Johann Sebastian Bach: Trust In The Lord: Baritone Voice: Vocal Work

SKU: HL.14003067

English.

SKU: CA.3110219

ISBN 9790007136529. Key: G minor / c minor. Language: German/English.

In 1726 Johann Sebastian Bach performed a series of cantatas by his Meiningen cousin Johann Ludwig, then continued this series with his own works, but remained faithful to the textual models used his cousin: a Meiningen cycle of texts by an unknown author from the early 18th century. All these texts share the characteristic of including two quotations from the bible: one from the Old Testament at the beginning, and another from the New Testament in the middle. These cantatas include Herr, deine Augen sehen nach dem Glauben BWV 102. The opening chorus in several sections is one of Bach's masterpieces of choral composition. The cantata is also one of those works on which Bach's later reputation was based: performances are documented from 1776 in Hamburg and in Berlin by Zelter's Sing-Akademie from 1813 onwards. In 1830 it was one of the very first cantatas by Bach to appear in print. Score and parts available separately - see item CA.3110200.

SKU: CA.3105224

Language: German/English. Text: Birkmann, Christoph.

It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score and part available separately - see item CA.3105200.

SKU: CA.3110207

ISBN 9790007047382. Key: G minor / c minor. Language: German/English.

In 1726 Johann Sebastian Bach performed a series of cantatas by his Meiningen cousin Johann Ludwig, then continued this series with his own works, but remained faithful to the textual models used his cousin: a Meiningen cycle of texts by an unknown author from the early 18th century. All these texts share the characteristic of including two quotations from the bible: one from the Old Testament at the beginning, and another from the New Testament in the middle. These cantatas include Herr, deine Augen sehen nach dem Glauben BWV 102. The opening chorus in several sections is one of Bach's masterpieces of choral composition. The cantata is also one of those works on which Bach's later reputation was based: performances are documented from 1776 in Hamburg and in Berlin by Zelter's Sing-Akademie from 1813 onwards. In 1830 it was one of the very first cantatas by Bach to appear in print. Score available separately - see item CA.3110200.

SKU: CA.3110213

ISBN 9790007047429. Key: G minor / c minor. Language: German/English.

In 1726 Johann Sebastian Bach performed a series of cantatas by his Meiningen cousin Johann Ludwig, then continued this series with his own works, but remained faithful to the textual models used his cousin: a Meiningen cycle of texts by an unknown author from the early 18th century. All these texts share the characteristic of including two quotations from the bible: one from the Old Testament at the beginning, and another from the New Testament in the middle. These cantatas include Herr, deine Augen sehen nach dem Glauben BWV 102. The opening chorus in several sections is one of Bach's masterpieces of choral composition. The cantata is also one of those works on which Bach's later reputation was based: performances are documented from 1776 in Hamburg and in Berlin by Zelter's Sing-Akademie from 1813 onwards. In 1830 it was one of the very first cantatas by Bach to appear in print. Score and part available separately - see item CA.3110200.

SKU: CA.3110212

ISBN 9790007047412. Key: G minor / c minor. Language: German/English.

In 1726 Johann Sebastian Bach performed a series of cantatas by his Meiningen cousin Johann Ludwig, then continued this series with his own works, but remained faithful to the textual models used his cousin: a Meiningen cycle of texts by an unknown author from the early 18th century. All these texts share the characteristic of including two quotations from the bible: one from the Old Testament at the beginning, and another from the New Testament in the middle. These cantatas include Herr, deine Augen sehen nach dem Glauben BWV 102. The opening chorus in several sections is one of Bach's masterpieces of choral composition. The cantata is also one of those works on which Bach's later reputation was based: performances are documented from 1776 in Hamburg and in Berlin by Zelter's Sing-Akademie from 1813 onwards. In 1830 it was one of the very first cantatas by Bach to appear in print. Score and part available separately - see item CA.3110200.

SKU: CA.3105209

ISBN 9790007206307. Language: German/English. Text: Birkmann, Christoph.

It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score and parts available separately - see item CA.3105200.

SKU: CA.3105213

ISBN 9790007206338. Language: German/English. Text: Birkmann, Christoph.

It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score and part available separately - see item CA.3105200.