La La Land - Piano Duet

58 Essential Masterworks. Par . Featuring 58 carefully curated classical duets from elementary to intermediate, this 1 piano, 4 hands collection is a must-have for every piano studio. Features comb-binding for easy page turns. Includes works by Brahms, Czerny, Gurlitt, Lully, Schubert, Tchaikovsky, and many more. The graded pieces are presented in a progressive order from elementary through to intermediate level. The authentic repertoire is ideal for lessons and recitals, and every level includes a reference chart with the key, composer, and challenge elements listed for each piece. The Beckman/True Duo has been performing together since 2000 in national and international venues. Presenting both standard and contemporary works from 1900 to present day, their programs include music for duo pianos and piano duet. They have released multiple recordings and are also committed teachers who have taught workshops for experienced teachers and young musicians. They have adjudicated and performed in venues across the globe. / Date parution : 2021-12-09/ Recueil / 2 Pianos

This collection of 45 piano duets (for one piano, four hands) consists of selections for teachers and students at the elementary to late elementary levels. Duet repertoire from the 18th, 19th, and early 20th centuries are included by such composers as Cui, Diabelli, Enke, Foote, Godowsky, Gurlitt, Löw, Reinecke, Sartorio, and more. Students will improve in musicianship, ensemble performance, fingering, and rhythmic control while enjoying this delightful duet literature. To facilitate reading, the primo and secondo parts are on separate pages. The comb binding creates a lay-flat book that is perfect for study and performance. Essential ornamentation is realized in footnotes, both parts contain measure numbers for convenient reference, and brief composer biographies are included. / Piano 4 Mains

Cyril Scott was an English composer writer and poet. He was essentially a late romantic composer whose style was at the same time strongly influenced by impressionism. His harmony was notably exotic. Scott wrote around four hundred works which include two mature symphonies three operas three Piano concertos concertos for Violin Cello Oboe and Harpsichord several overtures four oratorios as well as a mass of chamber music.Scott is undoubtedly best known for the solo Piano piece Lotus Land which is transcribed here for two Pianos. LotusLand seems impossibly modern for 1905 and additionally possesses a preternatural sense of jazziness. It has been recorded over fifty times both in its original form for Piano and in a wide variety of arrangements from vocals to jazz groups and from Brass bands to Synthesizer. Later Scott also wrote a poem with the same name.

Rhapsody in F Sharp was commissioned by the BBC Proms and first performed in the Royal Albert Hall on August 19th 1943. Written for solo Piano with Orchestra accompaniment it has been arranged here for twoPianos. Written with the wartime audience in mind it is unashamedly popular in style with a flashy virtuosity making it immediately accessible and entertaining. There is argument among scholars as to whether it should bereferred to in the Major or Minor key as it makes almost equal use of both starting in one and finishing in the other. Ernest J Moeran (1894-1950) was an English composer who followed the tradition of R. VaughanWilliams and John Ireland by collecting preserving and using many folk songs mainly from Norfolk Suffolk and Ireland.

The Green Hills of Tyrol (Les vertes collines du Tyrol) est une commande de Jrena et Beat Knüsel pour leur fils, le joueur d?euphonium suisse Joel Knüsel, pour célébrer son 20e anniversaire, en 2019. Ils souhaitaient une pièce adaptée à une compétition de solistes, peut-être fondée sur une mélodie écossaise ou irlandaise, et le compositeur Philip Sparke suggéra qu?un air varié à l?ancienne pourrait leur convenir. La pièce adopte la formule typique d?un thème suivi de quatre variations. L\'histoire de la mélodie d?origine est fascinante. Bien que celle-ci soit maintenant bien connue en tant qu?air pour cornemuse, ses racines se trouvent en Autriche ou en Italie, plutôt qu?en Écosse. La mélodie apparaît dans un ch?ur de soldats suisses dans l?opéra de Rossini Guillaume Tell (1829), mais était sans doute empruntée à un air folklorique tyrolien. En 1854, durant la guerre de Crimée, le cornemuseur-major John MacLeod, du 93e régiment des Highlanders, entendit des musiciens du contingent sarde interpréter des extraits de l?opéra dans leur camp avant le siège de Sébastopol. La mélodie lui plaisant fort, il l?arrangea pour ses cornemuseurs. Il l?intitula The Green Hills of Tyrol, d?après le passage de Tell dans ce coin du Tyrol dans l?opéra. Depuis, elle est devenue populaire auprès des ensembles de cornemuses, qui l?appellent communément A Scottish Soldier suite à l?ajout de nouvelles paroles dans un succès de 1961 par Andy Stewart. / Partitions classique / Ensemble et orchestre / Ensemble vents / ANGLO MUSIC

for Piano and Orchestra-The seven years that the Spanish composer Falla spent in Paris (from 1907 to 1914) marked a turning point in his compositions. His encounter with contemporary French Impressionist music made a big impact on him. From then on itwas to leave its mark on his oeuvre which was otherwise inspired by Spanish folk music. It was thanks to the advice of the pianist Ricardo Viñes and the composer Isaac Albéniz that Falla decided to expand his ?Nocturnes? for solopiano of 1909 into a three-part symphonic suite for piano and orchestra. He finally completed it in 1915 and named it ?Noches en los jardines de España? (?Nights in the gardens of Spain?). Yuja Wang kindly provided fingerings forthe solo piano part of de Falla?s enchanting musical evocation of his Andalusian homeland.

from Rodeo. Arranged for two pianos by Arthur Gold and Robert Fizdale-2 Pianos 4 Hands. Copland A.

Excerpts from the Ballet. Arrangement for two pianos by the composer-2 Pianos 4 Hands. Copland A

This piano duet collection (four hands at one piano) contains a variety of hymns arranged for accomplished church musicians performers or students. Selections include driving rhythmic settings of At Calvary; The Lily of the Valley; and Joyful Joyful We Adore Thee contrasted with the more sedate and serene arrangements of Beneath the Cross of Jesus; Be Thou My Vision;and Nearer My God to Thee. In addition the volume includes a sparkling carol medley Christmas Joy which will be useful in myriad occasions—from church services to school Christmas programs to December recitals and concerts. Arranger Frank Milholland’s extensive band and orchestra background shinesthrough in this keyboard collection as the duets often seem to suggest their own orchestration.

Instrument : double bass and piano Nombre de Pages : 58 Amazing Solos are amazingly wide-ranging selections of easy pieces. From Bach to Bernstein, a great variety of musical styles is included - folk melodies from England and Peru, baroque and classical 'lollipops', jazz and modern classics. A unique collection of exciting and varied music for the early grades! The edition is part of the Trinity syllabus 2007 (grade 3-6) and of the ABRSM Summer 2006 (grades 2, 4-7). Content : La donna è mobile (Verdi) - Three Moravian Folksongs (Janácek) - Allegro (Mozart) - Allegro (Vivaldi) - Amazing Grace (Trad.) - America (Bernstein) - Basse Danse (Warlock) - Braul, Bucsum Dance (Bartók) - Caprice 24 (Paganini) - Come Neighbours All - Cool (Bernstein) - Ein Jungling liebt ein Madchen (Schumann) - Ein Madchen oder Weibchen (Mozart) - Fiddler's Song (Humperdinck) - Grand March (Verdi) - Green Gravel (Trad.) - Lilliburlero (Trad.) - Minuet (Bach) - Peruvian Dance Tune (Trad.) - Pop goes the Weasel (Trad.) - Solveg's Song (Grieg) - Stars no Moon (Trad.) - There was a Crooked Man (Trad) - Troika (Prokofieff) - Tune Town Shuffle (Basie)

The Ceilidh Collection (New Edition) Complete Edition Traditional Fiddle Tunes from England, Ireland

Works For Piano Duet-'Flee the storms.' Reynaldo Hahn (1874-1947) put this motto of classical artists at the heart of his music for piano four hands preferring the balance of proportions to the roar of passions the eclecticism of good taste charm and delicacy. Berceuses falls within the French tradition of children's music such as illustrated by Fauré's Dolly and Ravel's Ma mère l’Oye. These seven pieces evoke with refinement the happiness of a cloudless day the effervescence that reigns on Christmas Eve or the gentle syncopated rocking of a young Creole Selfiana. The Variations puériles sur une mélodie de CarlReinecke manifest a free whimsical vein whereas the Trois préludes sur des airs irlandais drink at the pure sources of folk music borrowing their thematic material from the famous collection Songs of Old Ireland which Stanford had brought out in 1882. Published for the first time from a handwritten score the Variations sur un thème de Charles Levadé end with a wild quadrille that takes the heroes of the celebration to the nearest inn. The Pièce en forme d’aria et Bergerie from 1896 finely polished takes up with the ambiance of the pastorale popular in the 17th century.