Es wartet alles auf dich (PA)BWV187
SKU: CA.3118714
ISBN 9790007209995. Text language: German/English.
The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from Psalm 104 shows in its formal diversity Bach at the height of his powers. The second part of the cantata begins with a biblical text (Matthew 6, 31 ff.), not as a choral movement here, but as an extended bass arioso (Vox Christi). A meditative soprano aria with solo oboe forms the high point of the second part. Bach re-used the opening chorus, both the arias and even the bass arioso later in the G minor Mass BWV 235. Score and part available separately - see item CA.3118700.
SKU: CA.3118703
ISBN 9790007182946. Language: German/English.
The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from Psalm 104 shows in its formal diversity Bach at the height of his powers. The second part of the cantata begins with a biblical text (Matthew 6, 31 ff.), not as a choral movement here, but as an extended bass arioso (Vox Christi). A meditative soprano aria with solo oboe forms the high point of the second part. Bach re-used the opening chorus, both the arias and even the bass arioso later in the G minor Mass BWV 235. Score available separately - see item CA.3118700.
SKU: CA.3118709
ISBN 9790007209957. Language: German/English.
The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from Psalm 104 shows in its formal diversity Bach at the height of his powers. The second part of the cantata begins with a biblical text (Matthew 6, 31 ff.), not as a choral movement here, but as an extended bass arioso (Vox Christi). A meditative soprano aria with solo oboe forms the high point of the second part. Bach re-used the opening chorus, both the arias and even the bass arioso later in the G minor Mass BWV 235. Score and parts available separately - see item CA.3118700.
SKU: CA.3118713
ISBN 9790007209988. Text language: German/English.
SKU: CA.3118749
ISBN 9790007210007. Language: German/English.
SKU: CA.3118707
ISBN 9790007242374. Language: German/English.
SKU: CA.3118705
ISBN 9790007182984. Language: German/English.
SKU: CA.3118719
ISBN 9790007183318. Language: German/English.
SKU: CA.3118712
ISBN 9790007209971. Text language: German/English.
SKU: CA.3118711
ISBN 9790007209964. Text language: German/English.
SKU: CA.3118700
ISBN 9790007171650. Language: German/English.
The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from Psalm 104 shows in its formal diversity Bach at the height of his powers. The second part of the cantata begins with a biblical text (Matthew 6, 31 ff.), not as a choral movement here, but as an extended bass arioso (Vox Christi). A meditative soprano aria with solo oboe forms the high point of the second part. Bach re-used the opening chorus, both the arias and even the bass arioso later in the G minor Mass BWV 235.
SKU: BR.OB-4687-30
ISBN 9790004318881. 9 x 12 inches.
SKU: BR.PB-4687
ISBN 9790004205143. 9 x 12 inches.
SKU: TM.02282SET
Oboe solo in No. 5 Arie.
SKU: TM.02282SC