Gabriel Faure's Pavane has been arranged for solo Piano by Thomas A. Johnson.
SKU: CA.1040248010000
ISBN 9790007311452. Key: F sharp minor. French. Text: Montesquiou, Robert de.
Gabriel Fauré’s Pavane is certainly one of his most popular compositions. You may, however, be surprised to learn that the premiere of this stylized dance in April 1888 was actually performed in a version for mixed choir rather than the now more familiar orchestral setting or other instrumental arrangement. The text, in the style of Verlaine, sketches the carefree society of the Belle Époque, in particular the various flirtations and dalliances of the dancers. Supplementing the new edition of the version for mixed choir (Carus 10.402/00), Carus has published this contemporary version for choir and two piano for four hands.- Fauré's famous melody for choir and piano four hands- Pronunciation aids available- 100th anniversary of the death of Gabriel Fauré in 2024.
SKU: HL.49019351
ISBN 9790001188807. UPC: 884088948603. 9.0x12.0x0.076 inches.
The music of small forms was to become the focus of the French composer Gabriel Faure (1845-1924). In 1874, after many years spent in the 'provinces', the teacher of Camille Saint-Saens took the position of organist in Paris; later he worked not only as a church musician but as a teacher as well. In the summer of 1887 Faure wrote his Pavane Op. 50, originally intended for a concert providing light entertainment, which soon gained wide popularity as an orchestral setting without and with the chorus added by Faure. The romantic, slightly melancholy melody is a catchy tune which, thanks to the present arrangement, can now also be played on the piano.
SKU: CA.1040248
ISBN 9790007312459. Key: F sharp minor. French. Text: Montesquiou, Robert de.
Gabriel Fauré’s Pavane is certainly one of his most popular compositions. You may, however, be surprised to learn that the premiere of this stylized dance in April 1888 was actually performed in a version for mixed choir rather than the now more familiar orchestral setting or other instrumental arrangement. The text, in the style of Verlaine, sketches the carefree society of the Belle Époque, in particular the various flirtations and dalliances of the dancers. Supplementing the new edition of the version for mixed choir (Carus 10.402/00), Carus is publishing this contemporary version for choir and two piano for four hands. Score and part available separately - see item CA.1040200.
