Fox Dan - Mandolin Gold - Mandolin

This wonderful collection of music arranged for the mandolin includes bluegrass old-time fiddle tunes classical music (including the complete solo part for the Vivaldi mandolin concerto and the Canzonetta from Mozart's Don Giovanni) American Irish Jewish Russian and Italian songs reels jigs hornpipes hymns and gospel songs minstrel songs patriotic songs blues and jazz children's songs cowboy and country ballads. Over one hundred selections in standard music notation and Tab with lyrics and chord symbols for optional accompaniment. Also included are tremelo exercises a guide to fingering chord charts for guitar and mandolin the history of themandolin and interesting comments about the history and performance of each song.

John McGann's Guide To Octave Mandolin And Bouzouki contains twenty tunes in styles from Irish to American, in a variety of tunings, melody and accompaniment, presented in standard notation and tablature, with a stereo audio download (left channel melody, right channel accompaniment). Left and right hand techniques and chord voicings are thoroughly discussed. For the first time, the Celtic style "woven texture" accompaniment, unique to the instrument, is fully notated. The book also contains melodic Irish ornamentation, blues, jazz, American fiddle tunes with variations and improvisations (all fully notated), and a chapter "Breaking Away From Block Chords" extending knowledge of the fingerboard. Audio tracks are included to download online.

For Non-Classical Players: A Practical Approach-The focus of this book is on American mandolin music that was published circa 1900 during the ?Golden Age of the Mandolin? in the United States (1885-1920) referred to by Mark Twain as The Gilded Age. After a brief overview of period mandolin techniques a variety of popular social ballroom dances are then presented in both staff notation and mandolin tablature including waltzes polkas schottisches mazurkas marches and even the occasional hornpipe. Along the way you will discover a variety of idiomatic playing techniques that will open up new vistas in your own playing. So tune up your mandolin and get started!

Plus de 100 tunes, édité et annoté par Robin Williamson. Facile à avancé. Pour mandoline, banjo, flute, etc.. Avec les accords de guitare. Un enregistrement de CD de 15 tunes, joués par Williamson, est inclus pour la démonstration. / Accordéon

The Essential Collection continues with a folio of the greatest works by Antonio Vivaldi. The pieces include his celebrated Violin Concertos and, of course, movements from the Four Seasons, all arranged as Piano solos for you to learn and enjoy. / Classique / Partition /

Les plus grandes musiques de Film, arrangées pour les pianistes commençants. Biographies incluses / Classique / Partition /

Four Pieces For Orchestra was composed by Hans Abrahamsen in 2000-2003. Programme note: In 1983 Hans Abrahamsen wrote the first seven of his Ten Studies for Piano. In the early eighties most composers who wrote for the piano were still making strenuous efforts to distance themselves from the instrument?s romantic past for example treating it as a percussion instrument rather than exploiting its expressive ?singing? potential. The piano?s modern identity as a mechanical rational emotionally cool instrument is reflected in Abrahamsen?s studies 5 7; but in the first four studies Abrahamsen allows the piano to?recollect? its past: especially what the composer calls ?the golden German romantic time full of expression night timelessness dream and the irrational?. Accordingly these first four studies were given German one might specifically say Schumanesque - titles: Traumlied (?Dreamsong?) Sturm (?Storm?) Arabeske (?Arabesque?) and Ende (?End?). While Abrahamsen was in no way dissatisfied with the first four Studies as piano music he soon felt the urge to expand them in both time and space. In their new identity as Four Pieces for Orchestra created between 2000-2003 the original studies nearly doubled in length while the forces required expanded from one soloist to an orchestra of Mahlerian/Straussian dimensions including instruments beloved by the late-romantics: Wagner tubas bass trumpet guitar mandolin and the hammer used so memorably in Mahler?s Sixth Symphony and Alban Berg?s Three Pieces for Orchestra. The results are not so much ?arrangements? of the four piano studies more recompositions. A helpful comparison might be made with certain painters: Cézanne portraying the same mountain from different angles; or Monet obsessively returning to Rouen Cathedral in different lights and weather conditions. Abrahamsen himself remembers an important visit to the Munch Museum in Oslo where he saw how Munch painted the same subject