SKU: KN.KEN10354
UPC: 822795103540.
This exciting new collection contains 8 grade 3-4 pieces for instrumental solo with piano accompaniment. Free MP3 downloads of the piano accompaniment are available at kendormusic.com. Many of the titles have been published as single pieces and are listed on several state contest lists.Contents:Gavotte (Lemoine); Intermezzo And Farandole (Bizet); Proclamation (Halferty); Notturno (Hofmann); Greensleeves; Romanze (Hofmann); Maple Leaf Rag (Joplin); Pavanne (Faure).
SKU: KN.KEN10353
UPC: 822795103533.
This exciting new collection contains 8 grade 3-4 pieces for instrumental solo with piano accompaniment. Free MP3 downloads of the piano accompaniment are available at kendormusic.com. Many of the titles have been published as single pieces and are listed on several state contest lists.Contents:Mozart Sonatina; Essay In Blue (Edmondson); Harlequinade (Niehaus); Seaside Images (Niehaus); Sonata No. 11 (Haydn); Notturno (Hofmann); Air For Alto (Frackenpohl); The Entertainer (Joplin).
SKU: CA.1801100
ISBN 9790007188108.
Not only the famous Nimrod, but also most of the other 14 Enigma Variations by Elgar - affectionate portraits of people from the composer's circle - are extremely suitable for performance on the organ. This is reflected in this edition, which contains Nimrod as well as ten other variations from the cycle for the first time in arrangements for organ. These are based on the two original versions for orchestra and for piano. The arrangements of these marvellous atmospheric variations are of moderate difficulty and are equally suitable for performance in concert or church services.
SKU: HL.49015581
ISBN 9790001124218. UPC: 073999352047. 8.0x11.75x0.188 inches.
In his later years Fortner wrote a number of compositions for specific, usually private, occasions, most to texts by major German poets. These songs from his estate are here published as a collection for the first time. The dedications are very personal and intimate, in keeping with the private realm of the compositions. The transparent, delicate piano writing, reminiscent of some of Webern's setting, is indicative of Fortner's commanding mature style * economical yet relaxed and mellow. Reiselied (Hofmannsthal) * Andenken (Eichendorff) * Ballade des ausseren Lebens (Hofmannsthal) * Unterwelt (Heine) * In my craft or sullen art (Thomas) * Bitte (Lenau) * Eine kleine Bitte (Lenau) * Neujahrsgruss (Morike) * Wunschelrute (Eichendorff).
SKU: BR.OB-5354-26
Bach's manuscript leaves several questions unanswered.
ISBN 9790004337868. 10 x 12.5 inches.
When an editorial formula proves to be as compelling as in the case of the E-major Concerto BWV 1042, then its obvious that it is going to be applied again: this time to Klaus Hofmanns new Urtext edition of the A-minor Concerto. Bachs manuscript leaves several questions unanswered. The slurring, particularly in the solo part, is once again equivocal and inconsistent. Bach himself expected his performers to be creative, which is why the interpretative suggestions of Baroque expert Sigiswald Kuijken are particularly welcome. The edition for violin and keyboard instrument (with continuo ad lib.) once again contains three violin parts (the first unmarked, the second with markings and comments by Sigiswald Kuijken, the third as a facsimile). This provides well-grounded stimuli for ones own personal interpretation based on historically informed performance practice. The keyboard arrangement by Siegfried Petrenz is transparent and easy to play. A violoncello part has been added for chamber-music.
SKU: BR.PB-5354
ISBN 9790004211533. 9 x 12 inches.
When an editorial formula proves to be as compelling as in the case of the E-major Concerto BWV 1042, then its obvious that it is going to be applied again: this time to Klaus Hofmanns new Urtext edition of the A-minor Concerto. Bachs manuscript leaves several questions unanswered. The slurring, particularly in the solo part, is once again equivocal and inconsistent. Bach himself expected his performers to be creative, which is why the interpretative suggestions of Baroque expert Sigiswald Kuijken are particularly welcome. The edition for violin and keyboard instrument (with continuo ad lib.) once again contains three violin parts (the first unmarked, the second with markings and comments by Sigiswald Kuijken, the third as a facsimile). This provides well-grounded stimuli for ones own personal interpretation based on historically informed performance practice. The keyboard arrangement by Siegfried Petrenz is transparent and easy to play. A violoncello part has been added for chamber-music.Bach's manuscript leaves several questions unanswered.
SKU: BR.OB-5354-12
ISBN 9790004337820. 10 x 12.5 inches.
SKU: BR.OB-5354-19
ISBN 9790004337851. 10 x 12.5 inches.
SKU: BR.OB-5354-15
ISBN 9790004337837. 10 x 12.5 inches.
SKU: BR.OB-5354-16
ISBN 9790004337844. 10 x 12.5 inches.
SKU: BA.BA07097
ISBN 9790006485314. 34 x 27.1 cm inches. Language: German.
After texts from the Baroque Era for Baritone and Harpsichord (Piano).
SKU: HL.49001386
ISBN 9790001015851.
SKU: BR.KM-2277
ISBN 9790004502426. 9 x 12 inches.
It is now regarded as a proven fact that J. S. Bach derived two works from a trio sonata which was most likely in the key of B flat major: the well-known organ Trio Sonata No. 1 in E flat major BWV 525 and the slow middle move-ment of the incomplete Flute Sonata in A major BWV 1032. In his reconstruction, Klaus Hofmann comes as close as possible to the presumably lost original version. While the melody instruments - the range suggests an alto recorder and oboe - were adapted practically without change, the bass part underwent considerable alterations. An organ pedal part simply is not a continuo line. However, Hofmann found a stylistically and idiomatically compelling solution to this dilemma.In his recon-struction, Klaus Hofmann comes as close as possible to the presumably lost original version.
SKU: CA.3124402
ISBN 9790007187873. Language: German/English.
Practical performing Urtext edition based on the latest state of Bach research. Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Hofmann, Director of the Johann Sebastian Bach Institute Gottingen for many years and a contributing editor to the New Bach Edition, presents a new edition. Hofmann has placed the study of the sources at the service of musical practice and the detailed investigation of Bach's intentions. Bach scholars are well aware that Bach's original score and performance parts, running to almost 500 pages of music, are full of ambiguities and contradictions, particularly regarding articulation, which constantly challenge performers to new interpretations. Hofmann discusses these and other problems in a concise critical report, frequently arriving at new conclusions in the process. Extensive notes about parallel passages offer valuable help for interpretation. Special attention was devoted to the performance material with regard to practical needs. Thus, for example the text incipits are also printed in the instrumental parts (including tacet passages). In short - an Urtext edition for practical performance based on the latest findings in Bach research. Score available separately - see item CA.3124400.
SKU: CA.3124418
ISBN 9790007211356. Language: German/English.
Practical performing Urtext edition based on the latest state of Bach research. Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Hofmann, Director of the Johann Sebastian Bach Institute Gottingen for many years and a contributing editor to the New Bach Edition, presents a new edition. Hofmann has placed the study of the sources at the service of musical practice and the detailed investigation of Bach's intentions. Bach scholars are well aware that Bach's original score and performance parts, running to almost 500 pages of music, are full of ambiguities and contradictions, particularly regarding articulation, which constantly challenge performers to new interpretations. Hofmann discusses these and other problems in a concise critical report, frequently arriving at new conclusions in the process. Extensive notes about parallel passages offer valuable help for interpretation. Special attention was devoted to the performance material with regard to practical needs. Thus, for example the text incipits are also printed in the instrumental parts (including tacet passages). In short - an Urtext edition for practical performance based on the latest findings in Bach research. Score and part available separately - see item CA.3124400.
SKU: CA.3124420
ISBN 9790007211363. Language: German/English.
SKU: BR.KM-2296
ISBN 9790004502891. 9 x 12 inches.
An original by Bach Sr. and Jr. Klaus Hofmann has retraced the path to the ur-sonata! With convincing arguments, he has shown that two well-known Bach works were originally based on one and the same model that is no longer extant. He believes that both the Trio Sonata in G major BWV 1038 and the Violin Sonata in F major BWV 1022 are concealing an original work for violin, viola and basso continuo a work that can easily be reconstructed by a Bach expert. Hofmann has already given ample proof of his unerring sense of style and authenticity in the two B flat major Trio Sonatas (KM 2277 and M 2287). He diplomatically attributes the authorship of the newly recovered sonata to both Johann Sebastian and his son Carl Philipp Emanuel to equal extents. This should preclude any posthumous family arguments, and lovers of Baroque chamber music will be delighted with this rare example of an original Bach piece for viola!
SKU: CA.3124409
ISBN 9790007211271. Language: German/English.
Practical performing Urtext edition based on the latest state of Bach research. Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Hofmann, Director of the Johann Sebastian Bach Institute Gottingen for many years and a contributing editor to the New Bach Edition, presents a new edition. Hofmann has placed the study of the sources at the service of musical practice and the detailed investigation of Bach's intentions. Bach scholars are well aware that Bach's original score and performance parts, running to almost 500 pages of music, are full of ambiguities and contradictions, particularly regarding articulation, which constantly challenge performers to new interpretations. Hofmann discusses these and other problems in a concise critical report, frequently arriving at new conclusions in the process. Extensive notes about parallel passages offer valuable help for interpretation. Special attention was devoted to the performance material with regard to practical needs. Thus, for example the text incipits are also printed in the instrumental parts (including tacet passages). In short - an Urtext edition for practical performance based on the latest findings in Bach research. Score and parts available separately - see item CA.3124400.
SKU: CA.3124405
ISBN 9790007211264. Language: German/English.
SKU: CA.3124417
ISBN 9790007211349. Language: German/English.