Jam With Joe Satriani + Cd - Guitar Tab

The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee?s (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: ?In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.? Over the last couple of years I moved back to Jelly Roll Morton?s city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman?s reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means ?conversation with the gods? in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao?s (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950?s following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo?s ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece?s characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles? Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don?t Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach?s Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare?s Twelfth Night, and played incidental music for their production of Bertold Brecht?s The Good Woman of Sichuan. He has performed Carulli?s Guitar Concerto in A, Leonard Bernstein?s West Side Story and Marvin Hamlish?s A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony?s co-production of George Gershwin?s Opera Porgy and Bess.

Effortless Guitar Series-Learn classical guitar techniques with Danny Gill. This excellent tutorial will guide you through basic classical ideas to more challenging pieces! Suitable for beginner to intermediate players. Danny Gill is a former pupil of Joe Satriani and co-author of the Musicians Institute Rock Guitar series. His songs have appeared on TV shows including 'The Osbournes' and film sound tracks such as 'Insomnia' and 'Under Siege.'

A dozen Guitar transcriptions with notes and tab are included in this collection matching the 16th studio album released by Satch. This 2018 album also features Deep Purple bassist Glenn Hughes and Red Hot Chili Peppers drummer Chad Smith. Includes: 'Catbot' 'Cherry Blossoms' 'Energy' 'Forever and Ever' 'Headrush' 'Invisible' 'Looper' 'Righteous' 'Smooth Soul' 'Super Funky Badass' 'Thunder High on the Mountain' and 'What Happens Next'.

A step-by-step breakdown of the guitar styles and techniques of Joe Satriani indisputably one of the best rock guitarists in the world. In the words of guitar heavyweight champion Steve Vai He is my favourite rock and fusiontype player. He has class and real musicality. He can take a pop bottle and make it sound great.What is presented in this book is an extensive examination of Satriani's fretboard feats from his single-note riffs andcrunching power chords to his tapping tricks and split legato licks - even his trademark squeaks and extraterrestial sounds. All have been transcribed and fully annotated.Each of the musical examples in the book can be heardon the accompanying CD which features all the original guitar parts performed at regular speed with a full rhythm section and in the case of guitar solos an additional track performed at half speed.

A Step-by-Step Breakdown of Joe Satriani's Guitar Styles and Techniques-A special opportunity to learn some of Satch's greatest tunes and techniques on DVD!The songs of Joe Satriani are not simply an excuse to burn up the fretboard at breakneck speed the classic blues-inspired melodies and jazzy chord moves make for some of the best solo guitar rock of recent years. This 2-DVD set gives you the chance to learn six entire songs from start to finish with in-depth discussion of the specialist techniques and tones the guitar legend employs. Whether it's wammy-bar dive bombs of Surfin' With The Alien the eight-finger tapping of Midnight or the heartbreaking lyrical playing of Always With Me Always With You every Satriani song isa technical feat that will endlessly inform and inspire your own rock solos.

Le A quelques paires de série Regards sur une leçon DVD d'instruction donnés par un guitariste professionnel avec un livre supplémentaire pour une expérience d'apprentissage complète. Chaque livre / DVD comporte plusieurs leçons se rapportant à un sujet, et le salut-def DVD leçons fonction à l'écran la musique.Les leçons sont chargés avec de précieux conseils et informations, et des exemples de chansons populaires aider à démontrer les concepts en action. Virtuoses de la guitare propose des cours sur les styles de Yngwie Malmsteen, Steve Vai, Eric Johnson, et Joe Satriani.Les chansons incluent: toujours avec moi, toujours avec vous - L'animal - Big Trouble - Cliffs of Dover - - Deja Vu Marching Out - Juste - - The Riddle Satch Boogie - Gratte-ciel - Venus Isle - Yankee Rose - et plus encore. / Guitare

Description This in-depth blues rhythm guitar text is core curriculum of the University of Southern California's Studio Guitar Department, which is part of the prestigious Flora L. Thornton School of Music, located in Los Angeles, California. It features eighteen twelve-bar blues rhythm guitar accompaniments in the style of guitarists such as Chuck Berry, Eric Clapton, Jimmy Page and Stevie Ray Vaughan. Nine of the songs use a shuffle feel and nine use a straight eighth note feel. The play along CD contains two versions of each of the eighteen songs in the book. The first version has the guitar part and the second version is without the guitar. This gives you the ability to play along with the guitar part as a guide and also to play along with the track as the only guitarist. The examples are written using traditional musical notation and tablature. Included for each song is a short description of the important points to consider when learning each example. The book presents songs that will expand the guitarist's vocabulary by presenting a variety of different ways a guitarist can play through the twelve bar blues. A number of different chord variations, keys and tempos are used in demonstrating these eighteen idiomatic rhythm guitar parts that have been used by the masters.

Learn Guitar tips tricks and secrets with this collection of 41 private lessons from Joe Satriani's famous columns from Guitar for the Practicing Musician magazine. Host Dave Celentano covers: chords scales