Froberger, Johann Jakob : New Edition of the Complete Works - Volume 2 : Libro Quarto (1656) / Libro di Capricci e Ricercati (ca. 1658)

[Neue Ausgabe sämtlicher Werke - Band 1 : Libro Secondo (1649)] / Classique / Editeur : Siegbert Rampe / Assisté de : K. Gilbert / Partition / Cartonné / Plats de carton / Edition Urtext

[Neue Ausgabe sämtlicher Werke - Band 3 : Clavier- und Orgelwerke abschriftlicher Überlieferung / Partiten und Partitensätze, Teil 1] / Classique / Editeur : Siegbert Rampe / Assisté de : K. Gilbert / Partition / Cartonné / Plats de carton / Edition Urtext

New Edition of the Complete Works Volume 7-Each volume in this bilingual edition of all the works by Johann Jacob Froberger (1617 1667) contains a Critical Commentary and a detailed Preface with sections on the edition?s scope and subdivisions editorial method and on performance practice as well as with discussions of contemporary instruments ornamentation and Froberger?s life.Volume VII now brings the complete edition to a close. It contains the two previously unpublished motets ?Alleluja absorta est mors? (FbWV 701) and ?Apparuerunt Apostolis? (FbWV 702) both for Soprano Tenor Bass two Violins and Continuo as well as the ?Capriccio in C? (FbWV 706) forfour voices or four instruments.The appendix provides a catalogue of all Froberger works known to date (FbWV) including as applicable the incipit of each work and an entry on its instrumentation date of composition editions and sources along with special comments. Another heading directs readers to the most important references in the secondary literature.Complete urtext edition at the cutting edge of scholarship.First publication of two motets.Catalogue of all Froberger works in an appendix (FbWV).New Edition of the Complete Works Volumes I -VII special price BA9299

New Edition of the Complete Works Volumes I - VII-New Edition of the Complete WorksVolume VII:Works for Ensemble and Catalogue of the Complete Works (FbWV) Each volume in this complete bilingual edition of the works of Johann Jacob Froberger (1616-1667) contains a Critical Commentary and a detailed Foreword with sections on the edition’s structure and scope editorial method and performance practice as well as discussions of contemporary instruments ornamentation and Froberger’s life. The set includes: Volume I: Libro Secondo (1649) BA 8063 Volume II: Libro Quarto (1656) – Libro di Capricci e Ricercati (ca. 1658) BA 8064Keyboard and Organ Works from Copied Sources:Volume III.1: Partitas and Partita Movements Part 1a BA 8065 Volume III.2: Partitas and Partita Movements Part 1b BA 8435 Volume IV.1: Partitas and Partita Movements Part 2 BA 8066 Volume IV.2: Partitas and Partita Movements Part 3 BA 8434 Volume V.1: Toccatas BA 9211 Volume V.2: Polyphonic Works BA 9212 Volume VI.1: New Sources New Readings New Works Part 1 BA 9213 Volume VI.2: New Sources New Readings New Works Part 2 BA 9269 Volume VII: Works for Ensemble and Catalogue of the Complete Works (FbWV) BA 9298 Complete Urtext edition at the cutting edge of scholarship. First publication of two motets. Catalogue of all Froberger works in an appendix (FbWV)

Neue Ausgabe sämtlicher Werke 5 2-At the cutting edge of scholarship.Detailed explanatory notes.Johann Jacob Froberger who lived from 1617 to 1667 developed a style of composition representing a synthesis of Italian French and English influences thereby setting new standards at that time. Only Jan Peterszoon Sweelinck can match Froberger in terms of significance for 17th century keyboard music.The text to each volume of the complete edition of Froberger?s Organ and Keyboard music is published in German and English comprising a critical commentary as well as a detailed foreword explaining the scope and subdivision of the edition and the editorial techniques.Also information on performance practice on instruments of the time and on ornamentation is included as well as details on Froberger?s biography.Volume V.2 like the previously published volume V.1 contains the musical text from an anonymous 17th century copy which was returned to the Berlin Singakademie from Kiev in 2001. It is divided into works of definitive authenticity new readings and two appendices containing works of doubtful authenticity and spurious arrangements.