SKU: OU.9780193683167
ISBN 9780193683167. 13 x 10 inches.
This volume contains newly edited versions of four important later orchestral works by Walton: Capriccio Burlesco, Improvisations on an Impromptu of Benjamin Britten, Prologo e Fantasia, and Varii Capricci. The first three works were written for American orchestras; the last for the opening of the Royal Festival Hall in 1976.VoicingCappricio Burlesco - picc, 2 fl, 2 ob, ca, Ebcl, 2 cl, bcl, 2 bn, cbn, 4 hn, 3 tpt, 2 tbn, btbn, tba, timp, 3 perc (SD, TD, BD, cast, w blk, cym, whip, xylo, tamb, bongo), hp, str Improvisations on an Impromptu of Benjamin Britten - 3 fl (III+picc), 3 ob (III+ca), 3 cl (III+bcl), 3 bn (III+cbn), 4 hn, 3 tpt, 3 tbn, tba, timp, 3 perc (glock, xylo, clash cym, sus cym, BD, tamb, 3 bongos, SD, MD), hp, str Prologo e Fantasia - 3 fl, 3 ob (III+ca), 3 cl, 3 bn (IIII+cbn), 4 hn, 3 tpt, 3tbn, tba, timp, 4 perc (SD, cym, BD, xylo, clash cym), hp, pn, str Varii Capricci - 3 fl (III+picc), 2 ob, ca, 3 cl, 3 bn, 4 hn, 3 tpt, 3 tbn, tba, timp, 3 perc, cel, hp, str.
About William Walton Edition
In March 2014 Oxford University Press published the last volume in its magnificent William Walton Edition, the only complete critical edition of a 20th-century British composer's oeuvre. All 24 volumes are handsomely printed and bound. Walton's entire output is now available to scholars and performers in a definitive and fully practical edition, based on the form in which the composer ultimately wished his music to be performed. The general editor, David Lloyd-Jones - the eminent conductor, English music specialist, and founder of Opera North - invited a world-class expert to edit each volume. Carefully researched introductory essays place the works in their historical context and in the composer's oeuvre, and there are full critical notes.
SKU: AP.1-ADV14708
UPC: 805095147087. English.
With this book/audio set you will learn essential jazz rhythms first-hand from world-class professionals ! Reading Key Jazz Rhythms is a collection of 24 easy to medium level jazz etudes, and 24 simplified guide tone versions of the etudes. They are ideal for learning the basic language of jazz, swing phrasing, and articulation. A perfect tool for preparing for the jazz ensemble or for any other ensemble/orchestra which performs jazz related music (pops orchestras, musical, studio, movie scores, concert and marching bands, etc.). Each etude is based on a specific rhythm or a combination of rhythmic figures. Some etudes sound like very lyrical improvised jazz solos, while others are more like a melody to a standard. On the downloadable audio tracks the soloist demonstrates the 24 melodious etudes together with a professional rhythm section. You can also improvise along with the play-along tracks using the chord symbols. The guide tones are the essential or defining notes for each given chord type. So if improvising is new to you and you find yourself getting lost, you can always return to a guide tone and play rhythmically around it. Any etude and its corresponding simplified guide tone version can be played together as a duet (with or without the audio accompaniment) with your teacher or a friend.
SKU: IS.VLP6394EM
ISBN 9790365063949.
François Glorieux was born in Belgium in 1932, and acclaimed throughout Europe, the USA, Latin America, Canada, Japan, China, the Middle East and Africa. He is one of the most widely accomplished and versatile musicians traveling the international circuit today: pianist composer conductor, commentator, entertainer, honorary professor of chamber music at the Royal Music Conservatory of Ghent and guest professor at Yale University (USA). His particular art was the rare one of improvisation presented in five languages. Glorieux practices all musical styles and has been highly considered by great artists such as André Cluytens, Arthur Rubinstein, Yves Nat, Hiroyuki Iwaki, Enrique Jorda, Raphael Frühbeck de Burgos, but also Michael Jackson, Stan Kenton, Stéphane Grappelli, Paul McCartney, Toots Thielemans, Jacky Collins, Annie Girardot, Dionne Warwick, A.C. Jobim, and so on.
SKU: IS.VLP6395EM
ISBN 9790365063956.
SKU: IS.VLP6533EM
ISBN 9790365065332.
Charles Camilleri (1931 - 2009) was a Maltese composer. As a teenager, he composed a number of works based on folk music and legends of his native Malta. He moved from his early influences by Maltese folk music to a musical form in which nothing is fixed and his compositions evolve from themselves with a sense of fluency and inevitability. He composed over 100 works for orchestra, chamber ensemble, voice and solo instruments. Camilleri's work has been performed throughout the world and his research of folk music and improvisation, the influences of the sounds of Africa and Asia, together with the academic study of European music, helped him create a universal style. Camilleri is recognized in Malta as one of the major composers of his generation. He died on 3 January 2009 at the age of 77. His funeral took place two days later at Naxxar, his long-time town of residence. Flags across Malta were flown at half-mast in tribute to him. Just like Bach's 6 suites for cello solo, these 6 arabesques are composed of a number of distinct movements which follow the suite principle. The melodies in these 6 arabesques are influenced by Mediterranean folk music.
SKU: IS.VLP6039EM
ISBN 9790365060399.
SKU: IS.VLP6539EM
ISBN 9790365065394.
SKU: IS.VLP6034EM
ISBN 9790365060344.
SKU: CL.MHT-0007-75
SKU: GI.G-M523
ISBN 9781579992378. English.
This major band method by James O. Froseth has it all: Artist performers set musical standards in sound with more than 80 great performances on CD for every instrument, and one CD lasts for the entire book! Performers include: Michael Henoch (Chicago Symphony Orchestra), Randall Hawes, Jeffrey Zook, Sharon Sparrow, Kevin Good (Detroit Symphony Orchestra), Albert Blaser (Cleveland State University), Brian Bowman (Duquesne University), Timothy McAllister (Crane School of Music, SUNY at Potsdam), Steve Houghton (LA percussion recording artist and clinician), Donald Sinta, Richard Beene, Bryan Kennedy, Debra Chodacki, Fritz Kaenzig (University of Michigan), Kristin Beene (Toledo Symphony Orchestra), and Jean Moorehead Libs (Plymouth Symphony Orchestra). Professional studio backgrounds capture the rich diversity of American music culture with a repertoire of American, Latin American, African, European, and Far Eastern styles. Music of other times includes 12th-century conductus, 15th-century Dance of the Bouffons, 16th-century French branle, 18th- and 19th-century folk songs and dances, 1940s and '50s jazz, blues, and rock-and-roll. The repertoire and recorded contexts are motivating, informative, and entirely musical. Every song includes text, providing information about phrasing, rhythm, style, affect, emotion, history, and culture. A unique Rhythmic Pattern Dictionary allows students to look it up and listen up. An individualized format allows students to progress at different rates with a theme and variation format. Ear training and improvisation are integral parts of the lesson format. A 550+ page Teacher's Resource edition and musical score provides options galore, including a double CD with listen and play exercises for group instruction, supplementary exercises for technical development, and resource material for improvisation and composition. All the resources needed for teaching to the National Standards for Music are provided (coordinates with rhythm flashcards). Book 2 features innovative, but optional use of world percussion instruments, as developed by percussion educator Steve Houghton. Click here to download the audio recordings for the Book 2 Teacher's Edition.
SKU: SU.94010761
Dedicated to Demarre McGill, Principal Flute, Seattle Symphony OrchestraFlute Duration: 6' Composed: 2020 Published by: Subito Music Publishing PROGRAM NOTE: The year 2020 has definitely been a very challenging year with many upheavals. During this time of the COVID-19 health crisis, wearing masks, and high racial tensions, I decided to compose four short solo woodwind works for flute, oboe, clarinet, and bassoon, which represent the core woodwind section in an orchestra. I was inspired to compose these short pieces after I first heard Igor Stravinsky's three short pieces for clarinet, which totals a little more than four minutes in duration. I thought that it would be nice to highlight and honor my African-American male colleagues in the orchestral music world. I wanted to celebrate the fact that they are the principal player in the section of their respective orchestras. The short pieces are as follows: Principal Brother No. 1 for flute solo for Demarre McGill, Principal Flute of the Seattle Symphony Orchestra, Principal Brother No. 2 for oboe solo for Titus Underwood, Principal Oboe of the Nashville Symphony Orchestra, Principal Brother No. 3 for clarinet solo for Anthony McGill, Principal Clarinet of the New York Philharmonic, and Principal Brother No. 4 for bassoon solo for Bryan Young, Principal Bassoon of the Baltimore Chamber Orchestra. These works all begin with notes that are representative of their name; D for Demarre, B for Titus (ti in solfège starting on C), A for Anthony, and Bb for Bryan. There is also a rhythmic figure in the opening measures of each piece, which represent the utterance of their names. All four of these works are rhapsodic in nature with elements of improvisation. - James Lee III.
SKU: AP.1-ADV14705
UPC: 805095147056. English.
With Reading Key Jazz Rhythms: Flute Book & CD set by Fred Lipsius, you will learn essential jazz rhythms first hand from world-class professionals! Reading Key Jazz Rhythms is a collection of 24 easy to medium level jazz etudes, and 24 simplified guide tone versions of the etudes. They are ideal for learning the basic language of jazz, swing phrasing, and articulation. A perfect tool for preparing for the jazz ensemble or for any other ensemble/orchestra which performs jazz related music (pops orchestras, musical, studio, movie scores, concert and marching bands, etc.). Each etude is based on a specific rhythm or a combination of rhythmic figures. Some etudes sound like very lyrical improvised jazz solos, while others are more like a melody to a standard. On the accompanying CD the soloist demonstrates the 24 melodious etudes together with a professional rhythm section. You can also improvise along with the play-along tracks using the chord symbols. The guide tones are the essential or defining notes for each given chord type. So if improvising is new to you, and you find yourself getting lost, you can always return to a guide tone and play rhythmically around it. Any etude and its corresponding simplified guide tone version can be played together as a duet (with or without the CD accompaniment) with your teacher or a friend.
SKU: GI.G-9694
ISBN 9781622773626.
Contributors: Jeffrey Agrell, H. Christian Bernhard, Thomas R. Graham, Leonard A. Grasso, Alice M. Hammel, Megan Hendrix, Michael Parker, Jill Reese, John P. Riley, Daniel J. Shevock, Alden H. Snell II, Jon M. Stapleton, Smith R.K. Waylett, Richard S. Webb Musicianship: Improvising in Band and Orchestra provides philosophical, theoretical, and practical tools that have been desperately needed for band and orchestra teachers hoping to bring improvisation to their students. As Maud Hickey states in the Foreword, Improvisation should be as natural as drawing freely with crayons. Yet improvisation has remained elusive from most band and orchestra programs. This remarkable book contains practical lesson plans as well as all the necessary background information to help conductors incorporate improvisation into their work, with ensembles of any size or ability level. The lesson plans contain step-by-step instructions, including outlining prerequisites and detailed procedures that are flexible enough to apply to ensembles at a wide range of skill levels. Topics covered include: improvisation readiness strategies, working with large ensembles, a classroom case study, and teaching in a diverse environment. This book, edited by David A. Stringham and H. Christian Bernhard, is the latest in a pioneering series with dozens of other contributors. The Musicianship series editor Clint Randles has also produced a companion volume focusing on the equally challenging issue of composition. This important book will help band and orchestra conductors make improvisation a mainstay of their classrooms—as standards mandate—and will, of course, be of benefit to all students.
SKU: HL.49032639
ISBN 9783795757076. German.
Dieses Unterrichtswerk wendet sich an alle, die das Musizieren auf modernen Digitalpianos erlernen wollen, sei es im Unterricht oder im Selbststudium. Das Werk ist fur den Einzelunterricht und in ganz besonderer Weise auch fur den Gruppenunterricht mit Tasteninstrumenten geeignet. Nutzen Sie zusatzlich die Vorteile der Midifiles.* Die beiliegende Diskette enthalt alle Musikstucke des Lehrbuchs mit kompletter Band- und Orchesterbegleitung.* Lassen Sie sich die einzelnen Lieder von Ihrem Digitalpiano vorspielen, damit Sie horen, wie sie klingen.* Uben Sie zur perfekt arrangierten Begleitung.* Das Spieltempo der Midifiles konnen Sie Ihrer Spielstarke anpassen.
SKU: BT.DHP-1063948-140
9x12 inches. English-German-French-Dutch.
This piece was inspired by a variety of music such as Broadway musicals, French cancan, and circus marches. A special rhythm pattern called “Ipponjime” (or “Sanbonjime”) is played by the percussion (3 + 3 + 3 + 1) in the first four measures.This is how people freely clap their hands when ceremonies or parties end in Japan. This custom of clapping hands reflects Japanese people’s spirit to readily move on to the next step. As the infectious work comes to its exciting conclusion every player shouts “yeah!”ensuring you will definitely hear rapturous applause!Aan dit werk liggen diverse muzikale inspiratiebronnen ten grondslag, zoals Broadwaymusicals, de Franse cancan en circusmarsen. Een Japans ritmepatroon komt in de eerste vier maten naar voren in het slagwerk. Het centrale deel bevatsolo’s voor xylofoon en piccolo, die in de smaak zullen vallen bij uw publiek, zeker wanneer de solisten al improviserend een aantal technische staaltjes laten horen. Indien gewenst kan de instrumentatie worden gewijzigd. Na hetsologedeelte komt het eerste thema terug en volgt er een opbouw naar een opwindend slot, waar iedere speler “yeah!” roept. Met wat aanvullende showelementen zal het applaus nog uitbundiger zijn.Zu diesem Werk ließ sich der Japaner Takamasa Sakai von einer breiten Palette an unterhaltsamen Musikstilen inspirieren, wie z.B. Broadway-Musicals, französischem Cancan und Zirkusmärschen. Aufregende Soli für Xylophon und Piccolo, Gelegenheiten zur Improvisation, ein traditionelles japanisches Klatsch-Rhythmusmuster sowie ein spannendes Finale sind die Zutaten zu einem Stück, das dem Publikum mit Sicherheit den im Titel versprochenen Applaus entlocken wird!Applause! (“Applaudissements”) s’inspire de divers styles musicaux tels que les comédies musicales de Broadway, le célèbre French cancan et plusieurs airs de marches de cirque. Le développement est surprenant, rafraîchissant et plaisant la fois pour les musiciens et le public. Applause! s’ispira a diversi stili musicali quali le commedie musicali di Broadway, il celebre cancan e marce circensi. Lo sviluppo è sorprendente, fresco e piacevole per i musicisti ed il pubblico.
SKU: BT.DHP-1063948-010
