SKU: HL.244917
UPC: 888680709259. 6.75x10.5x0.019 inches.
Excerpted from ??The SAB Choir Goes Renaissance? (00221998), this single offers simple, homophonic singing through the verse but a wonderful opportunity for your choir to sing Renaissance polyphony through the ??Fa la la? section. In keeping with the style of the Renaissance, an optional hand percussion part has been added as a possible enhancement.
SKU: HL.234722
ISBN 9781540020819. UPC: 888680688233. 6.75x10.5x1.33 inches.
Here is a fantastic resource for introducing the music of the Renaissance to developing ensembles or groups with limited male singers. Purchase the Performance Kit and receive a code to access audio tracks online through My Library. The six works by Thomas Weelkes, featuring optional percussion, are: Come, Let's Begin; Four Arms, Two Necks, One Wreathing; Late in My Rash Accounting; The Nightingale; Since Robin Hood; Strike It Up, Tabor.
SKU: ST.EM13
ISBN 9790220218019.
CONTENTS Alas! tarry but one half hour (SST ) As deadly serpents lurking (SA (or S) T ) As Vesta was descending (SSATTB ) Ay me, alas, hey ho (SST ) Come lets begin to revel At out (SSA (or T) ) Come sirrah, Jack ho (SSA (or T) ) Death hath deprived me (SS (or A) T (or A) TBB ) Donna il vostro bel viso (SSA (or T) ) Fa la. Now weep and sing (SA (or S) T (or B) ) Four arms, two necks, one wreathing (SSA ) Ha ha! this world doth pass (SST (or A) ) I bei ligustri e rose (SSA ) Jockey thine horn-pipeAs dull (SSA (or T) ) Late in my rash accounting (SSA (or T) ) Lord when I think (SSA (or T) ) No, though I shrink still (SSA ) Say, wanton, will you love me? (SSA (or T) ) Since Robin Hood (SA (or S) T ) Some men desire spouses (SSA ) Strike it up, Tabor (SST ) Tan ta ra cries Mars (SSA (or T) ) The Ape, the Monkey and Baboon (SSA ) The gods have heard my vows (SSA ) The nightingale, the organ of delight (SSA (or T) ) Though my carriage be but careless (SSA ) Tomorrow is the marriage day (SSA (or T) ) Upon a hill the bonny boy (SSA ).
SKU: HL.14069918
SKU: BA.BA10578-01
ISBN 9790260109056. 33 x 26.2 cm inches. Preface: Brezina, Aleš.
The two concertos contained in this volume represent two different stylistic periods within Martinu's work. TheConcerto da Camera(1941) is the last of his works inspired by the Baroque concerto grosso. TheRhapsody-Concerto, composed eleven years later (1952), was the first work of his so-calledfantasia period, marked by a more open sense of form and an expansion of tonality. The edition of theConcerto da Camerashows, for the first time, the extent of Martinu's modifications to the work since its composition and publication, particularly to the solo violin part. The edition of theRhapsody-Concertotakes into account previously unknown contemporary performance materials which have recently been discovered.This volume of the Bohuslav Martinu Complete Edition (BMCE) is based on a wealth of text and music sources, in particular autographs and contemporary copies that were recognized by the composer and early performers of the works, as well as some first editions produced under the supervision of Martinu.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
