I Got Rhythm - Jazz Band

Composed and recorded by Stan Kenton in the 1940s Artistry in Rhythm became his signature and a true classic from the big band era. Paul Murtha has skillfully adapted and truncated this chart for younger players whilemaintaining the flavorand energy of the original. Solo piano starts things off followed by the iconic trombone solo in the medium Latin section. The exciting double-time swing section features the entire ensemble then the“maestoso” theme returns to closethings out. Impressive!

Holiday Jam, based on the traditional carol Angels We Have Heard on High, will be the highlight of your holiday concert performance. Written for the very beginning jazz student, this chart is carefully crafted for the limitations of the beginner. Arranger Victor Lopez provides many instrumentation options, easy ranges and rhythms along with a fail-safe solo section. Blues it up for the holidays!

I Got Rhythm est une chanson irrésistible composée par George Gershwin (1898-1937) sur des paroles de son frère Ira pour la comédie musicale Girl Crazy (1930). I Got Rhythm deviendra par la suite un des plus grands standards du jazz et sera repris par de nombreux artistes. La grille harmonique du morceau (également appelée rhythm changes) est devenue la structure la plus jouée par les jazzmen.

Jazz Ensemble Library – Grade 4Jazz giant Ray Bryant penned this classic mambo and Michael Philip Mossman provides a dynamic setting for jazz ensemble! Fully notated rhythm section parts guarantee an authentic andconvincing groove while the band focuses on the spicy hot ensemble passages. With solos for trumpet and alto and an ensemble chorus that grows with intensity layer by layer this is one of those charts you'll never get tired ofplaying.

Par FORMAN BRUCE. Information nécessaire pour fonctionner au sein d'un groupe de jazz. Il est important de comprendre que, tandis que le jazz est joué sur les instruments de mêmes que les autres types de musique, il a sa propre langue. Cet ouvrage traite des idiomes jazz spécifiques : swing, shuffle, be-bop et le Latin. Une connaissance élémentaire de travail de la guitare par le biais de blues, de roches ou de musique folklorique, (y compris les accords de barre), produira des résultats gratifiants. Connaissance de l'emplacement de la note sur toutes les chaînes, (surtout le e et une cordes) et une compréhension du travail de la relation de toutes les notes sur les différentes chaînes permettra de rendre l'information dans ce livre immédiatement accessibles. Le livre fournit également des informations sur la façon d'interpréter un graphique de jazz. La clarté et la perspicacité de cette méthode, rend un must pour tout interprète de big band. / Niveau : Débutant à Intermédiaire / Jazz - Rhythm/Backup / Recueil / Guitare

Here is a hip-sounding modal chacha that combines the classic Latin rhythm with sophisticated modern jazz sounds. With crafty ensemble lines solos for tenor and trumpet and carefully notated rhythm section parts this will be a great addition to any band's library!

Based on the blues in F and featuring a catchy riff traded around the band here is the perfect swing chart for beginning jazzers! Rick carefully uses tutti rhythms for ease in learning and the sample solo can be played by any sax or by the entire section.

Here is a great arrangement of this Latin classic done in an authentic Latin style but with a big band twist. All the rhythm parts are carefully notated taking the guesswork out of interpreting this complex style. This mediumtempo chart features rich voicings a feature spot without rhythm section and solo space for alto and trumpet. Very smooth!

This exciting Afro-Cuban composition is the opening cut from the 1993 album 944 Columbus the final recording by Mario Bauza one of the most influential figures in the development of Latin Jazz. The title comes fromcombining the words “Cuban” and “Bauza” and features a bebop influence interpreted by the Afro-Cuban rhythm section. This newly edited and engraved edition is a “must have” for mature bands.(Recorded by Mario Bauza)

Par GERSHWIN GEORGE / TAYLOR MARK (Arr.). This clever tune by George Gershwin has long been a favorite with jazz musicians. Mark\'s upbeat swing setting is a true showcase for the entire ensemble, with inventive tutti ensemble passages interspersed with brief solos for trumpet, tenor sax, trombone, and alto sax. The Little Big Band Series features arrangements that are: Scored for 6 horns (3 saxes, 2 trumpets, trombone) plus rhythm section; Include additional optional parts for alto, tenor and trombone; Perfect for smaller programs, or additional ensemble opportunities./ Répertoire / Big Band