Johann Sebastian Bach: Three Sonatas For Cello And Piano

BWV 1033 1031 1020 überliefert als Werke Johann Sebastian Bachs-Three SonatasBWV 1033 in C major for Flute and Basso Continuo.BWV 1031 in E-flat major and BWV 1020 in G minor for Flute and obbligato Harpsichord.Handed down as works by Johann Sebastian BachBach?s preferred instrument for chamber music after the Violin was the traverse Flute. Yet today it is impossible to determine exactly how much music he wrote for this instrument or the genesis of those compositions that survive.Our edition includes a preface (Ger-Eng) by Bach scholar Alfred Dürr and a ctitical report (Ger-Eng) listing the sourecs with source analysis.

for Violoncello and Harpsichord-Three Sonatas For Cello And Piano by Johann Sebastian Bach (1685-1750) edited by Hans Eppstein. Set of performance parts (includes separate pull-out cello part) for cello and piano (or harpsichord). Urtext of the New Bach Edition. 71 pages. Published by Baerenreiter-Ausgaben (German import). (BA.BA5210)

Easier Piano Pieces 18-This is a delightful collection of 18 short preludes composed by J.S. Bach and edited here for Piano by Hedwig McEwen and Kethleen Long.The preludes are here grouped in three sets of six each. The first group comes from the Wilhelm Friedemann Bach Notebook compiled by J.S. Bach for the instruction of his eldest son. However Nos. 3

This collection of Three Popular Pieces comprises beautiful arrangements of Bach's popular works for Piano Duet as arranged by Leonard Duck. The pieces included are: Jesu Joy Of Man's Desiring Sheep May Safely Graze and Sleepers Wake.

arranged for bassoon unaccompanied-A selection of three movements from J. S. Bach?s six suites for solo cello arranged for unaccompanied Bassoon. This is really useful recital and study repertoire for students as the arrangements include some suggestions for dynamics and phrasing.

These String Trio arrangements of some of Bach's many 'inventions' (published by SJ Music in two volumes) will bring pleasure to all who play them. The 2nd Violin part as an alternative to the Viola part makes them accessible with or without a Viola player on hand.

German Baroque composer Johann Ludwig Krebs (1713 - 1780) was born in Buttelstedt and was sent to Leipzig to study with Johann Sebastian Bach. Considered one of Bach's finest students many compositions of Krebs have been erroneously attributed to Bach. Krebs composed two concertos for lute and orchestra including this Concerto in F Major in three movements: Allegro Larghetto and Allegro assai. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adapted from lute tablature to modern notation) andguitar (capotasto). Additionally the solo parts feature two versions/interpretations. Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Viola Cembalo/Cello/Contrabass German Baroque composer Johann Ludwig Krebs (1713 - 1780) was born in Buttelstedt and was sent to Leipzig to study with Johann Sebastian Bach. Considered one of Bach's finest students many compositions of Krebs have been erroneously attributed to Bach. Krebs composed two concertos for lute and orchestra including this Concerto in F Major in three movements: Allegro Larghetto and Allegro assai. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adapted from lute tablature to modern notation) andguitar (capotasto). Additionally the solo parts feature two versions/interpretations. Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Viola Cembalo/Cello/Contrabass

Eight Little Three-part Pieces. Par BACH JOHANN SEBASTIAN. Johann Sebastian Bach wrote the present short, three-voice pieces for cembalo. Minuet BWV 929 comes from the collection entitled Small Preludes and Fughettas and was probably written as teaching material. The Minuet and the Polonaise from the Notebook for Anna Magdalena Bach are examples of the Bach family's domestic music. Gavotte II (ou la Musette) and Gavottes I and II come from the English Suites, while a further gavotte was sourced from the French Suite No. 5. The Recorder Trio à la Carte series presents attractive pieces for recorder trio that cover a wide stylistic spectrum encompassing arrangements and original compositions from the classical and entertainment repertoire. It also combines the instruments of the recorder family in various ways. Recorder Trio à la carte opens up new paths that feature high quality, professional-standard recorder literature which motivates young players, sounds good and appeals to listeners. • Spirited dances by J. S. Bach in stylish arrangements for an enjoyable venture into the world of Baroque music • Suitable for students of all ages at intermediate-level and beyond • A beautiful addition to the J.S. Bach recorder repertory/ Recueil / 3 Flûtes à Bec SAB/STB

BWV997-The purpose of the series if Bach was a cellist is to live the fantasy that everything Bach wrote he wrote for the cello. It may also serve as a way for cellists to get close to Bach through works other than the six solo suites and the three gamba sonatas.I first came across the Partita by Johann Sebastian Bach in a version for flute and strings beautifully recorded by Kurt Redel. Since my early teens it has been on my list of special pieces.The four movements show extraordinary variation. In the hands of Bach the key of C minor becomes particularly powerful of limitless weight sometimes even stern. Is there an opening of a movement from the baroqueera which compares with power of the first movement here? It is a magni-ficent example of musical temperament.Three 18th century manuscripts survive. One found among the papers of C.Ph.E.Bach and two by Johann Philipp Kirnberger a student of J.S.Bach. All three are in the form of a keyboard sonata. Because of the choice of register however one may ask whether they are in turn arrangements of an original composition for solo flute or solo violin. The Double is very pianistic and may therefore have been added later. For all movements except the Fugue I have supplied a piano part for the right hand.

Between 1717 and 1723 Johann Sebastian Bach composed Six Suites for Violoncello (BWV 1007 ??? BWV 1012). Of these the first three have been transcribed for Guitar in this coursebook. Between 1717 and 1723 Johann Sebastian Bach composed Six Suites for Violoncello (BWV 1007 ? BWV 1012). Of these the first three have been transcribed for Guitar in this coursebook which in itself is a considerable amount of work. For guitarists these compositions are a real challenge ? a challenge however that brings with it a lot of benefits. Because once you get to know them you get hooked on them and by playing them you?ll be able to considerably refine your playing technique. But believe me the pieces are so gripping that you?ll barely notice the effort! Every suite presented in this coursebook comprises sixmovements. The first of these is always a prelude followed by five dances. The CD attached to the coursebook presents every single one of the 18 movements in its full length in order to help you interpret them flawlessly.

Johann Sebastian Bach Volume I. This monumental study of Johann Sebastian Bach ranks among the great classics of musicology. Since its first publication in 1873-80, it has remained the basic work on Bach and the foundation of later research and study. The three-part treatment describes in chronological sequence practically everything that is known of the composer's life: his ancestry, his immediate family, his associations, his employers, and the countless occasions on which his musical genius emerged. Author Philipp Spitta accompanies this biographical material with quotations from primary sources: correspondence, family records, diaries, official documents, and more. In addition to biographical data, Spitta reviews Bach's musical production, with analyses of more than 500 pieces, covering all the important works. More than 450 musical excerpts are included in the main text, and a 43-page musical supplement illustrates longer passages. Despite the scholarly nature of this work, it also has the rare distinction of being a study that can be read with considerable enjoyment and great profit by every serious music lover, with or without a substantial background in the history of music or musical theory.

3 Chorals Transcription 3 partitas Variation-As one of the most famous contributors to classical music ever to have lived Johann Sebastian Bach's (1685-1750) catalogue is extensive. Moreover being an organist himself his Organ works are significant and remain ever-popular to this day. When French organist Marcel Dupré (1886-1971) compiled the series of Bach's Complete Organ Works it was well-received and to this day remains popular with all organists. The tenth volume includes a favoured selection of Bach's works including Three Chorales and Three Partitas and Canonic Variations. In addition Dupré's annotations in Complete OrganWorks comprise fingerings rules on technique and instructions on ornamentation amongst other aspects. This compilation of J. S. Bach's most loved compositions for the Organ cannot be missed by aspiring performers of the instrument.