LETTRE DU MUSICIEN LETTRE DU MUSICIEN N°518

SKU: FZ.8324

SKU: BT.EMBZ13154

I. Prologue. Moderato quasi andanteII. ...comme une lettre sur moi m me. Moderato III. Maternité. Andante quasi allegretto IV. Elegie (en forme d'un tryptichon). - Poco rubato - Poco adagio - Andante V. Serenade en Carneval. Allegro giocoso VI. Soupir inquiet dans la nuit de printemps. Moderato poco rubato quasi fantasando VII. ...je m'en vais comme l'ombre quand elle décline et j'ai été emporté de côté et d'autre, ainsi que les sauturelles (Ps. 109). Poco adagio VIII. Chanson ivre. Allegro commodo poco capriccioso IX. Epilogue. Poco lento molto e

I. Prolog. Moderato quasi andante

II. ...wie ein Brief über mich selbst. Moderato

III. Mutterschaft. Andante quasi allegretto

IV. Elegie (in der Form eines Tryptichons)

- Poco rubato

- Poco adagio

- Andante

V. Faschings Serenade. Allegro giocoso

VI. Ruheloser Seuzer in die Frühlingsnacht. Moderato poco rubato quasi fantasando

VII....ich fahre dahin wie ein Schatten, der vertrie : ben wird und verjaget, wie die Heuschrecken...(Ps. 109). Poco adagio

VIII. Das trunkne Lied. Allegro commodo poco capriccioso

IX. Epilog. Poco lento molto espressivo

I. Prologue. Moderato quasi andante

II. ...comme une lettre sur moi m me. Moderato

III. Maternité. Andante quasi allegretto

IV. Elegie (en forme d'un tryptichon).

- Poco rubato

- Poco adagio

- Andante

V. Serenade en Carneval. Allegro giocoso

VI. Soupir inquiet dans la nuit de printemps. Moderato poco rubato quasi fantasando

VII. ...je m'en vais comme l'ombre quand elle décline : et j'ai été emporté de côté et d'autre, ainsi que les sauturelles (Ps. 109). Poco adagio

VIII. Chanson ivre. Allegro commodo poco capriccioso

IX. Epilogue. Poco lento molto e.

SKU: HL.50487472

ISBN 9790080131541. 26,5 x 32,5 cm inches. Laszlo Lajtha.

I. Prologue. Moderato quasi andanteII. ...comme une lettre sur moi meme. Moderato III. Maternite. Andante quasi allegretto IV. Elegie (en forme d'un tryptichon). - Poco rubato - Poco adagio - Andante V. Serenade en Carneval. Allegro giocoso VI. Soupir inquiet dans la nuit de printemps. Moderato poco rubato quasi fantasando VII. ...je m'en vais comme l'ombre quand elle decline ; et j'ai ete emporte de cote et d'autre, ainsi que les sauturelles (Ps. 109). Poco adagio VIII. Chanson ivre. Allegro commodo poco capriccioso IX. Epilogue. Poco lento molto e.

SKU: BR.PB-5611

The music scholar Malcolm Bruno has prepared a new reconstruction of the work based on the meanwhile established parody model Trauerode BWV 198.

ISBN 9790004215081. 10 x 12.5 inches.

Welcome comebackBach's St John and St. Matthew Passions are popular and well established in concert life. Of a third, the Markus Passion, only Picander's original libretto is extant. Parallel arias from various cantatas replace the lacking music for arias, and instead of the lost recitative and the turba [crowd] choruses, the spoken gospel text is bilingually published in this edition (in German/English). The freshly-prepared performance material including a detailed commentary is supplemented by a newly-arranged piano reduction.,,Une version qui n'a rien d'authentique, mais qui tient la route. C'est du Bach de bout en bout et, contrairement a d'autres reconstitutions, l'editeur ne propose rien pour les recitatifs. L'evangeliste pourrait meme etre un recitant. Interessante suggestion. (Alain Paris, La Lettre du Musicien)

The music scholar Malcolm Bruno has prepared a new reconstruction of the work based on the meanwhile established parody model Trauerode BWV 198.

SKU: BR.OB-5631-27

final version 1910

ISBN 9790004343654. 10.5 x 14 inches.

The Symphony No. 1 (originally in five movements) was first performed in Budapest in 1889, but the premiere as well as two further performances in Hamburg and Weimar turned out to be a fiasco. After 1894 Mahler removed the Blumine-movement. Until the last performance under his direction in New York in 1909, Mahler made revisions again and again. This edition strives to present a, for the performance practice, reliable music text of the final extant version that in 1910 Mahler corrected and deemed accurate for the new print. The Editorial Report gives detailed information on the provenance and evaluation of the sources as well as authentic annotations on performance practice. Individual comments document editorial interventions and deviations from current editions.The cloth-bound volume PB 5661 contains next to the final version of the four-movement Symphony, the Blumine movement.Le format permet une lisibilite parfaite; le materiel a ete realise en tenant compte des conseils des bibliothecaires de grands orchestres. Particulierement precieux pour les non-germanistes, on trouve en fin de volume un glossaire traduisant les indications de Mahler de l'allemand vers l'anglais (ou l'italien). (Alain Paris, La Lettre du Musicien).

SKU: BR.OB-5631-23

final version 1910

ISBN 9790004343647. 10.5 x 14 inches.

The Symphony No. 1 (originally in five movements) was first performed in Budapest in 1889, but the premiere as well as two further performances in Hamburg and Weimar turned out to be a fiasco. After 1894 Mahler removed the Blumine-movement. Until the last performance under his direction in New York in 1909, Mahler made revisions again and again. This edition strives to present a, for the performance practice, reliable music text of the final extant version that in 1910 Mahler corrected and deemed accurate for the new print. The Editorial Report gives detailed information on the provenance and evaluation of the sources as well as authentic annotations on performance practice. Individual comments document editorial interventions and deviations from current editions.The cloth-bound volume PB 5661 contains next to the final version of the four-movement Symphony, the Blumine movement.Le format permet une lisibilite parfaite; le materiel a ete realise en tenant compte des conseils des bibliothecaires de grands orchestres. Particulierement precieux pour les non-germanistes, on trouve en fin de volume un glossaire traduisant les indications de Mahler de l'allemand vers l'anglais (ou l'italien). (Alain Paris, La Lettre du Musicien).

SKU: BR.EB-8916

The music scholar Malcolm Bruno has prepared a new reconstruction of the work based on the meanwhile established parody model Trauerode BWV 198.

ISBN 9790004185827. 7.5 x 10.5 inches.

Welcome comebackBach's St John and St. Matthew Passions are popular and well established in concert life. Of a third, the Markus Passion, only Picander's original libretto is extant. Parallel arias from various cantatas replace the lacking music for arias, and instead of the lost recitative and the turba [crowd] choruses, the spoken gospel text is bilingually published in this edition (in German/English). The freshly-prepared performance material including a detailed commentary is supplemented by a newly-arranged piano reduction.,,Une version qui n'a rien d'authentique, mais qui tient la route. C'est du Bach de bout en bout et, contrairement a d'autres reconstitutions, l'editeur ne propose rien pour les recitatifs. L'evangeliste pourrait meme etre un recitant. Interessante suggestion. (Alain Paris, La Lettre du Musicien)

The music scholar Malcolm Bruno has prepared a new reconstruction of the work based on the meanwhile established parody model Trauerode BWV 198.

SKU: BR.PB-5661

final version 1910

ISBN 9790004215982. 10.5 x 14 inches.

The Symphony No. 1 (originally in five movements) was first performed in Budapest in 1889, but the premiere as well as two further performances in Hamburg and Weimar turned out to be a fiasco. After 1894 Mahler removed the Blumine-movement. Until the last performance under his direction in New York in 1909, Mahler made revisions again and again. This edition strives to present a, for the performance practice, reliable music text of the final extant version that in 1910 Mahler corrected and deemed accurate for the new print. The Editorial Report gives detailed information on the provenance and evaluation of the sources as well as authentic annotations on performance practice. Individual comments document editorial interventions and deviations from current editions.The cloth-bound volume PB 5661 contains next to the final version of the four-movement Symphony, the Blumine movement.Le format permet une lisibilite parfaite; le materiel a ete realise en tenant compte des conseils des bibliothecaires de grands orchestres. Particulierement precieux pour les non-germanistes, on trouve en fin de volume un glossaire traduisant les indications de Mahler de l'allemand vers l'anglais (ou l'italien). (Alain Paris, La Lettre du Musicien).