Johannes Brahms: Sonata For Clarinet & Piano No.2 In E Flat: Clarinet:

Op. 120 No 1 in F-minor-Brahms' Sonata For Clarinet and Piano Op. 120 No. 1 In F Minor. Dowani 3 tempi play along with 2CDs containing full performance and backing track versions.

Barenreiter Urtext Edition of Brahms' Sonatas In F Minor And E-Flat Op.120 for Clarinet and Piano.Features:A pioneering Urtext edition with an extensive Performance Practice CommentaryFor further information on Romantic performance practice we recommend the text booklet: ?Performance Practices in Johannes Brahms? Chamber Music? BA 9600Brahms had already announced his 'retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter renewed Brahms' enthusiasm for Mühlfeld?s muchadmired playing and inspired him to write two new Clarinet sonatas in the summer of the same year. Brahms and Mühlfeld premiered the works and played them in several performances until the Sonatas Op.120 were first published in June 1895. These two works remain pivotal in the Clarinet?s recital repertoire establishing the Clarinet sonata as a distinct and viable chamber music genre.This edition features an extensive preface that informs about the sonatas? origins their compositional process pre-publication performances and their publication history as well as their early reception. Another truly remarkable aspect of this publication is the unique Performance Practice Commentary. Here the editors start from the premise that only a few decades after Brahms' death a widening gulf was already developing between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. The editors provide an indispensable assistance for a historically informed interpretation of the work through a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation Clarinet vibrato and portamento. At the same time the edition offers an exciting and often surprising

Op. 120 No. 1 F minor / Fa mineur / f-Moll. Par BRAHMS JOHANNES. Cette édition présente l?une des plus célèbres ?uvres pour clarinette du ­répertoire de musique de chambre du 19e siècle : la première sonate pour clarinette et piano (opus 120 N° 1) en Fa mineur de Johannes Brahms. Les playbacks vous permettent de travailler l??uvre systématiquement à trois tempos différents avec un accompagnement professionnel. Chaque playback fait d?abord entendre la version de concert d?un morceau (clarinette et piano). Mais vous y trouverez également un accompagnement de piano pour travailler à un tempo lent puis un autre à un tempo intermédiaire. Une fois un morceau maîtrisé, vous pourrez le jouer au tempo d?origine avec l?accompagnement de piano. Toutes les versions ont été enregistrées en live. / Date parution : 2022-02-17/ Répertoire / Clarinette et Piano

An important work for Clarinet with Piano accompaniment from Brahms' rich-textured romantic repertoire. A heavier moodier piece than the opening movement of the Opus 120 but they compliment each other magnificently.

Par SENFTER JOHANNA. The number of well-known clarinet quintets is quite small. The only major composers whose clarinet quintets are relatively widespread are Mozart, Brahms, Weber and Reger. The composer Johanna Senfter (1879-1961) from Oppenheim admired the music of Johannes Brahms and of Max Reger who was her teacher. Her chamber music œuvre conveys a certain closeness to the clarinet. She even wrote a Sonata for clarinet, viola, horn and piano, op. 37, a Sonata for clarinet or viola and piano, op. 57, as well as a Trio for clarinet, horn and piano, op. 60. Continuing the historic line of Brahms and Reger, the clarinet quintet is steeped in the harmony, compositional style and expressiveness of her teacher Reger - a style which she developed even further and increased in expressiveness. This quintet is, without doubt, a valuable addition to the repertoire./ Répertoire / Clarinette et Quatuor à Cordes

Facile à jouer mélodie arrangements de ligne pour clarinette, complet avec les symboles de la corde de concert pitch. Comprend la musique de Mozart, Beethoven, Elgar, Bach et Haendel. / Clarinette / 64 pages / Partition

Les plus grandes ?uvres pour Piano de Johannes Brahms, arrangées pour Piano Solo / Classique / Partition /