Jazz Works: Advanced Level Score Edition Pack

Jerry Coker's Creative Nudge is an HGH (human growth harmone) for jazz musicians - only legal and void of dangerous side effects. It is an improviser's steroid that stimulates artistic growth by refocusing energy into specific areas of study and practice. Coker speaks candidly to all jazz musicians - from beginners to advanced players - in a manner that is structured, but not pedantic; conversational, yet impassioned. Its 63 pages contain wisdom gleaned by a life dedicated to and enriched by jazz improvisation. -- Steve Crews, master Jazz Pianist and member of the Jamey Aebersold Jazz Quartet I'm all of one chapter into this pamphlet and am blown away by the positive nature of Coker's outlook. I am so glad I bought this and cannot put it down! -- Rick Schrenker, Jamey Aebersold Jazz customer from Massachussetts I love your new book! I just read it and really identified with much of the book - particularly melodies and tunes in my head all day & night. I have also always felt that the pinnacle of playing is not a performance but the practicing. I get a lot more pleasure practicing that I do performing - often because it's my escape into a world all my own and my performances don't compare to what I play at home. I also loved the aesthetics chapter and couldn't agree more. You really brightened up my world! Your teaching guidelines mirror your love of teaching and should be guidelines for all of us! You continue to inspire! -- Rick Simerly, jazz trombonist and Summer Jazz Workshops faculty member Explores the hows, whats, and whys of practice, performance, technique, and musicianship. Sometimes, it only takes a nudge to move your playing to the next level. 6x9 paperback. Why do musicians choose Jazz Improvisation as an outlet for creativity? Why are we creating this music and who are we creating it for? All you need is a little information. Master Jazz Educator Jerry Coker has put together this wonderfully structured text summarizing several important topics regarding Jazz and Jazz Improvisation; giving us all that much needed nudge. Features: Jazz Study Preparation Achieving Maximum Results Vehicle/Tune-Types Instrumental Techniques and Tone Scales and Keyboard Activities Listening and Ear Training Teaching Jazz Repertoire and Much More!

The fourth volume of a series of books for percussionists by Emmanuel Séjourné 5 pieces for Marimba Vol.4 is a set of 5 works for 4 to 4.5 Marimbas. Written for advanced level players and inspired from African rhythms the three first compositions can be played each after the other or separately. The five pieces are: Balafon Ambira Akadinda Generalife Pretexte The names of these 5 pieces for Marimba Vol.4 were given after different African instruments of wooden blades that can be found in various places. While Pretexte is quite jazzy with itsstrong beat Generalife is more dynamic and should be played with more energy and character. Emmanuel Séjourné (born in 1961) is a French percussionist and composer who was strongly influenced by Western music and popular music. He wrote a series of books for percussionists including 'Keyboard and Percussions Vol. 1'.

Media : Book/CD SetAuthor : by Lenny Breau and John KnowlesLevel : Intermediate-AdvancedDate published : 6/11/1997Style : JazzType : SolosDescription : The late Lenny Breau was admired throughout the world for his complex fingerstyle jazz stylings. The first part of this text/CD contains Lenny's guitar workshop dealing with Building the Blues; Three Against Two, and Harmonics at Work. Section 2 presents three great Lenny Breau solos (5 O'Clock Bells; Little Blues, and Freight Train). Written in notation and tablature. Contains Lenny's master class on fingerstyle jazz guitar. ***** 3 songs from book are not on CD.

Jazz Conception is a new and exciting way for players at all levels to learn the language of jazz! Each book/mp3 CD set features 21 solo etudes based on chord changes to standards and blues. The same 21 etudes transposed and adapted for the main jazz instruments. See and hear how a well known soloist phrases and articulates and play along with or without the soloist on the CD. Play along with one of today's finest swinging New York rhythm sections: Mike LeDonne on piano Dennis Irwin on bass and Kenny Washington on drums. Start out fairly easy then get progressively more difficult. Use the etudes as a bridge to solos of the masters that are usuallymore complicated and involved. Learn melodies and lines that will give you a solid jazz vocabulary and musicality. Use the book/CD sets for private lessons for self-study or in any combination up to a full jazz ensemble including flute and clarinet. If you are more advanced you may want to use the book to develop your sight reading abilities for transcribing the etudes off the CD (then check against the book) or for just having fun playing along with a great jazz rhythm section. Use as an improvisation study learning how to construct a swinging logical solo; works especially well in combination with the Study Guide. The Jazz Conception Series is also perfectly suited for the class room. It can be used to develop younger students'jazz style in a big band or small group. In an improvisation class the teacher can use the etudes as studies in improvisation. The Study Guide provides an analysis of each etude along with practice assignments for each etude.Please note that mp3 CDs may not work on some (older) CD players.

Media Type : Book Level : Beginning-Intermediate Musical Genre : Bluegrass Number of pages : 160 Crosspicking technique on guitar is similar to bluegrass banjo, filling in all of the spaces between melody notes with a steady stream of harmony notes. With applied crosspicking technique, the guitar becomes a forceful solo instrument capable of filling a room with colorfully supported melodies. Not only does the guitar support itself, but crosspicking technique also works effectively for supporting other lead instruments and vocals in many styles of music including classical, rock, country, bluegrass, jazz, and new age. The methodology section of this book offers the intermediate to advanced guitarist many new ideas which can be added to their arsenal. The book also includes a full songbook section with an even wider repertoire to pursue. All of the lessons and songs are written in tablature only, so you don't have to read music, just count!