Gears

SKU: PR.165000970

ISBN 9781491100462. UPC: 680160626717. 9x12 inches.

Commissioned by a consortium of 20 high school and university bands coordinated by Scott Hanna of the University of Texas at Austin, Downshifting is inspired by Welcher’s joy of bicycle riding. Welcher explains in the program note: When I decided to write a piece for band that was basically entertaining and uplifting, it made perfect sense to call it Downshifting... With three gears on the front sprocket and seven on the rear, it’s possible to keep one’s legs going at a constant speed (for me, q = 126) while the bike itself may be moving very slowly or very quickly. I determined to capitalize on this in writing Downshifting, which keeps the same mathematical inner pulse, ‘shifting’ (with a ratchet) as the terrain changes..
One of the joys of life for me is riding my 21-speed bicycle.  As a basically non-athletic person who nonetheless likes to stay in shape, I have found that riding my bike provides just the exercise I need.  The workout is strenuous, but pleasant—and the infinite variety of scenery I pass keeps me alert and wide awake.  When I decided to write a piece for band that was basically entertaining and uplifting, it made perfect sense to call it Downshifting.With three gears on the front sprocket and seven on the rear, it’s possible to keep ones legs going at a constant speed (for me, that’s 126 to the quarter note) while the bike itself may be moving very slowly or very quickly.  I determined to capitalize on this in writing the music, which manages to keep the same mathematical inner pulse, “shifting” (with a ratchet) as the terrain changes.  So Downshifting begins with that steady pulse, on a grid of eighth notes in 2/4 to propel the little vehicle forward.  There’s a joyous little tune in our heads as we begin our ride.  As the initial thrill of riding on the flat gives way to monotony, we stay in that pulse for the first minute or so of the ride.  Then, as the first hill becomes visible, we shift the bike down: even though the eighths are equal, the pulse feels slower (and we’re now in 6/8 time).  Ultimately the compound meter shifts again as the climb begins, and we’re now plodding doggedly up the hill.  (The music reflects all of these changes, with subtitles such as “Working harder—Seeing the climb, ahead”, “Steady and committed…the climb begins!”, “Straining against the grade”, etc.).There are two hills, and two long climbs (but in different keys, reflecting the change in scenery).  When at last the summit of the second hill is reached (“Flying, Over the Top”), we coast at last down the other side at breakneck speed.  The initial joyous melody returns, but now in a spread-out coasting pulse.  At the end of the ride, we slow to a stop—then take one last sprint (shifting five times in the process) in order to end on a biker’s high.Downshifting was commissioned by a consortium of fourteen high school and college bands, overseen by my longtime colleague at the University of Texas, Scott Hanna.  The piece is dedicated to him (and to all bicycle enthusiasts).

SKU: CL.032-4044-01

Start 'em up and get out of the way! This infectious shuffle chart shifts gears a few times, but it keeps pulling hard all the way to the finish. Creative mix of soli and ensemble sections combined with an open solo section for any instrument on simple Blues changes all come together in a chart that's an excellent choice for concert or contest. Very effective for bands at all levels. You can't miss with this one!

SKU: AP.41950S

UPC: 038081465869. English.

This creative piece allows the listener to musically envision the many different aspects of something that is mechanized, whether it be the precision workings of the tiny and intricate gears and movements of a wind-up watch or clock, or the inner workings of a monstrous, steam-driven machine. This title available in MakeMusic Cloud.

SKU: HL.50601204

SKU: KN.52900

ISBN 9786540394038.

Momentum must be maintained at the designated tempo (quarter note = 240) to achieve the excitement that's intended in this dynamic original. Highlights include solos for trumpet and tenor, and rousing section solis for saxes and brass. Duration 2:30.

SKU: KN.KEN60250S

UPC: 822795602500.

This chart for developing groups combines old school funk and modal rock, along with a bit of blues-tinged melody. The solo section is written out with solo sheets provided in all keys along with scales to assist students in improvisation. Duration 3:15.

SKU: CF.FPS64F

ISBN 9780825867682. UPC: 798408067687. 9 X 12 inches. Key: D phrygian.

The sounds of gears, gadgets, and all things mechanical form the basis for this unique, beginning band piece by Carl Fischer Music newcomer Gregory Rudgers. There is a hint of the futuristic in the sounds and textures that students will encounter. A fun change of pace for the developing band.