Here We Go A Caroling Complete Christmas Resource + Cd - Piano Solo

Duets For Two Acoustic Guitars-The Christmas season has always been special to me. It is a season that has crystallized the hopes aspirations and faith of millions of people through the centuries. The amount of music written for Christmas is monumental.This book contains 14 scores from my Christmas Guitar Portraits recording. I selected various genres dear to me.First there are selections from the early American sacred song tradition. The Babe of Bethlehem Cherry Tree Carol A Star in the East The Shepherd's Star A Virgin Unspotted and I Wonder As I Wander all are from this rich heritage.I also picked a number of carols from theOld English genre. Away In The Manger Green Grow'th the Holly and What Child is This are included.Then there are the Christmas favourites. In the Bleak Mid-winter and a medley ofBaloo Lammy; The First Noel and Silent Night make any Christmas complete. Let All Mortal Flesh Keep Silence is one of my favourite Advent hymns. Gaudete Christus est natus is arousing carol dating back many centuries.Finally I included two originals. Lullay My Liking is an ancient carol text. Many composers over the centuries have written melodies to these lyrics most notably GustavHolst. I could not resist the temptation so the melody here is original. Finally Christmas Prayer is a new composition. I have always wanted to compose and arrange music designed to bring the Plectrum or Flatpick Guitarto the concert stage. These arrangements were written with that in mind.

Easy piano arrangements for 45 festive songs and carols with song lyrics and chord symbols. Complete with song background notes and playing hints and tips. / Piano

Voiceworks at Christmas is a great collection of seasonal songs for all choirs. Building on the superb resources of Voiceworks 1 and 2 Peter Hunt here presents an inspired new collection of pieces for Christmas ranging from plainsong to jazz carols gospel songs and folk pieces to well-known carols in sparkling new arrangements and brand new carols by living composers. With excellent practical rehearsal notes and an accompanying CD Voiceworks At Christmas meets the needs of all choral groups and overflows with festive cheer.30 fabulous carols and songs from unison to four-part harmony and beyondpieces for all occasions sacred and secular: schoolconcerts Advent and Christmas services carol-singingideal for youth and community choirs school groups (key stage 3 upwards) choral societies church and choral groups of all ages and experiencesvast range of repertoire: plainsong and early music spirituals folk pieces carols in jazz styleintroduces carols from the West Gallery and Sacred Harp traditionswell-known carols in fresh arrangements and new songs by living composerstips and hints for warming up and preparing to rehearsea complete lesson or rehearsal plan for each songphotocopiable pagesCD with performances of all the songs

Raising the curtain on Christopher Norton’s Micromusicals – exciting and accessible musicals for schools based on popular classroom teaching topics from the creator of the internationally-acclaimed Microjazz series. Designed for children aged 6-12 each production lasts around 30 minutes and can be learned rehearsed and performed in as little as 2 days.Stage a real class act with this comprehensive and flexible resource:* Succinct casting and direction suggestions * Optional props list with a wealth of additional downloadable resources * Straightforward and catchy songs with complete demonstration and backing tracks on an accompanying CD * Voice and piano scoreswith guitar chords * A wide range of flexible easy band and orchestral parts available to download which can be played in conjunction with the backing tracks or as part of an independent live orchestral or band * Photocopiable lyric sheets (also available as downloads for printing or projection) * Wide-ranging cross-curricular teaching and classroom activity suggestions * A customisable poster to publicise performances A Christmas Carol is an English literary classic written by Charles Dickens and was first published in December 1843. The popular novella is studied at Key Stage 2 and 3 as part of the National Curriculum in England as well as at schools and colleges elsewhere in the UK and around the world. In this new Micromusical adaption the abridged story is told through drama and song.TestimonialsThe micro-musicals have enriched our curriculum and have enabled the topics taught in class to come alive. Through the micro-musicals the children have gained a deeper and broader understanding of the curriculum and have developed a bank of rich language which has supported their writing outcomes. The micro-musicals have provided an excellent opportunity to teach music through all areas of the curriculum and we have been able to use music as a platform to learn history science geography and literature. They have been a good value for money and a valuable resource.-Bronwen Chalmers Head Teacher Davies Lane Primary School

A Christmas Carol (Hungarian folksong)-The piece was written originally for equal voice choir in 1929. A mixed-choir adaptation was made in 1961 at the request of Oxford University Press. This appeared in print in the same year with an English text under the title A Christmas Carol in a collection of Christmas songs as well as in a separate print. The musical material of the mixed-choir version largely follows the original. There is one essential difference in verse 5 beginning at bar 35 (Babe all holy) where the tenor solo appears with a delightful eight-bar countermelody not found in the original. Since this version only appeared in Kodály's lifetime with an English text this has been retained but we havealso provided the original Hungarian text upon which the equal voice version is based. Zoltán Kodály's complete choral works for mixed voices were published in a new extended edition in 2018 (Z. 6725 and Z. 6725A). This volume containing 51 compositions has been edited by the renowned conductor Péter Erdei one of the most devoted interpreters of Kodály's choral works. The new edition takes into consideration the manuscript sources for the compositions housed in the Kodály Archives in Budapest. The publication features new easily-legible music scores edited on uniform principles. For better readability the new edition is printed in a slightly larger format than previous editions.The present publication is an offprint from the renewed edition of Kodály's complete choral works for mixed voices. It has the same format as the volume and has been printed on excellent-quality pale-yellow paper.

Whereas ‘Auld Lang Syne’ may be considered the best-known Scottish song ever yet at the same time it is an obscure one for there are but few people who know the complete text by heart. After the familiar ‘Should auld acquaintance be forgot .....‘ many people take their refuge to lyrics like ‘rum tee dum ta dee ..... lah lah lah ........... for auld lang syne’. Even in Scotland only a handful of persons know the entire text and are able to give a correct rendering of it. The current lyrics have been attributed to the Scottish poet Robert Burns. Burns however he did not write the whole poem : after he had heard an old man sing the centuries-old Scotchballad he wrote it down and added a number of stanzas (1788). Historical research teaches us that the ballad served many purposes both political and religious. Nowadays ‘Auld Lang Syne’ is sung as a Christmas Carol and it is also sung on New Year’s Eve at the turning of the year. Apart from that though the song is also sung on many other occasions – sometimes with different lyrics which usually have Love Friendship and/or Parting as their themes as these go well with the fascinating melody. In this arrangement a low-sounding solo instrument is central. The harmonization in the accompaniment fits in perfectly with the sentiments this song will evoke. Should auld acquaintance be forgot And never brought to mind? Should auld acquintance be forgot. And days of auld lang syne? For auld lang syne my dear For auld lang syne We’ll take a cup of kindness yet For auld lang syne.

Whereas ‘Auld Lang Syne’ may be considered the best-known Scottish song ever yet at the same time it is an obscure one for there are but few people who know the complete text by heart. After the familiar ‘Should auld acquaintance be forgot .....‘ many people take their refuge to lyrics like ‘rum tee dum ta dee ..... lah lah lah ........... for auld lang syne’. Even in Scotland only a handful of persons know the entire text and are able to give a correct rendering of it. The current lyrics have been attributed to the Scottish poet Robert Burns. Burns however he did not write the whole poem : after he had heard an old man sing the centuries-old Scotchballad he wrote it down and added a number of stanzas (1788). Historical research teaches us that the ballad served many purposes both political and religious. Nowadays ‘Auld Lang Syne’ is sung as a Christmas Carol and it is also sung on New Year’s Eve at the turning of the year. Apart from that though the song is also sung on many other occasions – sometimes with different lyrics which usually have Love Friendship and/or Parting as their themes as these go well with the fascinating melody. In this arrangement a low-sounding solo instrument is central. The harmonization in the accompaniment fits in perfectly with the sentiments this song will evoke. Should auld acquaintance be forgot And never brought to mind? Should auld acquintance be forgot. And days of auld lang syne? For auld lang syne my dear For auld lang syne We’ll take a cup of kindness yet For auld lang syne.

Whereas ???Auld Lang Syne??? may be considered the best-known Scottish song ever yet at the same time it is an obscure one for there are but few people who know the complete text by heart. After the familiar ???Should auld acquaintance be forgot .....??? many people take their refuge to lyrics like ???rum tee dum ta dee ..... lah lah lah ........... for auld lang syne???. Even in Scotland only a handful of persons know the entire text and are able to give a correct rendering of it. The current lyrics have been attributed to the Scottish poet Robert Burns. Burns however he did not write the whole poem : after he had heard an old man sing the centuries-old Scotchballad he wrote it down and added a number of stanzas (1788). Historical research teaches us that the ballad served many purposes both political and religious. Nowadays ???Auld Lang Syne??? is sung as a Christmas Carol and it is also sung on New Year???s Eve at the turning of the year. Apart from that though the song is also sung on many other occasions ??? sometimes with different lyrics which usually have Love Friendship and/or Parting as their themes as these go well with the fascinating melody. In this arrangement a low-sounding solo instrument is central. The harmonization in the accompaniment fits in perfectly with the sentiments this song will evoke. Should auld acquaintance be forgot And never brought to mind' Should auld acquintance be forgot. And days of auld lang syne' For auld lang syne my dear For auld lang syne We???ll take a cup of kindness yet For auld lang syne.