God So Loved: SATB: Vocal Score

These two previously-unpublished Psalm settings were written while Benjamin Britten was studying at the Royal College of Music in London but despite encouragement from Ireland Vaughan Williams and Howells werenever performed during the composer's life. Scored for chorus and orchestra the contrasting movements show many of the traits so loved in Britten's later music. After being unearthed again from archives the premiere ofTwo Psalms was given on 1 December 2012 by the Oxford Bach Choir and English Chamber Orchestra conducted by Nicholas Cleobury.Out Of The Deep and Praise Ye The Lord for SATB chorus andorchestra.Vocal Score.

Faure was not drawn to compose a Requiem because of the death of a loved one even though his mother had died during the early stages of composition and his father had passed away two years before. Faure’s composition does not set his Requiem to the standard liturgical text instead adding a lyrical Pie Jesu and transcendent Paradisum and omitting the Dies Irae and Tuba Mirum - which for most composers are opportunities to demonstrate the dramatic possibilities available with the choral and orchestral forces. As a result the mood of the Requiem is relatively calm and peaceful and often referred to as a lullaby of death.Faure’sunconventional composition has become a firm favourite in the repertoire and available here is the vocal score for Soloists and SATB Choir with Piano Accompaniment as edited by Desmond Ratcliffe.

Setting the text of Thomas Allain (after Song of Songs) this work is scored for unaccompanied SATB choir. A perfect anthem for a wedding ceremony.

Vocal coach and choral director Mark De-Lisser who has edited and arranged the highly acclaimed Sing Out! series here turns his attention to the a cappella repertoire with five uplifting songs for SATB choir in this sixth pop repertoire book in the series.As before these songs have each been selected for their positive lyrics and heart-warming feel making them ideal to teach to adults and children. With an enticing selection of pop songs including Sigma’s Higher Jess Glynne’s Don’t Be So Hard on Yourself Ronnie Laws’ AlwaysThere Coldplay’s Paradise and James Bay’s Hold Back the River this compilation has something for everyone.Arranged for the first time for SATB choir this book includes a download card with access to full demonstrations and individual rehearsal tracks of each vocal line recorded by members of ACM Gospel Choir. The scores feature keyboard reductions for ease of learning. Helpful hints for performing the pieces and an introduction to beat-boxing are also included in this book giving you everything you need to learn these well-loved songs.

An extremely joyful and uplifting setting of this well-loved Christmas text. Gjeilo has crafted a beautiful melody that seems as if it was always meant to exist with these lyrics. Vocally accessible this will be a good choice for both schools and churches along with more advanced choirs. Can be sung in English or Norwegian.

This definitive collection showcases twelve of the finest and most loved partsongs by Robert Lucas Pearsall (1795-1856); published in two volumes compiled and introduced by Ralph Allwood one of the UK’s pre-eminent choral directors.These works including the well known Lay a Garland In Dulci Jubilo Great God of Love and No! No! Nigella! are collected and published together for the first time. Suitable for choirs of all abilities the partsongs within this two volume collection are scored for four to eight parts and appropriate for sacred or secular usage. Beautifully engraved the original notation has been updated for contemporary use and clear rehearsalaccompaniments are provided.Both volumes will be an essential addition to any choir's music library to be used over and over again.The Novello Choral Programme is the creation of a panel of advisors pre-eminent in the British music scene: Ralph Allwood Susan Digby David Hill Brian Kay and Barry Rose each with extensive experience in choral conducting concert work and music education. The aim is to publish essential editions from the best of the wealth of existing choral music ancient and modern while widening the repertoire with exciting new composers and new trends in music making.Ralph Allwood is one of the UK's most distinguished choral directors. He is Precentor and Director of Music at Eton College and a Choral Advisor to Novello.

Classic Choral Works-Amazingly Messiah was composed in only 24 days and is now one of the most performed and loved works in the choral repertoire. This is the Oxford University Press Clifford Bartlett edition of the Vocal Score.

The Novello Book Of British Folksongs For Mixed-Voice Choirs is an enjoyable collection of diverse tunes that have descended from the folksongs across the British Isles. A variety of arrangements are included both old and new of well-loved tunes as well as some lesser-known pieces. All 34 tunes are arranged for SATB Chorus some with Piano accompaniment making this a brilliant way to enhance your choir's repertoire. This Book Of British Folksongs offers a grand selection of favourite folk tunes arranged by composers such as Ralph Vaughan Williams Gustav Holst Paul Mealor and George Dyson.Tunes like A-Hunting We Will Go Auld Lang Syne Bonny At Morn Come Lasses And Lads and Scarborough Fair suggest the sheer diversity on offer here. From sad tunes to happy songs the arrangements here are at once beautiful and touching coming truly to life when sung by a Mixed-Voice Choir.  These thirty four folk songs will enrich a performance programme whether as one part or the entirety. Choirs of all types and abilities will be able to discover their favourite arrangements either the most beautiful the funniest or the most enjoyable to sing. With the country experiencing a revival in singing traditional folksongs this collection is a great way to experience the unabashed joy that performing these British tunes can bring. With a great number of favourite tunes as well as some lesser-known songs this collection includes songs like There Were Three Ravens Yarmouth Town My Love Is Like A Red Red Rose Dance To Your Daddy and The Rio Grande as well as an extensive and fascinating introduction by Jeremy Summerly. The wonderful thing about singing folksongs is they are like a window into our country's history. They are occasionally funny often dramatic but always enjoyable to sing and their diversity

This beautiful work for mixed choir with both words and music by the composer includes a setting of the much-loved chorale Wie schön leuchtet der Morgenstern (How brightly shines the morning star).