Fugue for Violin Solo

Summer's Prelude & Winter's Fugue is a fantastic Violin solo expertly composed by Poul Ruders. This fantastic piece was Commissioned by ARD International Music Competition Munich in 2009.

A superb four-volume collection of over 180 solos for the intermediate level Pianist. Includes popular film and show tunes - themes and songs from top TV shows - and classical favourites from choral works, concertos, ballets, operas and symphonies. / Piano

for Solo Violin-Transcribed for solo violin by Stuart Carlson In this impressive transcription Carlson captures much of the sound and power of the organ and offers it to solo violin. This arrangement requires double stops accents jumping across strings high left-hand work and dramatic flourishes with the bow and with chromatic left-hand runs...The advanced student or professional will surely enjoy bringing this classic to life.--American String Teacher

This inexpensive compilation draws upon authoritative sources to present favorite Piano works of the Baroque era. Unlike many other anthologies of music from the era which vary widely in the quality of their content this collection comprises only the greatest works of the period. Intermediate and advanced Pianists will find these carefully chosen pieces a rewarding and satisfying reflection of the glories of the Baroque. Selections include Johann Sebastian Bach's Chromatic Fantasia and Fugue as well as the French Suite No. 5; Fantasia in C Minor BWV 906; and preludes and fugues from The Well-Tempered Clavier. Other works byBach include the great composer's transcriptions for keyboard of five violin concertos by Vivaldi reprinted from the definitive Bach-Gesellschaft edition. Other selections include several pieces by Handel among them the popular Air and Variations known as The Harmonious Blacksmith; four sonatas by Scarlatti; and works by Telemann Rameau and Purcell.

Par BACH JOHANN SEBASTIAN. Bach would almost certainly have approved of this string quartet arrangement of his famous concerto for violin and oboe (BWV 1060) by John Cooley as he was well known for making arrangements of his own works, according to instrumental resources at his disposal. Bach himself made an arrangement of this piece for two solo harpsichords and string orchestra. It is quite ?notey? but straightforward and accessible technically to reasonably good players as there are no tricky rhythms or high notes. As well as this Bach concerto arrangement, SJ Music has also published John Cooley?s arrangements of Mozart?s piano duets K497 and K521 for piano trio and piano quartet respectively, Bach?s organ Passacaglia and Fugue for string quartet, and one of Purcell?s trio sonatas for string trio. / Date parution : 2022-03-16/ Répertoire / Quatuor à Cordes

30 pièces célèbres pour piano. Par BACH JOHANN SEBASTIAN. Ce recueil de 30 compositions originales et arrangements populaires pour piano présente une sélection d’œuvres de Jean-Sébastien Bach qui ravira tous les pianistes. Outre le 'Prélude en do majeur' du Clavier bien tempéré et d'autres pièces pédagogiques populaires, le volume contient également de nombreux arrangements, comme l''Air' de la Suite d'orchestre n° 3 ou la 'Toccata et Fugue en ré mineur'. Toutes les pièces ont un niveau de difficulté facile à moyen et ont été complétées par des doigtés et des suggestions de métronome. Le recueil dont l’image d’impression est moderne et facile à lire est recommandée non seulement à des fins d'enseignement, mais aussi à tous ceux qui aiment jouer du piano en tant que passe-temps. / Niveau : Moyen / Recueil / Piano

Grand choix de belles pièces, difficile de trouver un grand nombre ailleurs. Inclus sont clavecin toccatas, Capriccio sur le départ de son frère bien-aimé, Aria variata 'alla Maniera Italiana 'et les 6 Petits Préludes, ainsi que de nombreuses compositions moins connues - plus de 40 en tout. Autorité Breitkopf and Härtel édition.Réimpression de sélections de Werke Johann Sebastian Bach, Série 3, 36, 42, 43, et 44, Breitkopf and Härtel, Leipzig, 1890, 1894 et 1897. / Piano

Per Violino E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Date parution : 1905-06-19/ Répertoire / Violon et Piano

12 favourite works from the Baroque era, with authentic orchestral backing tracks. Bring the music of the Baroque era to life! This book contains approachable top line arrangements suitable for grade 3-5 standard. The accompanying CD features 12 orchestral backing tracks arranged authentically to reflect the era, together with complete instrumental performances, played by live musicians. As an additional bonus, piano accompaniments are also available for each piece as download and are the same for each 'Baroque Play-Along' publication for other instruments making it ideal for ensemble or solo playing./ Recueil / Saxophone Ténor

BWV997-The purpose of the series if Bach was a cellist is to live the fantasy that everything Bach wrote he wrote for the cello. It may also serve as a way for cellists to get close to Bach through works other than the six solo suites and the three gamba sonatas.I first came across the Partita by Johann Sebastian Bach in a version for flute and strings beautifully recorded by Kurt Redel. Since my early teens it has been on my list of special pieces.The four movements show extraordinary variation. In the hands of Bach the key of C minor becomes particularly powerful of limitless weight sometimes even stern. Is there an opening of a movement from the baroqueera which compares with power of the first movement here? It is a magni-ficent example of musical temperament.Three 18th century manuscripts survive. One found among the papers of C.Ph.E.Bach and two by Johann Philipp Kirnberger a student of J.S.Bach. All three are in the form of a keyboard sonata. Because of the choice of register however one may ask whether they are in turn arrangements of an original composition for solo flute or solo violin. The Double is very pianistic and may therefore have been added later. For all movements except the Fugue I have supplied a piano part for the right hand.

Suiten in G-dur und F-dur-The orchestra suite (earlier referred to as an overture) is in its style and the continuity of its movements far removed from the strict polyphonic form such as illustrated in the canzone and the fugue as well as from the more expressive style of the trio sonata or the later solo sonata.We have inherited a rich collection of suite music from the period 1680-1750 and it is important that we make use of it today. The obliging form of the suite makes it possible for every musician to play because it presents no technical problems another advantage being that the individual parts are easily filled. When played at home the parts are normally filled by strings but windinstruments of all kinds can be used in combination or instead of the strings.It is unnecessary to point out that the suite is an ideal form of music for school and amateur orchestra performances. More than any other type of composition it is recommended for musical instruction and especially when playing in an ensemble for the first practice in ensemble playing.- Johann Caspar Ferdinand Fischer 1656 - 1746- Score with one of each part (Violin I II; Viola [da gamba] I II; Cello; Cembalo) and separate string parts available for sale

Réédition de la collection Gold aujourd'hui devenue célèbre.

Ce volume contient 2 CDs avec les titres complets pour piano. / Classique / Partition 2 CDs /