Format : Sheet music
'Hymn of Praise' fut composé en 1840 pour célébrer le 400ème anniversaire de l'invention de l'imprimerie. Partition pour deux sopranos et solistes ténors, SATB et orchestre. Texte anglais de J. Alfred Novello d'après la Bible Luthérienne. Edition revue par Michael Pilkington. / Chant Et Piano / Partition
SKU: HP.9094
UPC: 763628190941.
Popular praise ballad by Chris Rice Tranquil and flowing, this Mark Hayes setting of Chris Rice's popular praise ballad offers an inspirational message paired with superb, gently syncopated, choral writing. The message of Jesus' presence being ever present offers comfort and hope in every circumstance. Each of the six verses has a distinct mood based on the lyric, which Mark captures and underscores through dynamic contrast in the accompaniment and varied choral textures.
SKU: CA.3112103
ISBN 9790007187002. Language: German/English.
This six-movement chorale cantata was first performed on 26 December 1724. The text is based on the Lutheran translation of the early Christian hymn A solis ortus cardinem. The outer movements frame two arias for tenor and bass, and two secco recitatives for alto and soprano. The first and sixth movements are in old-fashioned style, with four-part vocal writing and colla parte instruments. In the aria (movement 2) the tenor is accompanied by an obbligato oboe d'amore, and in the 4th and most striking movement, the three string parts accompany the bass. The demands on the singers, instrumentalists, and chorus are typical of a Bach cantata. Score available separately - see item CA.3112100.
SKU: CA.4007650
ISBN 9790007293581. German/English.
Mendelssohn described his 1840 work “Lobgesang” as “a symphony for chorus and orchestra”. It is now firmly established in the standard repertoire of the major oratorio choirs. For many choirs, Lobgesang remains on their wishlist of works they want to sing. But what can be done if the choir is to small, the budget is limited, and the performance space is tight?Here, the experienced arranger and orchestral musician Joachim Linckelmann offers an excellent tried-and-tested solution. In his arrangement for soloists, chorus, and chamber orchestra, he has reduced the wind instruments from the original 17 to just 7 single instruments. The string parts remain largely identical to the original, but can also be played by smaller numbers. And the vocal parts (soloists and choir) remain unaltered in this arrangement, so that they can be sung from the piano reductions and choral scores of the Carus Urtext edition.•,Major work which can now be performed by smaller choirs•,Wind and brass parts of the original version reduced to seven single instruments•,Vocal scores and choral scores from the original version can be used•,carus plus: the work (original version) is available in carus music, the Choir Coach, and in the Carus Choir Coach series (audio only). Score available separately - see item CA.4007600.
