Format : Sheet music + CD
SKU: BT.DHP-1033401-400
ISBN 9789043118514. English.
The huge surge in the popularity of ethnic music has resulted in a great demand for tuition in instruments such as the djembe. This tutor book is suitable for use from the very first day of djembe playing. The method teaches beginners the basics of playing, together with information on the cultural background, exercises, practising tips and rhythm arrangements. As the easy-to-learn notation has been specially written for Djembe it is not necessary to be able to read music and the CD included presents all the basic exercises and rhythm arrangements in the book.
SKU: BT.DHP-1033401-404
ISBN 9789043169905. English.
SKU: BT.MS0416
Spanish.
Este libro no es un método didáctico para aprender a tocar el Djembe y otros Dundun sino una colección de ritmos tradicionales de Africa del Oeste... la transcripción musical de lo que se trasmite oralmente de padre a hijo. Se dirige en prioridad a los que desean aprender a tocar esos famosos ritmos africanos tradicionales. Pero también a todos los que conociendo ya las técnicas básicas quieren profundizar sus conocimientos de los ritmos a través de una lectura simplificada. Para comprender bien cómo “encajan” las diferentes percusiones, hemos escrito todos los ritmos a la manera de un “score” completo. Las partituras abarcan entonces no sólo las partes para Djembe que puedenvariar de uno a tres tambores máximo, sino también las que corresponden a los tres Dundun (Kenkeni, Sangban y Doundounba). Nuestro libro viene acompañado de un CD que abarca casi 250 archivos audios mp3. Éstos presentan los ritmos completos, las partes aisladas de cada instrumento as como el playback correspondiente a cada instrumento de cada uno de los ritmos. O sea más de 3 horas de música en total... para facilitarle la comprensión de los ritmos tradicionales africanos y permitirle expresarse “en situación”.
SKU: HL.14043741
English(UK).
Sega Sidibe is one of the last masters guaranteeing the Malian Djembe tradition. He reveals here a large number of solo phrases, variations, rolls, chauffes and resolutions for the rhythms Suku, Denba foli and Dansa, considered by the elders as being founding rhythms. The authors propose a learning method in 6 steps along with many approaches to help you develop your own personal expression beyond simply reciting. In this book, you will find scores in both conventional and simplified notations, foundation exercises and two CDs containing a recording of all phrases followed by accompaniment bars allowing you to practice them, a free solo example for each rhythm and long play-alongtracks at slow, medium and fast tempos.
Sega Sidibe is one of the last masters guaranteeing the Malian Djembe tradition. He reveals here a large number of solo phrases, variations, rolls, chauffes and resolutions for the rhythms Suku, Denba foli and Dansa, considered by the elders as being founding rhythms.
The authors propose a learning method in 6 steps along with many approaches to help you develop your own personal expression beyond simply reciting.
In this book, you will find scores in both conventional and simplified notations, foundation exercises and two CDs containing a recording of all phrases followed by accompaniment bars allowing you to practice them, a free solo example for eachrhythm and long play-along tracks at slow, medium and fast tempos.
SKU: HL.14047042
ISBN 9788850716104. Spanish.
SKU: BT.MI0416
Italian.
SKU: HL.14044550
French.
SKU: HL.14047278
ISBN 9788850720170. Italian.
SKU: HL.755807
UPC: 888680091804. 10.75x7.25x10.75 inches.
The djembe is one of West Africa's best known instruments. Traditionally, the various rhythms played on a djembe are only played at a certain time for a specific reason. For instance, djembe drumming could accompany the passage into adulthood or marriage. It was also played to honor specific groups of people or professions. The djembe has definitely settled into Western culture in the last century, and it holds a prominent place in much of modern pop music. IQ Plus djembes are great tools for group music therapy such as self-improvement and team building. They are also excellent instruments for teachers to gather children in class or to accompany school dances. Young children will enjoy moving or dancing along while the djembe is being played or they can create many easy rhythmic patterns by themselves. Children can improve their hearing ability and learn to incorporate their own rhythms into a piece of music. The djembe is another excellent instrument for developing hand-eye coordination and time keeping. Playing with an IQ Plus djembe will allow children to express their energy through music or to create fun group music sessions. • Constructed of environmentally friendly rubber wood • Head made from natural hand selected goatskin • An excellent instrument for developing hand-eye coordination and time keeping • Variety of choices of size and color finishes.
SKU: BT.MUSMS0179
SKU: HL.49019730
ISBN 9790001194341. 9.0x12.0x0.1 inches.
'African Patchwork' was created for the European 'Albert Schweitzer Year 2013' in remembrance of the foundation of the hospital in Lambarene 100 years ago (1913). The organ sound, thought of as an ideal here, is the typical 'Albert Schweitzer sound': romantic, soft diapasons and string parts, hardly any mixtures, cymbals and tongues. This dark fundamental sound is joined by the djembe with its richness of high harmonics and its ability of modulation (the best-known of the African drums can be used in different sizes). Depending on the percussionist's creativity, the percussion part, notated in a quite rudimentary way, can be extended by various playing techniques, drum changes and pitch modulations of the drumhead. The notated percussion part can also be used as a basis for intuitive and improvisational playing.
SKU: FG.55011-315-2
ISBN 9790550113152.
The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone.Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time. The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell. The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone. Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time. The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell. The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone. Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time. The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell. The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone. Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time. The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell.
