado de glosas.Recercada III esta basada libremente sobre el ostinato Passamezzo antico. Tambien es presentada en el Trattado de glosas.Recercada IV esta construida libremente sobre el tenor La Spagna. Tambien es utilizado por Ortiz en el Trattado de glosas.Batalla (V) es una libre composicion en forma de battaglia sobre ostinati de origen espanol y sobre un tema anonimo (siglo XVI). Tambien aparecen brevemente varios compases de una batalla de Joseph Ximenez (siglo XVIII).(Jose M. Sanchez-Verdu).
SKU: LB.200
La Gata Golosa (The Greedy Cat) is one of the most famous and beloved melodies of Colombia. It is a pasillo (literally, little step) – a South American musical genre related to the waltz. Originally named Soachita for the children of the Soacha area of Bogota, Garcia renamed it after a restaurant (piqueteadoro) he frequented. The restaurant’s actual name was La Gaité Gauloise (meaning French gaiety) but was nicknamed La Gata Golosa by the local customers. This virtuoso piano arrangement by Eduardo Rojas draws out many moods and musical colors from these delightful melodies while remaining playful and upbeat.
SKU: HL.14044578
ISBN 9788850716487. French.
SKU: UT.CH-190
ISBN 9790215322196. 9 x 12 inches.
Contents: Tiento (quinto tono)/ FantasAa/ FantasAa/ Tiento (sexto tono)/ FantasAa/ Glosa sobre el primer Kyrie de una Misa de Fevin que va sobre Ave Maria/ Tiento (septimo tono)/ FantasAa/ Glosa sobre el Cum Sancto Spiritu de la Missa De beata Virgine de Josquin/ Tiento (octavo tono)/ FantasAa/ FantasAa/ FantasAa sobre fa mi fa re ut sol fa sol mi re.
SKU: GH.GE-11169
ISBN 9790070111690. A4 inches.
Sanger med ackompanjemang samt byggstenar for dopgudstjansten av Margareta Melin.I manga forsamlingar finns ett uttalat behov av alternativa liturgiska texter. Inte minst nar man vid dop av barn vill na de anhoriga dar de befinner sig, uppstar ett behov av alternativa uttrycksmojligheter.I Alingsas pastorat startade man 2004 ett dopprojekt med syftet att bli battre pa att lyssna in och ta emot de foraldrar som vill lata dopa sitt barn. Till projektgruppen knots Margareta Melin. Hennes uppgift var att ta fram forslag till texter for en alternativ dopordning eller snarare att formulera ett antal byggstenar for de olika moment som traditionellt hor hemma i en opgudstjanst.Dopet inleds med ett textavsnitt av Margareta Melin. Har finns hennes byggstenar tillgangliga. Tanken ar att enskilda byggstenar ska kunna infogas i nuvarande dopgudstjanster. Som sammanhallen helhet utgor de en alternativ dopordning och finns med i det material som handbokskommitten sa smaningom tar stallning till.Sanghaftet innehaller nyskrivna pianoackompanjemang av Ulf Esborn, till saval solosanger som forsamlingssanger. Dessutom finns i denna utgava en tidigare opublicerad text av Britt G Hallqvist till Georg Riedels kanda sommarvisa. Alla solosanger finns i flera tonarter och kan alltsa latt anpassas till olika situationer.
SKU: HL.645155
ISBN 9781629060361. UPC: 008148017522. 9.0x12.0x0.053 inches. Wesley Schaum Late Elementary Level.
Late elementary piano solo collection of original ditties by Wesley Schaum. Includes 9 solos: Allosaurus * Ankylosaurus * Archaeopteyx * Dimetrodon * Elasmosaurus * Pteranodon * Stegosaurus * Triceratops * Tyrannosaurus.
SKU: GH.LUN-570-0590
Text: Jeremias i Trostlosa.
For sang och piano. Text: Jeremias i Trostlosa.
SKU: BT.MUSUMP22348
ISBN 9781785586736.
Nueva Biblioteca Espanola de musica de teclado Vol.7 revised and transcribed by Antonio Baciero.
SKU: GI.WJMS1175
UPC: 785147018964. Basque, English, Latin. Traditional Latin.
A thrilling setting of English, Basque, and Latin texts that proclaim the joy of singing to God. Already much loved around the world from various performances at the 2011 World Choral Symposium and the 2013 Tolosa International Choral Festival. This TTBB arrangement was commissioned by the Golden Gate Men's Chorus. Jo-Michael Scheibe Choral Series. Recording is SSAA version.
SKU: GH.CG-6553
ISBN 9790070043212. A4 inches. Text: Atle Burman.
Five funeral songs for voice and piano or organ.
SKU: BT.DHP-1216335-215
English-German-French-Dutch.
In the 1980s and 1990s there was a new surge of interest in the old swing of the 30s and 40s. The epicentre of this swing revival lay in the American state of California, Los Angeles and San Francisco in particular. Based on therules of the old swing in which each beat has a ternary subdivision but with more contemporary sounds and harmonies, Peter Kleine Schaars composed this work San Fransisco Swing. Through the frequent use of the rhythmiccells 22, 23 and 24 in all parts of this composition, each band, irrespective of its experience with swing music, will be able to give a swinging performance! In de jaren tachtig en negentig van de vorige eeuw ontstond er een nieuwe golf van belangstelling voor de oude swing van de jaren dertig en veertig. Het epicentrum van deze swingrevival lag in de Amerikaanse staat Californië, metname in Los Angeles en San Francisco. Gebaseerd op de wetten van de oude swing waarin elke beat een ternaire onderverdeling heeft maar met meer hedendaagse klanken en harmonieën, componeerde Peter Kleine Schaars deze SanFransisco Swing. Door middel van het veelvuldig gebruik van de ritmische cellen 22, 23 en 24 in alle stemmen van deze compositie zal elk orkest, ongeacht de ervaring met swingmuziek, in staat zijn een swingende performanceneer te zetten! In den 1980er und 1990er Jahren konnte man ein gesteigertes Interesse am alten Swing der 1930er und 1940er Jahre beobachten. Das Zentrum dieser Entwicklung befand sich insbesondere im amerikanischen Bundesstaat Kalifornien, in LosAngeles und San Francisco. Peter Kleine Schaars komponierte das Stück San Fransisco Swing nach den Regeln des alten Swings, bei dem jeder Schlag eine ternäre Unterteilung hat, allerdings mit modernen Klängen und Harmonien.Durch die häufige Verwendung der Rhythmus-Einheiten 22 und 24 in allen Stimmen der Komposition kann jedes Orchester unabhängig von seiner Erfahrung mit Swingmusik eine swingende“ Aufführung präsentieren!Les années 1980-90 ont connu un regain d’intérêt pour le swing des années 1930-40. L’épicentre de cette renaissance se trouvait dans l’état américain de Californie, notamment Los Angeles et San Francisco. Peter Kleine Schaars acomposé San Fransisco Swing en respectant les principes du swing traditionnel où chaque battement est subdivisé en ternaire mais en lui apportant des sons et harmonies plus contemporains. Gr ce l’emploi généreux descellules rythmiques 22 et 24 dans toutes les parties de cette composition, tous les ensembles, quelle que soit leur expérience du swing, seront en mesure de l’interpréter en swinguant !
SKU: GH.CG-6986
Boken innehaller de klassiska, mest onskade sangerna till begravning, men har ocksa kompletterats med nya valklingande sanger. Alla sanger har orgelmassigt ackompanjemang. Behovet av vardiga sanger gransande till det profana har tillgodosetts. Nagra av sangerna ar sarskilt avsedda for barnbegravningar. Kan aven anvandas i andra sakrala sammanhang. Rejalt inbunden med tygparm. Finns i hog eller lag sattning.
SKU: M7.GRG-5300257040
Kölsch.
SKU: DB.09-00734
ISBN 9790012205043.
Stella Jones ist seit uber 20 Jahren als Solosangerin im Pop- und Musicalbereich aktiv und begeisterte in ihren Coachings und Workshops bereits hunderte Menschen, die ihre kreativen Impulse umsetzen mochten. Das Stella-Jones-Gesangstutorial richtet sich an alle musikbegeisterten Menschen und erfordert keinerlei Vorkenntnisse. Die unterschiedlichen Ubungen sind aufbauend gestaltet und regen zum Ausprobieren und Mitsingen an. Das Gesangstutorial unterstutzt Anfanger und Profis mit uber 250 Playalongs auf der beiliegenden MP3-CD mit klassischen und jazzigen Tonleiter- und Einsingubungen. Jede der 25 Lieblingsubungen von Stella Jones wurde in drei verschiedenen Tempi und mehreren Begleitvarianten eingespielt: Begleitung, Melodie und Begleitung (mit oder ohne Klick) und eine Sologesangsversion. So mussen sich Sangerinnen und Sanger beim Einsingen nicht selbst am Klavier begleiten und konnen sich ganz auf ihre Stimme konzentrieren. Allgemeine einfuhrende Erklarungen zu Atmung und Stimme runden das Gesangs-Wohlfuhlpaket ab.#-# Auch fur das Chor-Einsingen empfohlen!
SKU: BT.AMP-125-020
9x12 inches. English-German-French-Dutch.
In The Pioneers Philip Sparke salutes the bicentenary of an expedition by two all time American heroes - Meriwether Lewis and William Clark. They were commissioned by US President Thomas Jefferson to find the headwaters of the Missouri and a route to the Pacific following the Louisiana Purchase, which doubled the size of the USA. They set out as the ‘Corps of Discovery’ from Louisville, Kentucky, in May 1804 and not only did they succeed in reaching the Pacific through hostile territory, but also found their way back - in 3 years! The piece is not descriptive of the journey but gives the composer the opportunity to celebrate the 200th anniversary of this amazing feat. Add a touchof the wild-west to any concert with this exciting work. De titel van dit werk verwijst naar het begin van het avontuur van de ‘National Children’s Brass Band of Great Britain’, maar The Pioneers is ook een eerbewijs aan twee helden van de componist: Meriwether Lewis en William Clark,die twee eeuwen geleden op expeditie gingen in opdracht van de Amerikaanse president Thomas Jefferson. Ze vertrokken vanuit Louisville, Kentucky in mei 1804. Ze slaagden er niet alleen in om de Grote Oceaan te bereiken doorvijandig gebied, maar ze vonden ook hun weg terug - in drie jaar! Het werk beschrijft deze reis niet, maar geeft de componist de mogelijkheid om deze geweldige prestatie te memoreren.Der Titel ist ein Salut an die Zweihundertjahrfeier einer Expedition von zwei Heldenfiguren des Komponisten - Meriwether Lewis und William Clark. Ihre Expeditionstruppe, bekannt als das ‘Corps of Discovery’, erforschte das Quellgebiet des Missouri und fand eine Route zum Pazifik durch feindliches Gebiet. Der Komponist ergriff die Gelegenheit, den 200. Jahrestag dieser Meisterleistung zu feiern, mit diesem Werk, das sich auch wunderbar zur Umrahmung Ihres nächsten festlichen Anlasses eignet.Le 30 avril 1803, le Traité de cession de la Louisiane entre la France et les États-Unis était signé. L’acquisition de ces terres permet aux États-Unis de doubler la superficie de leur territoire de l’époque. Meriwether Lewis et William Clark sont alors mandatés par le président Thomas Jefferson, pour cartographier les sources du Missouri et tracer une voie vers le Pacifique. Parti de Louisville dans le Kentucky, en mai 1804, le corps expéditionnaire (‘Corps of Discovery’) traverse d’interminables territoires hostiles, réussit atteindre le Pacifique et rentre au terme d’un périple de deux ans ! Cette composition ne fait pas le récit du voyage, mais permet au compositeur decommémorer les deux cents ans de cette fabuleuse expédition. Il 30 aprile 1803 fu firmato il trattato di cessione della Louisiana tra la Francia e gli Stati Uniti. L’acquisizione di queste terre permise agli Stati Uniti di raddoppiare la superficie del proprio territorio. L’allora presidente Thomas Jefferson incaricò Meriwether Lewis e William Clark di cartografare le sorgenti del fiume Missouri e tracciare la strada verso il Pacifico. Partita da Louisville (Kentucky), nel maggio del 1804, la spedizione attraversò interminabili territori ostili, riuscendo a raggiungere il Pacifico per poi tornare alla base di partenza al termine di un periplo durato due anni. Questo brano non è un racconto del viaggio, ma permette al compositoredi commemorare i duecento anni di questa favolosa spedizione.
SKU: BO.B.0399
SKU: PR.ZM16810
UPC: 680160648436.
