Johan Sebastian Bach: Sonata in E-flat Major, BWV1031

For Violin Solo. Par BACH JOHANN SEBASTIAN. Monument der solistischen Violinmusik, Prüfstein für jeden Geiger mit Anspruch - diese Superlative werden den „Sei Solo', besser bekannt als „Sonaten und Partiten für Violine solo' von Johann Sebastian Bach, beigegeben. Bach schafft vielerlei Beziehungen auf vielerlei Ebenen, teils klar erkennbar, teils subtil: ein Kosmos der Formenvielfalt und des Violinspiels, von der einstimmigen Linie bis zum kontrapunktischen Satz. Dem nachzuspüren, Zusammenhänge zu erkennen vor dem Hintergrund der biographischen, musikhistorischen und kompositorischen Voraussetzungen, ist Zweck dieses Buches. Zugleich liefert Bernhard Moosbauer Hilfestellungen für eine fundierte, aus dem kompositorischen Verständnis der Soli gespeiste Interpretation für Violinisten gleich welcher Couleur. - Einführung in die Musikgeschichte und Struktur der berühmten Solowerke - Beschreibung und Einordnung aller Sätze in die Gesamtanlage - Für professionelle und nichtprofessionelle Geiger sowie für alle Musikinteressierten Bernhard Moosbauer studierte Schulmusik, Komposition, Musikwissenschaft und Barockvioline in Stuttgart, Tübingen und Straßburg. Er widmet sich hauptsächlich der Kammermusik des Barock und spielt außerdem in diversen Ensembles und Orchestern mit Originalinstrumenten im süddeutschen Raum. Seine Forschungsschwerpunkte sind die Instrumentalmusik des 17. und 18. Jahrhunderts und die Sinfonik der Wiener Klassiker. Er ist mit Editionen von Werken Corellis, Vivaldis, Bibers und Händels sowie mit Fachartikeln und Buchpublikationen hervorgetreten. Bei Bärenreiter erschien seine Monographie zu Vivaldis „Vier Jahreszeiten' (BVK 1583)./ Répertoire / Violon

This volume contains Johann Sebastian Bach's Sonata in B minor for Flute and Harpsichord BWV 1030. The work belongs to the newly created genre of sonata with melody instrument and obbligato harpsichord in which the harpsichord functions as an equal partner rather than simply filling in the figured bass. This is a completely revised volume with an updated DOWANI 3 Tempi Play Along recording of the harpsichord accompaniment at all three tempi. Flute and Harpsichord. 2CDs

nach der Triosonate d-moll für Orgel-Johann Sebastian Bach's Sonata in D minor for Tenor Recorder and Harpsichord Obbligato.

Johann Sebastian Bach's Sonatas and Partitas for Violin Solo are among the most famous masterpieces of their kind. Unlike the closely related Suites for Violoncello Solo the Violin solos have survived in an autograph manuscript of the composer on the basis of which alone a largely reliable musical text is available. However this manuscript is a copy of previous draft copies or even further fair copies of the composer. Wiener Urtext Edition uses an early copyist's copy from Köthen as a secondary source which has not been valued very highly as a source until now. Despite its closeness to the extant autograph one cannot rule out thepossibility that this copy might be traced back to another original manuscript by Bach. At any rate some obvious mistakes of the extant fair copy can be clarified on the basis of its text; in addition it provides a number of articulations not indicated elsewhere (some even with alternatives) which are examples of how these works can be performed according to their time of origin. In the Notes of Interpretation Dagmar Glüxam explains the relationship between the musical-rhetorical contents of Bach's musical text and their adequate performance thus showing how absurd many a performance instruction of established interpretive editions is.

The Flute sonata in G minor BWV 1020 one of the gems of 18th century Flute literature has been passed down to us over the years as a work of Johann Sebastian Bach but its authenticity is disputed. Recent research suggests that the composition most probably came from the pen of Bach’s oldest son Carl Philipp Emanuel. This new edition is an extract from the Bärenreiter edition BA 5220 which also includes the two Flute sonatas BWV 1033 in C major and BWV 1031 in E-flat major which are of similarly doubtful authenticity. The sonata in G minor has been edited by the renowned Bachscholar Alfred Dürr using the editorial guidelines of the New Bach Edition as a basis and it appears now for the first time as a separate performing edition.

BWV 1033 1031 1020 überliefert als Werke Johann Sebastian Bachs-Three SonatasBWV 1033 in C major for Flute and Basso Continuo.BWV 1031 in E-flat major and BWV 1020 in G minor for Flute and obbligato Harpsichord.Handed down as works by Johann Sebastian BachBach?s preferred instrument for chamber music after the Violin was the traverse Flute. Yet today it is impossible to determine exactly how much music he wrote for this instrument or the genesis of those compositions that survive.Our edition includes a preface (Ger-Eng) by Bach scholar Alfred Dürr and a ctitical report (Ger-Eng) listing the sourecs with source analysis.

BWV997-The purpose of the series if Bach was a cellist is to live the fantasy that everything Bach wrote he wrote for the cello. It may also serve as a way for cellists to get close to Bach through works other than the six solo suites and the three gamba sonatas.I first came across the Partita by Johann Sebastian Bach in a version for flute and strings beautifully recorded by Kurt Redel. Since my early teens it has been on my list of special pieces.The four movements show extraordinary variation. In the hands of Bach the key of C minor becomes particularly powerful of limitless weight sometimes even stern. Is there an opening of a movement from the baroqueera which compares with power of the first movement here? It is a magni-ficent example of musical temperament.Three 18th century manuscripts survive. One found among the papers of C.Ph.E.Bach and two by Johann Philipp Kirnberger a student of J.S.Bach. All three are in the form of a keyboard sonata. Because of the choice of register however one may ask whether they are in turn arrangements of an original composition for solo flute or solo violin. The Double is very pianistic and may therefore have been added later. For all movements except the Fugue I have supplied a piano part for the right hand.

Essential Composer Series. Les sélections ont été soigneusement choisies pour donner à l'utilisateur une source de documentation de la base essentielle de ce compositeur spécifique. Cette série transcrite par Avis Fedge Romm a eu seulement mineures d'édition lorsque considérée comme une aide précieuse en facilitant le musicien dans l'interprétation authentique de la musique du compositeur. La série de compositeur essentielles est devenu un élément de stock discontinue pour de nombreux détaillants de musique dans le monde entier. Chaque édition inclut un CD de performance, qui est également un excellent outil pour les plus jeunes joueurs d'entendre les mélodies qu'ils ont pratiqué avec tant de diligence. Essentiel Piano Masters Volume 1 comprend les oeuvres de Johann Sebastian Bach, Wolfegang Amadeus Mozart and Ludwig van Beethoven./ Recueil / Piano

für Flöte Violine und Continuo-Bach?s Trio Sonata In G BWV 1038 For Flute Violin And Continuo has survived as a set of parts in Johann Sebastian Bach?s hand yet the source does not give a composer. Thusits authenticity has been called into question time and again. According to the latest research however this tone sensitive sonata is presumed to be an original work by Bach. Editor PeterWollny a declared expert outlines the reasons for this in detail. The violin part is to be played in scordatura according to the source so this version has provided a part in original notation as well as in standardnotation for regularly tuned violins.

Johann Christoph Friedrich Bach was the eldest surviving son of Johann Sebastian Bach and his second wife Anna Magdalena Wulcken; he was born in Leipzig in 1732. His father gave him his first music instruction. After his initial studies in law he devoted himself entirely to music. In 1750 he entered the services of Count Wilhelm zu Buckeburg where he first of all was engaged as the Count's chamber musician (Hochgraflicher Schaumburg-Lippischer Cammer-Musicus) later as orchestral director a post which he held until his death in 1795. The 'Buckeburg Bach' is described as an amiable and devout person who was highly respected and esteemed for his 'rectitude greatness of soul readiness to oblige and kindness' (Schlichtegroll Nekrolog). He was an exceedingly industrious and gifted composer in whom one couldnot fail to recognise that the spirit of his great father had also been communicated to him' (Dulon). Johann Christoph Friedrich Bach's Sonata A Violoncello Solo Col Basso appears in print for the first time with this edition. The autograph which served as source was held at the time in the University Library at Tubingen depot of the former Prussian State Library under the call-mark Mus. ms. autogr. Bach P 382 which has subsequently been moved to the Staatsbibliothek zu Berlin Preussischer Kulturbesitz. For practical use the accompaniment has been realised from the unfigured Bass. - Piano reduction and separte parts for Cello and Basso continuo.

Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition SONATA, BWV 1030 in B minor / J.S. Bach - fl/harpsichord(piano) qui a été écrite pourFlûte Et Clavecin (Ou Piano). Les éditions Dowani qui ont éditées cette oeuvre l'ont répertoriée sour la référence DOW 05500-400. / Flûte Et Clavecin (Ou Piano) / Partition + Cd

Score and parts for Trio Sonata In G For Two Flutes And Basso Continuo by Johann Sebastian Bach.

Sonate en trio BWV Le 1038 est la première édition de musique de chambre pour flûte de Johann Sebastian Bach que Barthold Kuijken a préparé. Les chercheurs ont longtemps douté de la paternité de ce travail pour des raisons stylistiques, même si les pièces de performance de la principale source ont été écrits par Bach lui-même, mais malheureusement il a oublié, ou n'ont pas jugé nécessaire, d'ajouter son nom à la musique. Kuijken roule quelques arguments convaincants qui réfutent la thèse selon laquelle le jeune Carl Philipp Emanuel Bach a travaillé sur la version trio de la Sonate pour violon BWV 1022. L'édition examine également une variété de nouvelles découvertes sur l'origine de l'oeuvre dans la préface, et offre un Urtext irréprochable avec une partie style magistralement réalisé continuo, tous reflétant les normes les plus élevées de rédaction. / Musique De Chambre