SKU: HL.14013708
G F Handel (1685-1759) was a German-born British composer and organist who spent his life working in London. He is credited with popularising opera and oratorio in Britain, both importing Italian works, and composing his own.
Twelve Songs From The Oratorios have been edited by Alberto Randegger, and are scored for Baritone or Bass with Piano accompaniment. It contains 12 airs from popular works such as Messiah, Judas Maccabaeus, and Samson, and 8 of their associated recitatives. This is the perfect collection for any Bass or Baritone looking to expand their repertoire, or for any Handel fan who wants todiscover more of his songs.
SKU: TM.08327SET
Marches from: RINALDO, PARTHENOPE, TRIO SONATA op. 5 No. 2, OCCASIONAL ORATORIO, FLORIDANTE, JUDAS MACCABAEUS, ROYAL FIREWORKS, PASTOR FIDO, DEIDAMIA, EZIO, SAUL. Viola in Treble clef, except No. 11 which is in alto clef. 1 Violin III in set.
SKU: TM.01860SC
Cem in score. Atalanta, Faramondo (I), Guistino, Orlando, Faramondo (II), Jephta (I), Ariadne, Deborah, Broches Passion, Jephta (II), Joseph, Arminio.
SKU: TM.01860SET
SKU: TM.08327SC
SKU: CA.5527903
ISBN 9790007250799. German/English.
Handel's Utrecht Jubilate HWV 279 enthralled London audiences right from its first performance, and it continues to do so today in concert halls and churches all over the world, thanks to the wide range of occasions when it can be performed. It was performed for the first time in a festive service on 7 July 1713 at St. Paul's Cathedral to celebrate the Peace marking the end of the twelve year-long War of the Spanish Succession. The Utrecht Te Deum and Jubilate were Handel's first sacred works in English and important milestones at the beginning of his London career.The edition is based on Handel's autograph (which unfortunately does not survive) and on a copy from Handel's circle, which in some respects provides more information than the autograph and contains important details for this edition. In 1717 Handel revised the Jubilate in a smaller scoring for the ensemble at Cannons (HWV 246) and preceded it with a two-part Sinfonia which is also reproduced in the Appendix to this edition. The chorus is mainly scored in four parts, and is in eight parts in just one short movement. In two other movements the soprano part divides. The second alto solo part can also be sung by a high tenor.Score available separately - see item CA.5527900.
SKU: CA.5527814
ISBN 9790007249625. Language: English.
Handel's Utrecht Te Deum HWV 278 enthralled London audiences right from its first performance, and it continues to do so today in concert halls and churches all over the world. It was performed for the first time in a festive service on 13 July 1713 in St. Paul's Cathedral to celebrate the Peace marking the end of the twelve year-long War of the Spanish Succession in 1713. The Te Deum was the first commission by the English royal house and was also Handel's first sacred work in the English language. For Handel the Utrecht Te Deum was an important milestone at the beginning of his London career. The composition brought him an annual pension from Queen Anne and helped him to establish himself as a composer of prestigious music for the English royal family. Four further settings of the Ambrosian hymn of praise by Handel followed, including the equally popular Dettingen Te Deum (Carus 55.238). The six soloists required can in practice be reduced to four, and the Te Deum does not contain any stand-alone arias. The chorus is scored in five parts in a few movements (SSATB), with the concluding doxology beginning in double-choir scoring (SST/AATB). For this frequently-performed work Carus offers a musical text reflecting the latest scholarly discoveries. The Critical Report contains information on all the important facts about the work in a practicable, compact form. A detailed foreword contains insights into the creation of the work and its reception. The vocal score, chorus score, and orchestral parts provide for the needs of practical performance; these are complemented by carus music, the choir app for practising the choral parts, as well as the Carus Choir Coach practice CDs and a Vocal Score XL in reader-friendly large print.
SKU: CA.5527819
ISBN 9790007249632. Language: English.
SKU: CA.5527912
ISBN 9790007293031. German/English.
Handel's Utrecht Jubilate HWV 279 enthralled London audiences right from its first performance, and it continues to do so today in concert halls and churches all over the world, thanks to the wide range of occasions when it can be performed. It was performed for the first time in a festive service on 7 July 1713 at St. Paul's Cathedral to celebrate the Peace marking the end of the twelve year-long War of the Spanish Succession. The Utrecht Te Deum and Jubilate were Handel's first sacred works in English and important milestones at the beginning of his London career.The edition is based on Handel's autograph (which unfortunately does not survive) and on a copy from Handel's circle, which in some respects provides more information than the autograph and contains important details for this edition. In 1717 Handel revised the Jubilate in a smaller scoring for the ensemble at Cannons (HWV 246) and preceded it with a two-part Sinfonia which is also reproduced in the Appendix to this edition.The chorus is mainly scored in four parts, and is in eight parts in just one short movement. In two other movements the soprano part divides. The second alto solo part can also be sung by a high tenor.Score and part available separately - see item CA.5527900.
SKU: CA.5527913
ISBN 9790007293048. German/English.
SKU: CA.5527914
ISBN 9790007293055. German/English.
SKU: CA.5527811
ISBN 9790007249595. Language: English.
SKU: CA.5527949
ISBN 9790007252175. German/English.
SKU: CA.5527812
ISBN 9790007249601. Language: English.
SKU: BA.BA04052
ISBN 9790006495702. 33.1 x 26 cm inches. Nicola Francesco Haym.
Handel began the composition of Tamerlano, one of the supreme masterpieces of Baroque opera seria, on 3rd July 1724. The libretto was an adaptation by Nicola Haym of Agostino Piovene's Tamerlano, Tragedia per musica, which had been set to music by Francesco Gasparini, and performed in Venice in 1711. When Handel dated the last page of the autograph on 4rd July the work appeared to be complete; but during the three months which passed before the premiere at the King's Theatre in the Haymarket on 31 October, so many alterations and revisions were made that a fresh performing-score had to be writtern very late in the proceedings, to replace an earlier one which is now 1ost.There were twelve performances between 31 October 1724 and 8 May 1725. Handel revived the opera only once, in 1731, for three performances. For this revival he marked in the performing score a number of cuts in the recitatives, which are reproduced in the present edition; there is more recitative in Tamerlano than in any other Handel opera.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: CA.5527800
ISBN 9790007188511. Language: English.
SKU: CA.5527813
ISBN 9790007249618. Language: English.
SKU: CA.5527804
ISBN 9790007244644. Language: English.
SKU: CA.5527909
ISBN 9790007293017. German/English.
Handel's Utrecht Jubilate HWV 279 enthralled London audiences right from its first performance, and it continues to do so today in concert halls and churches all over the world, thanks to the wide range of occasions when it can be performed. It was performed for the first time in a festive service on 7 July 1713 at St. Paul's Cathedral to celebrate the Peace marking the end of the twelve year-long War of the Spanish Succession. The Utrecht Te Deum and Jubilate were Handel's first sacred works in English and important milestones at the beginning of his London career.The edition is based on Handel's autograph (which unfortunately does not survive) and on a copy from Handel's circle, which in some respects provides more information than the autograph and contains important details for this edition. In 1717 Handel revised the Jubilate in a smaller scoring for the ensemble at Cannons (HWV 246) and preceded it with a two-part Sinfonia which is also reproduced in the Appendix to this edition. The chorus is mainly scored in four parts, and is in eight parts in just one short movement. In two other movements the soprano part divides. The second alto solo part can also be sung by a high tenor.Score and parts available separately - see item CA.5527900.
SKU: CA.5527900
ISBN 9790007252144. German/English.
Handel's Utrecht Jubilate HWV 279 enthralled London audiences right from its first performance, and it continues to do so today in concert halls and churches all over the world, thanks to the wide range of occasions when it can be performed. It was performed for the first time in a festive service on 7 July 1713 at St. Paul's Cathedral to celebrate the Peace marking the end of the twelve year-long War of the Spanish Succession. The Utrecht Te Deum and Jubilate were Handel's first sacred works in English and important milestones at the beginning of his London career.The edition is based on Handel's autograph (which unfortunately does not survive) and on a copy from Handel's circle, which in some respects provides more information than the autograph and contains important details for this edition. In 1717 Handel revised the Jubilate in a smaller scoring for the ensemble at Cannons (HWV 246) and preceded it with a two-part Sinfonia which is also reproduced in the Appendix to this edition. The chorus is mainly scored in four parts, and is in eight parts in just one short movement. In two other movements the soprano part divides. The second alto solo part can also be sung by a high tenor.