Facsimile edition Guitar solos, op. 61-73 With an introduction by Brian Jeffery - Op. 61: Grande Ouverture (the well-known dramatic and often recorded piece. This work is also available from Tecla published separately as TECLA 549). - Op. 62: Six variations on an original theme. - Op. 64: Six variations on the Russian air Poschaluite sudarina (this fine set of variations, which may be compared with op. 60, combines the popular nature of the Russian tune with Giuliani's inventiveness. The sixth variation is in the form of a lively polonaise. This work is also available from Tecla published separately as TECLA 552). - Op. 70: Variations (from Guitar Concerto op. 70). - Op. 71: Three sonatinas (easy pieces for beginners. This work is also available from Tecla published separately as TECLA 564). - Op. 72: Eight variations on a duet from the opera Jeannot et Colin. - Op. 73: Bagatelles.
SKU: HL.50510141
ISBN 9790080128916. UPC: 073999708516. Bach (23 x 30,2 cm) inches. Hungarian, English, German. Erzsebet Nagy; Miklos Mosoczi.
This publication is a completely revised edition of our five-volume guitar tutor. In the decades since its first edition, the musical interests of students and their practice possibilities have changed. To adapt to this, we have partly expanded and partly reduced the musical and technical material of the tutor. We have increased the number of recital pieces at all levels of difficulty,so that students can spend longer on a varied repertoire at their respective level. We have determined the works in the volume V which demand a more developed technique and musicality to extend the repertoire of those who wish to study further. The transcription of lute works has sometimes made significant compromises necessary. However, in our view, it is a significant gain that students can get to know a Dowland fantasy or an early English Baroque set of variations. This volume comprises 44 concert pieces from the early 17th to the 20th centuries, 18 advanced-level studies by Carcassi, Coste, Giuliani, and Sor, as well as several advanced-level technical exercises. Besides original works by Giuliani, Sor, Tarrega, and others, it features several transcriptions of works by Dowland, Rameau, J. S. Bach, and D. Scarlatti.