Latin American Piano Music

For Children And Adult Beginners. Par JUANITA MARTIN NEWLAND-ULLOA. Cette méthode de piano d\'introduction est un texte musical depuis longtemps pour ceux qui souhaitent encourager le bilinguisme chez les enfants et les adultes. Beaucoup des airs sélectionnés sont les joyaux que la plupart des enfants Amérique latine grandissent audition dans le cadre de leur folklore idiomatique. Egalement présenté sont certains originaux gagnante du prix par l\'auteur elle-même. Chansons comprennent Senora Santana, Ojos Azules, Mama yo quiero, Mi gallo et beaucoup d\'autres. Chansons sont choisis par de nombreux pays hispaniques et ils peuvent être joués comme solos de piano ainsi qu\'a joué et chantés simultanément. Comprend la guitare et piano pour ceux qui souhaitent ajouter en harmonie lorsqu\'ils sont prêts. Anglais et espagnol. / Niveau : Débutant à Intermédiaire / Latin American - Solos / Recueil / Piano

Charming and witty original pieces in five popular Latin-American rhythms a must for a foot-tapping recital encore. The dances are: Simple Samba Tantalising Tango Haunting Habanera Busy Bossa Nova and Rumbustious Rumba. Winner in the American National Flute Association's Newly Published Music Competition 2002.Grades: 4-6

This series explores the exciting and ever-changing world of Jazz showcasing the wide range of styles that have been influenced by Jazz including Rock'n'Roll Blues Calypso and Latin American music.Designed to be used in tandem with the Jazzabilities series Jazz Connection boasts nine inspiring solos for the Piano student rich in the rhythmic and melodic twists and turns that characterise the best in Jazz playing. Each solo explores a different style providing lots of experience and practice with the support of an audio CD that features both slow and quicker versions.

The Música Latina para Dos series by Wynn-Anne Rossi introduces students to the rhythms, styles, and musical characteristics of Latin American music. Each duet includes a short rhythm exercise to prepare students for the rhythm patterns featured in the piece, as well as a brief description to spark the performers' imaginations. The captivating rhythms and musical variety found in these duets will provide students with the opportunity to discover and celebrate Latin music---Música Latina. Book 1 contains duets written for piano students at the late elementary level. / Piano

The Música Latina para Dos series by Wynn-Anne Rossi introduces students to the rhythms, styles, and musical characteristics of Latin American music. Each duet includes a short rhythm exercise to prepare students for the rhythm patterns featured in the piece, as well as a brief description to spark the performers' imaginations. The captivating rhythms and musical variety found in these duets will provide students with the opportunity to discover and celebrate Latin music---Música Latina. Book 4 contains duets written for students at the late elementary level. / Piano 4 Mains

20 new pieces based on latin rhythms for the beginner pianist-Soak up the rhythm and atmosphere in Christopher Norton's all-new set of Piano miniatures. MicroLatin introduces the beginner to the excitements of Latin-American musical styles: twenty pieces capturing the characteristics qualities of this invigorating and enchanting music but with only moodest technical challenges. Play along to the backing CD or listen to the composer's own vibrant performances. Suitable for beginner to intermediate level players.

This method is intended for pianists and other Keyboard players with the desire to learn Latin music and other South American rhythms.You will begin with a review of basic harmony and discover arrangements typical of the different styles of Latin music as well as their musical applications.Regarding improvisation you will find simple explanations and appropriate examples and you will be provided with a solid introduction to the interpretation of the solos.From Samba to Bossa Nova Guarija Son Montuno the Cha Cha Cha Salsa and even the Blue-Bossa many different styles are covered in this book.The DVD video features examples to aid yourunderstanding while the audio CD contains many musical accompaniments over which you can play some of the styles taught in the lessons as well as practice freely.

Latino For Trumpet arranged by Robert Ramskill for Trumpet and Piano accompaniment. Some of the greatest melodies of twentieth century popular music are Latin American either in origin or in inspiration. The subtle and evocative rhythms of such forms as the Samba Bossa Nova Tango and Rumba are to be found in this collection of arrangements of Latin favourites all of which would make excellent concert material.

The Syncopated Piano Music-This collection showcases the syncopated piano music of Latin American during the nineteenth and early twentieth centuries. It features Latin rhythms which are really African rhythms brought to the Americas by slaves and appliedto the music of the European colonists. These rhythms are varied and complex and so is their history. They've had a widespread and profound influence on the evolution of popular music not only in Latin America but also in theUnited States. The most obvious offshoots are the tango in Argentine and Uruguay and most of the other popular dances of South and Central America as well as ragtime and jazz in the United States. Jelly Roll Morton claimed this'Latin tinge' is the essential element that distinguishes jazz from ragtime. These rhythms are the musical roots of groups like 'The Buena Vista Social Club.' Includes historic tangos written by Ignacio Cervantes - Cuba Manuel Saumell - Cuba Juan Morel Campos - Puerto Rico Jose Quinton - Puerto Rico Ernesto Nazareth -Brazil Tomas Leon - Mexico Sebastian Yradier - Spain Eduardo Sanchez du Fuentas - Cuba Will Tyers - USA Vincente Greco -Argentina Anselmo Rosendo (Mendizabal) - Argentina Angel Villoldo - Argentina Eduardo Arolas - Argentina Juan Maglio - Argentina

This collection showcases the syncopated piano music of Latin American during the nineteenth and early twentieth centuries. It features Latin rhythms, which are really African rhythms brought to the Americas by slaves and applied to the music of the European colonists. These rhythms are varied and complex and so is their history. They've had a widespread and profound influence on the evolution of popular music not only in Latin America, but also in the United States. The most obvious offshoots are the tango in Argentine and Uruguay and most of the other popular dances of South and Central America, as well as ragtime and jazz in the United States. Jelly Roll Morton claimed this Latin tinge is the essential element that distinguishes jazz from ragtime. These rhythms are the musical roots of groups like The Buena Vista Social Club.Adios a Cuba (I.Cervantes) - Almendares (I.Cervantes) - Carioca (Ernesto Nazareth) - Coquetona (Danza) (Jose I.Quinton) - Cruz, Perigo!! (Ernesto Nazareth) - El Entreriano (Tango) (A.Rosendo) - El Esquinazo (Tango Criollo) (A.G.Villoldo) - El Panuelo de Pepa (Contradanza) (manuel Saumell) - El Zurdo (Tango) (Juan Maglio) - Esta Chumbado (Ernesto Nazareth) - Garoto (Ernesto Nazareth) - Ilusiones Perdidas (I.Cervantes) - l Chicotazo (Tango No.2) (Vincente Greco) - La Encantadora (I.Cervantes) - La Isabelita (J.Morel Campos) - La Luz Electrica (Tomas Leon) - La Matilde (Contradanza) (Manuel Saumell) - La Paloma (Sebastian Yradier) - La Quejosita (Manuel Saumell) - La Reina de las Flores (Tomas Leon) - Lamentos de Amor (Manuel Saumell) - Laura y Georgina (J.Morel Camppos) - No Me Toques! (J.Morel Campos) - O Que Ha? (Tango) (Ernesto Nazareth) - Por Que, Eh? (Why, Eh?) (I.Cervantes) - Que Le Importa a Usted? (Tomas Leon) - Quien Sabe (Tomas Leon) - Recuerdos de Gottschalk (Contradanza) (Manuel Saumell) - Remando (Tango) (Ernesto Nazareth) - Suipacha (Tango Milonga) (Eduardo Arolas) - Tiene Que Ser (It Must Be) (I.Cervantes) - Trocha (A Cuban Dance) (Wm.H.Tyres) - Tu (Habanera) (E.Sanchez Fuentes) - Vaya Una Pregunta (Tomas Leon) - Vitorioso (Tango) (Ernesto Nazareth) - Vuelta al Hogar (I.Cervantes) - Yo Se Lo Dire a Ustted (Tomas Leon)

5 pieces, some of which are inspired by Latin American rhythms:LatinBalladeDiscoIntermezzoBrasi / Violoncelle Et Piano

From Adagio for Strings Op. 11 Latin Only-A terrific SATB setting of Samuel Barber’s popular Agnus Dei (or Lamb of God). Taken from his 1936 composition Adagio for Strings Op.11 it is among the most familiar pieces of American concert music and has graced Film and Television with it’s poignant sincerity. It is a dignified simple work with the repetition of a rhapsodic section that rises to a climax the intensity gradually building and then falling away following the ‘arch’ form tradition. This is a wonderful Latin Text version of Agnus Dei and has been transcribed effectively for Full Mixed Chorus and optional Piano accompaniment.