Jazz Interlude

Nat King Cole?s classic recording from 1951 and then the ?duet? version recorded by his daughter Natalie in 1991 helped to make this tune truly ?unforgettable.? This well-paced version for vocal soloist stays true to the original style and includes a brief instrumental interlude for the band.

Using tenor and baritone saxes to do the heavy lifting here is a fun chart on this Sonny Rollins classic. Mark also uses clever ensemble interludes and a shout chorus to round out this swingin arrangement. (Grade 4)

Interlude is the seventh studio album by Jamie Cullum which sees him return to his jazz roots in a collection of standards, rearranged by Cullum with the help of producer Ben Lamdin.

The album, which also features duets with Laura Mvula and Gregory Porter, was recorded in just three days in a single room and was made in collaboration with band Nostalgia 77. / Jazz / Partition / Agrafé /

This Aric Schneller arrangement is a burnin' swing chart of a Cole Porter jazz standard. Great energy is created with the 180 BPM tempo, the solo space for alto 1, and a fierce unison horn interlude. A superior chart for a good band! (4:54) / Ensemble De Jazz

A Latin salsa groove with a funky flavor played at 120 BPM. With a very engaging melody line, written solos for alto and trumpet 2, and a building interlude followed by a big modulation, it all fits together easily. Lead trumpet range is to written B above the staff. It's a great chart. (5:13) / Ensemble De Jazz

You know it and love it---this is one of the best TV/movie themes ever. Superbly arranged as a Latin bossa with written-out solos provided for trumpet 2 and alto, a piano montuno interlude, and the lead trumpet range to written A. A great chart! (3:54) / Ensemble De Jazz

Check this this clever arrangement of the holiday gem 'Little Drummer Boy.' It's a drumset feature at around 172 BPM in the style of Neal Hefti's 'Cute' with a written trumpet 2 solo. The lead trumpet range is up to written A above the staff. A nice sax soli and a unison interlude complete this package (3:42) / Ensemble De Jazz

A great swing tune with great dynamic contrasts, 'Stompin' at the Savoy' includes a sax section soli, ensemble interludes, and a written trumpet 2 solo---and it's all played around 168 BPM. The lead trumpet range is to written B-flat above the staff. You'll love it! (4:07) / Ensemble De Jazz

This three-movement work showcases the music of Dutch conductor/composer Willem van Otterloo. Entitled March Nocturne and Scherzo each of the three movements has the feel of a film score with beautiful soothing melodies contrasted with jazzy interludes. A major new concert item that will both entertain and enchant your audience.

Michael Hurd. Here is the answer for schools looking for a full length flexible show. Jazz Testament provides an ‘Introduction’ ‘Interlude’ and ‘Epilogue’ to the complete cycle of the Bible-based ‘pop’ cantatas; Adam-In-Eden Jonah-Man Jazz Swingin’ Samson and A New Nowell. Thus they tell a coherent exciting and significant story of the ways of God and Man. Hurd’s ‘pop’ setting of William Cowper’s hymn ‘God Moves In A Mysterious Way’ can be used to introduce and link the cantatas of your choice. 2 mins.

Based upon the Berklee Jazz Composition and Arranging Curriculum this fully comprehensive guide covers all aspects of writing effective and inventive Jazz compositions. Features include:A full range of styles from theBlues to Fusion and beyond.Melodies created using intervallic patterns guide tone lines compound lines antecedent/consequent phrasing and melodic tension.All aspects of tonal and modal harmony including inversions pedal points and reharmonisation.Elements of form including intros endings interludes and backgrounds.Apply knowledge to any kind of soloist or ensemble from Sax to Big Band.All elements of the book are complementedby the accompanying online audio including a listening tour of an entire extended Jazz work. A highly substantial and important volume.

Une plus grande place est donnée à l?utilisation pratique dans ce second volume :
? Connaître, jouer les introductions, codas ou interludes les plus fameux : 120 transcriptions.
? Apprendre à transcrire soi-même les enregistrements des musiciens. ? Exploiter les superstructures des accords, trouver un accompagnement rythmique en fonction d?une mélodie.
? Savoir comment s?écrit, se lit le jazz.
? Découvrir l?éventail de traitement sonore de cette musique. ? Le B-A-BA de l?analyse musicale adaptée au jazz. / Livre / Agrafé /