/ Orchestre
SKU: BA.BA08833
ISBN 9790006566594. 31 x 24.3 cm inches. Preface: Luhning, Helga.
Of the four overtures that Beethoven composed for his only opera, the “Leonore Overture” No. 3 is the most popular. The first reviewer found fault with it for its “incessant dissonances and overblown fluttering of the violins” (Wiener Theater-Zeitung, 1806), but it soon became famous as “one of the most imposing, difficult, yet richest and strangest of compositions” (Allgemeine Musikalische Zeitung, 1810). This version of the “Leonore Overture” quickly established itself independently of the stage in the concert hall and has found a lasting place in the symphonic repertoire.The editor has devoted herself to the complex genesis of the various “Leonore Overture” versions, in particular the question whether the trumpet call in measures 272–277 and 294–299 should be played by one or two instruments. The edition is based on the Complete Edition of the “Works of Ludwig van Beethoven” issued by the G. Henle publishing company.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BR.OB-5512-16
For his new edition of the Leonore Overture, which is still wrongly labeled as No. 3 to this day, Christian Rudolf Riedel based himself for the first time on the Prague copy of the score that was rediscovered in 1977.
ISBN 9790004339015. 10 x 12.5 inches.
Urtext virgin territory: the overture Leonore No. 3 To this day, the two major Fidelio overtures are still performed from music texts that go back to the imprecise and corrupted first editions of the parts. In the meantime, however, the state of the sources for both works has significantly improved through many new findings. For his new edition of the Leonore Overture, which is still wrongly labeled as No. 3 to this day, Christian Rudolf Riedel based himself for the first time on the Prague copy of the score that was rediscovered in 1977. This score was most likely used by the conductor in 1806, and it helps clear up the previously unresolved textual problems of the work, such as, for example, the famous Presto passage in m. 514.For his new edition of the Leonore Overture, which is still wrongly labeled as No. 3 to this day, Christian Rudolf Riedel based himself for the first time on the Prague copy of the score that was rediscovered in 1977.
SKU: BR.OB-5512-27
ISBN 9790004339046. 10 x 12.5 inches.
SKU: BR.OB-5512-15
ISBN 9790004339008. 10 x 12.5 inches.
SKU: BR.OB-5512-19
ISBN 9790004339022. 10 x 12.5 inches.
SKU: BR.OB-5512-30
ISBN 9790004339053. 10 x 12.5 inches.
SKU: CF.SAS1F
ISBN 9781491157510. UPC: 680160916092. 9 x 12 inches.
Written in 1814, the Fidelio Overture was the fourth and final version chosen to open Beethoven's only opera by the same name. Though not as lengthy or grand as its three predecessors (the Leonore Overtures 1 - 3), it served its purpose as an opening statement without overshadowing the music to come. This string arrangement transposes the original key of E Major into the much more playable key of D Major. It retains the original opening which alternates between powerful majestic bursts and lyrical harmonic progressions while finishing with the energetic presto to the end. Rhythms have been simplified but are very much in the spirit of Beethoven's writing. The optional timpani gives this arrangement a symphonic quality that closely resembles the original.Written in 1814, the Fidelio Overture was the fourth and final version chosen to open Beethoven's only opera by the same name. Though not as lengthy or grand as its three predecessors (the Leonore Overtures 1 – 3), it served its purpose as an opening statement without overshadowing the music to come. This string arrangement transposes the original key of E Major into the much more playable key of D Major. It retains the original opening which alternates between powerful majestic bursts and lyrical harmonic progressions while finishing with the energetic presto to the end. Rhythms have been simplified but are very much in the spirit of Beethoven’s writing. The optional timpani gives this arrangement a symphonic quality that closely resembles the original.
SKU: CF.SAS1
ISBN 9781491157718. UPC: 680160916290. 9 x 12 inches.
