Japanese Folk Songs Collection

24 Traditional Folk Songs for Intermediate Level Piano Solo-This unique collection features 24 traditional folk songs from Japan for intermediate level pianists.The Japanese Folk Songs Collection includes sheet music for songs such as Blooming Flowers The Fisherman's Song Itsuki Lullaby Kimigayo Picking Tea Leaves Sakura Village Festival and more. This songbook also includes a preface author bio and performance notes.

This exquisite collection of vocal solos features folk songs from China, Japan, Korea, Malaysia, Taiwan, and Thailand. Appropriate for both developing singers and mature vocalists, each of the ten beautiful arrangements is sung largely in English and a phonetic pronunciation guide is included for the phrases in Asian languages. / Chant

Folksongs from Japanese Immigrant Workers in Hawai'i-Voices From The Canefields is a collection of folk songs from Japanese immigrant workers in Hawai'i. Folk songs are short stories from the souls of common people. Some like Mexican corridos or Scottish ballads reworked in the Appalachias are stories of tragic or heroic episodes. Others like the African American blues reach from a difficult present back into slavery and forward into a troubled future. Japanese workers in Hawaii's plantations created their own versions in form more akin to their traditional tanka or haiku poetry. These holehole bushi describe the experiences of one particular group caught in the global movements of capital empire and labor during the late nineteenth and early twentieth centuries. In Voices From The Canefields author Franklin Odo situates over two hundred of these songs in translation in a hitherto largely unexplored historical context. Japanese laborers quickly comprised the majority of Hawaiian sugar plantation workers after their large-scale importation as contract workers in 1885. Their folk songs provide good examples of the intersection between local work/life and the global connection which the workers clearly perceived after arriving. While many are songs of lamentation others reflect a rapid adaptation to a new society in which other ethnic groups were arranged in untidy hierarchical order - the origins of a unique multicultural social order dominated by an oligarchy of white planters. Odo also recognizes the influence of the immigrants' rapidly modernizing homeland societies through his exploration of the 'cultural baggage' brought by immigrants and some of their dangerous notions of cultural superiority. Japanese immigrants were thus simultaneously the targets of intense racial and class vitriol even as they took comfort in the expanding Japanese empire. Engagingly written and drawing on a multitude of sources including family histories newspapers oral histories the expressed