SKU: BP.DF1023
6.88 x 10.5 inches.
From the composer: Written as a statement of support for, and allyship with, our Black brothers and sisters (as well as all people of color). Too often, in any aspect of life, we explain away other people??s experiences instead of seeking to understand experiences that differ from our own; we??re so busy talking about our own viewpoints that we fail to listen to the voices we most need to hear. I asked Tony Silvestri to write a text that could function as a personal statement from me to people I need to listen to??especially to my friends of color. This the text that resulted??words that speak powerfully for any situation where we need to listen to those who have been marginalized or mistreated, not heard or believed. For SATB or SSAA choir with piano and optional guitar.
SKU: SU.80300165
This arrangement is a medley of three spirituals: Come down, angels, Listen to the angels, and My way's cloudy, all from The Story of the Fisk Jubilee Singers, one of the earliest printed collections of slave spirituals. In all three, angels are the heavenly messengers who inspire and lead the singers out of bondage into the promised land. In this arrangement, the angels are not dimpled cherubs, but rather towering figures who energize the singers in their difficult and dangerous journey. Swing rhythm sections alternate with softer sections in straight rhythm, in this fine concert closer with barn-burning piano accompaniment. The spirituals' Exodus imagery makes this medley suitable for Passover programming, as well as for concerts which honor slave spirituals. SSAA and piano; 14 pages; duration: 5:00 min.; range: e to g#''; difficulty: medium. SSAA, piano Published by: Treble Clef Music Minimum order quantity: 8 copies.
SKU: HL.48024903
UPC: 840126930771.
This setting of Ave Regina c''lorum (Hail, O Queen of Heaven), one of the four Marian antiphons with origins in the 4th century, is ajoyous work for upper voices, suitable for children's or women's choirs. It is full of energy and, although it is largely homophonic, the rhythmic interplay between the parts creates interesting textures which combine with Arnesens recognisable, beautiful harmonic language. The jubilant outer sections contrast with a slower, more mysterious middle section where the text speaks of the Virgin Marys beauty. A joy to both sing and listen to, this new piece will make an attractive addition to a concert or service.
SKU: HL.1179919
UPC: 196288127499. 6.75x10.5x0.029 inches.
This powerful and passionate ballad by the Witch to her daughter from Sondheim's masterpiece Into the Woods is here set for the concert stage. It is a tour de force when performed with piano, but when using the optional instrumentation for 2 violins, viola, cello, celesta, and percussion, this will be a most memorable addition to a concert.
SKU: SU.80300220
Straightforward harmonic rhythms make this double-chorus motet easier than it looks: many parts, but none too hard. Its clear-cut echo patterns on Noe! cry out for performance by physically separated ensembles--a joyous acoustical experience for singers and listeners alike. SSAA/SSAA a cappella; Latin. Easy-Medium. SSAA/SSAA, a cappella Published by: Treble Clef Music Minimum order quantity: 8 copies.
SKU: SU.80300156
The haunting melody is variously placed against pedal points, with unison phrase closings, in the alto line, and at close imitation, to give the acoustic feeling of the singers' listening and longing for the sound of the beloved. SSAA (some divisi) a cappella; 6 pages; duration: 2:30 min.; range: f to g; difficulty: medium. SSAA, a cappella Published by: Treble Clef Music Minimum order quantity: 8 copies.
SKU: GI.G-9992
UPC: 785147999201. Latin. Text Source: from the Requiem Mass.
This French impressionistic and contemplative work, “In paradisum” (May the angels lead you into paradise ), was added to the original Requiem by Fauré in 1893. The original 1888 version was heard in Paris in a funeral Mass at La Madeleine with Fauré playing the organ. The text refers to the miracle of eternal rest (“aeternam habeas requiem”). In this edition for treble voices, listeners can hear the continuous fluttering of angel’s wings in the keyboard against the beautifully melodic, mostly unison vocal lines sung by the choir. The rich D major harmonies are developed toward the end of both verses and, finally, in the ending invitation to have eternal rest. About the Series: Doreen Rao, 2019 Robert Shaw Award recipient, launches her culturally inclusive choral series, Global Encounters for Young Voices, featuring accessible treble- and mixed-voice works for developing choirs.
SKU: HL.49045940
Artfully combining the old with the new - that is one of the hallmarks of Alwin M. Schronen. That this versatile balancing actor andbearer of numerous compositional prizes succeeds in mastering this artistic balancing act, he proves once again in his sacred choralcomposition Hodie Christus natus est. This Latin-speaking work for 8-part mixed choir a cappella (SSAATTBB) is based on the antiphonto the Magnificat of the Christmas Vespers. Schronen opens his Christmas song with the literal intonation of the traditional Gregorian melody. After this beginning, alternating between male and female voices, the composer lets the entire choir join in the jubilation of thanks for the birth of Jesus. He manages to lift the listener with his very own musical language in other heavenly realms. A wonderful, but at the same time vocally demanding piece of music, which is equally suitable for the use of church music asit is for concert use.
SKU: OU.9780193571532
ISBN 9780193571532. 10 x 7 inches.
For SSAATTBB unaccompanied Hazzard's enchanting Sanctus, setting text from the Latin Mass, captures the feeling of a rushing current throughout. Suitable for concert use, this piece features imaginative text-setting and driving rhythms that create an engaging experience for singers and listeners alike.
SKU: HL.153810
UPC: 888680097561. 6.75x10.5 inches.
Stacey Gibbs captures the soul of each Spiritual he arranges. The essense of the song is unchanged, yet something new and fresh appears. It is the spiritual we know and love, yet it glistens like never before. This 8-part setting continues that tradition and is an excellent choice for college or community choirs. Medium in difficulty.
SKU: HL.49018397
ISBN 9790001174220. UPC: 884088648763. 7.5x11.5x0.051 inches. Russian.
In the days of Roslawez, the use of lyrical texts in Russian choral music was an exception. Traditionally, sacred liturgical texts were preferred in choral singing. Roslawez composed only a few choral works anyway, so this excellent cantabile piece is a real treasure. The poem 'Na poljach' (In the Fields) was written by the Russian poet Pyotr Oreshin. Little solo parts answered by the tutti, charming harmonies and a floating rhythm result in an Impressionist tonal image. The piece is quite easy to sing and will bring pleasure to both performers and listeners.Roslawez studied composition and violin in Moscow. He was among the leading figures of the musical scene in the 1920s. Treated more and more with hostility for political reasons and eventually barred from pursuing his career, he spent the last years of his life in poverty.
SKU: HL.232830
UPC: 888680679255. 6.75x10.5 inches.
Rachmaninoff knew how to make a melody turn and stretch and draw the listener in to its flow. This arrangement for treble choir lets the voices carry the famous tune, sharing in harmony or even moving into counterpoint at times. Veteran pianist Jan Sanborn supplied her expertise to the piano accompaniment. A great concert choice for treble choirs of all ages. Easy to medium in difficulty.
SKU: HL.198468
UPC: 888680648060. 6.75x10.5x0.036 inches.
Originally an easy-listening pop hit for Petula Clark, this song lends itself well to a vocal jazz setting for mixed and women's groups, offering opportunities to develop intonation, blend, rhythm and solo techniques.
