Georg Philipp Telemann: Three Concertos For Violin: Violin: Instrumental Work

Georg Philipp Telemann's Deus Judicium Tuum for SATB.The prestigious Latin psalm setting 'Deus judicium tuum' [Ps. 71/72] is among the finest from Telemann?s pen. Its composition is associated with the beginning of his eight-month sojourn in Paris in the fall of 1737 during which time he celebrated musical triumphs in the French metropolis. As he himself reported with no little pride the piece ?was performed twice in three days by almost one hundred selected people in the Concert spirituel.? Three magnificent choral movements frame a richly-colored succession of demanding solo movements.

Kantate Zum 4. Advent. Par TELEMANN GEORG PHILIPP. A three-movement work for Advent from Telemann’s annual cycle of cantatas, “Der Harmonische Gottesdienst” [Hamburg 1725/26]. In the two arias Telemann gives the solo singer and also the recorder player ample opportunities for displays of virtuosity. / Date parution : 1991-09-01/ Répertoire / Solo S (T), Flûte à Bec et Basse Continue

Kantate Zum 4. Advent. Par TELEMANN GEORG PHILIPP. A three-movement work for Advent from Telemann’s annual cycle of cantatas, “Der Harmonische Gottesdienst” [Hamburg 1725/26]. In the two arias Telemann gives the solo singer and also the recorder player ample opportunities for displays of virtuosity. / Date parution : 1991-09-01/ Répertoire / Solo S (T), Flûte à Bec et Basse Continue

Kantate Zum 12. Sonntag Nach Trinitatis. Par TELEMANN GEORG PHILIPP. This three-movement solo cantata can be performed in several ways. The instruments basically required are the trio sonata ensemble of recorder, oboe and keyboard instrument [+ a continuo melody instrument ad lib. ]. If necessary, as Telemann stated, the two woodwind parts can be placed by violins. The instrumental parts can also be augmented by a body of strings, playing in the ritornello sections of the two arias. Moreover, the new edition expands the performance possibilities for the work byadding a four-part chorus from the more fully scored original version, which Telemann did not publish./ Répertoire / Solo S (T), Flûte à Bec F1 (Violon), Hautbois (Vio

Kantate Zum 12. Sonntag Nach Trinitatis. Par TELEMANN GEORG PHILIPP. This three-movement solo cantata can be performed in several ways. The instruments basically required are the trio sonata ensemble of recorder, oboe and keyboard instrument [+ a continuo melody instrument ad lib. ]. If necessary, as Telemann stated, the two woodwind parts can be placed by violins. The instrumental parts can also be augmented by a body of strings, playing in the ritornello sections of the two arias. Moreover, the new edition expands the performance possibilities for the work byadding a four-part chorus from the more fully scored original version, which Telemann did not publish./ Répertoire / Solo S (T), Flûte à Bec F1 (Violon), Hautbois (Vio

Opera in three acts-“Almira” Handel’s first opera was well received when premiered in 1705 at the Theater am Gänsemarkt in Hamburg. The director was Reinhard Keiser who remarkably had himself already set Friedrich Christian Feustking’s text to music. The role of Fernando was sung by Johann Mattheson. The translation used by Handel leaves several Italian arias in their original language resulting in a delightful mixture of German and Italian.The opera which after sundry entangled romances ends in the wedding of three couples is characterised by exuberant scenes: the procession at Almira’scrowning ceremony a duel a prison scene and a masked-ball involving the three continents Europe Africa and Asia.The vocal score to “Almira” by George Frideric Handel brings about a small sensation: Whilst conducting a reenactment of this work in 1732 Georg Philipp Telemann removed the Aria no. 28 “Ingrato spietato” from his conducting score. Since then this aria has been deemed lost. Due to necessity only the edited vocal text devoid of any music was presented in the 1994 volume of the “Halle Handel Edition”.Thanks to a recently discovered contemporary manuscript copy from the beginning of the 18th century which was found in the music library of the Mariengymnasium in Jever this aria has now been made available to performers for the first time in this new vocal score edition. Previous to this the corresponding pages could only be seen as a facsimile in an article of the “Göttinger Händel-Beiträge”.Now the aria can be performed again. Furthermore with the help of this new source missing measures in the basso continuo which had initially been completed by the editor of the “Halle Handel Edition” volume could be reconstructed from the basso continuo part of the Bellante aria “Ich brenne zwar” (no. 71).- Urtext edition based on the “Halle Handel Edition”- Original German and Italian text with a German translation of the Italian arias

Par GOODIN JOHN. As one of the most productive composers in history, Georg Philipp Telemann endeavored to supply a steady stream of new music for both professional and amateur musicians. The 64 compositions in this collection fall into three categories:Sonatas for two treble-clef instruments without bass accompaniment.Pieces for solo instrument and bass.Movements from Telemann's many trio sonatas and overture-suites for two melody instruments and bass.Written in standard notation only for two mandolins, or mandolin with violin, flute, recorder, or any other instrument of similar range. / Niveau : Intermédiaire / Classique / Date parution : 2019-05-27/ Recueil / 2 Mandolines

Kantate Zum 2. Weihnachtstag. Par TELEMANN GEORG PHILIPP. Two straightforward four-part choral movements frame three solo movements. The tonal language of this easily performable work, taken from a cantata publication of 1748, combines baroque pictorial quality and playfulness with rococo grace and sensitivity. / Date parution : 1980-12-01/ Répertoire / Solo S, Choeur SATB, 2 Violons, Alto et Basse Cont

Par TELEMANN GEORG PHILIPP. Each sonata is written in a three movement form (fast-slow-fast), and are equally successful and satisfying when played by any two instruments of matching pitch.Editorial metronome markings, articulation and dynamics have been suggested throughout. They, along with trills and other ornaments, may be adjusted as desired. The music should be interpreted in strict Baroque style. / Niveau : Avancé / performance score / Répertoire / 2 Saxophones