Format : Octavo
SKU: M7.MF-2065-01
ISBN 9783795790431.
Pink ist wieder da mit neuem Album und dem Party-Hit Blow Me (One Last Kiss), Gusttavo Lima hatte mit Balada (Tchê Tcherere Tchê Tchê) einen der Sommerhits 2012 und mit dem Mitsing-Hit We Are Young schaffte die Band fun. den Durchbruch auch bei unsLana Del Rey konnte mit Summertime Sadness einen eher untypischen Sommerhit landen, dafür haben Simple Plan mit Summer Paradise' richtiges Sunshine-Feeling verbreitet. Der Song 'I Follow Rivers' hat mit Lykki Li und Triggerfinger gleich in zwei Versionen die Hitparaden gestürmt. 2 Hefte in einem: Klavierarrangement sowie Melodieausgabe für Klavier, Keyboard, Gitarre, Gesang, Flöte oder Violine zum Herausnehmen.
SKU: M7.MF-3604
ISBN 9783795747442.
'Easy Charts' is the successful play-along series of Schott which enables even first-year beginners to play current hits and have fun - alone or together with other wind players. In the fourth volume, we present the top hits of the past months. 'I Follow Rivers' meanwhile is a must on every party, and hips begin to gyrate when 'Move In The Right Direction' is played before we can briefly chill with 'Stay' by style icon Rihanna. The latest hits include 'Blurred Lines' by Crooner Robin Thicke and 'Bei meiner Seele' by Mannheim's most famous son, Xavier Naidoo.
SKU: HL.44007672
UPC: 884088310271. 9x12 inches.
Follow the historic Rogue River from its headwaters in Oregon to the mighty Pacific! The serenity of the mountain snowmelt gives way to energetic rapids and then to the greater expanse and power of the lower river. This work has lots of potential for co-curricular study with history and geography. It will be a nice accessible challenge for the maturing young band, rewarding each section with integral and expressive parts to play. (Grade 2-1/2).
SKU: HL.23423078
UPC: 884088473969. 9.0x12.0x0.057 inches.
Henry Mancini's forty-year career in the film music industry produced a wealth of musical icons. John Moss has arranged a terrific musical montage in memory of the man who has inspired so many composers and arrangers who have followed him.
SKU: PR.465000130
ISBN 9781598064070. UPC: 680160600144. 9x12 inches.
Following a celebrated series of wind ensemble tone poems about national parks in the American West, Dan Welcher’s Upriver celebrates the Lewis & Clark Expedition from the Missouri River to Oregon’s Columbia Gorge, following the Louisiana Purchase of 1803. Welcher’s imaginative textures and inventiveness are freshly modern, evoking our American heritage, including references to Shenandoah and other folk songs known to have been sung on the expedition. For advanced players. Duration: 14’.In 1803, President Thomas Jefferson sent Meriwether Lewis and William Clark’s Corps of Discovery to find a water route to the Pacific and explore the uncharted West. He believed woolly mammoths, erupting volcanoes, and mountains of pure salt awaited them. What they found was no less mind-boggling: some 300 species unknown to science, nearly 50 Indian tribes, and the Rockies.Ihave been a student of the Lewis and Clark expedition, which Thomas Jefferson called the “Voyage of Discovery,” for as long as I can remember. This astonishing journey, lasting more than two-and-a-half years, began and ended in St. Louis, Missouri — and took the travelers up more than a few rivers in their quest to find the Northwest Passage to the Pacific Ocean. In an age without speedy communication, this was akin to space travel out of radio range in our own time: no one knew if, indeed, the party had even survived the voyage for more than a year. Most of them were soldiers. A few were French-Canadian voyageurs — hired trappers and explorers, who were fluent in French (spoken extensively in the region, due to earlier explorers from France) and in some of the Indian languages they might encounter. One of the voyageurs, a man named Pierre Cruzatte, also happened to be a better-than-average fiddle player. In many respects, the travelers were completely on their own for supplies and survival, yet, incredibly, only one of them died during the voyage. Jefferson had outfitted them with food, weapons, medicine, and clothing — and along with other trinkets, a box of 200 jaw harps to be used in trading with the Indians. Their trip was long, perilous to the point of near catastrophe, and arduous. The dream of a Northwest Passage proved ephemeral, but the northwestern quarter of the continent had finally been explored, mapped, and described to an anxious world. When the party returned to St. Louis in 1806, and with the Louisiana Purchase now part of the United States, they were greeted as national heroes.Ihave written a sizeable number of works for wind ensemble that draw their inspiration from the monumental spaces found in the American West. Four of them (Arches, The Yellowstone Fires, Glacier, and Zion) take their names, and in large part their being, from actual national parks in Utah, Wyoming, and Montana. But Upriver, although it found its voice (and its finale) in the magnificent Columbia Gorge in Oregon, is about a much larger region. This piece, like its brother works about the national parks, doesn’t try to tell a story. Instead, it captures the flavor of a certain time, and of a grand adventure. Cast in one continuous movement and lasting close to fourteen minutes, the piece falls into several subsections, each with its own heading: The Dream (in which Jefferson’s vision of a vast expanse of western land is opened); The Promise, a chorale that re-appears several times in the course of the piece and represents the seriousness of the presidential mission; The River; The Voyageurs; The River II ; Death and Disappointment; Return to the Voyage; and The River III .The music includes several quoted melodies, one of which is familiar to everyone as the ultimate “river song,” and which becomes the through-stream of the work. All of the quoted tunes were either sung by the men on the voyage, or played by Cruzatte’s fiddle. From various journals and diaries, we know the men found enjoyment and solace in music, and almost every night encampment had at least a bit of music in it. In addition to Cruzatte, there were two other members of the party who played the fiddle, and others made do with singing, or playing upon sticks, bones, the ever-present jaw harps, and boat horns. From Lewis’ journals, I found all the tunes used in Upriver: Shenandoah (still popular after more than 200 years), V’la bon vent, Soldier’s Joy, Johnny Has Gone for a Soldier, Come Ye Sinners Poor and Needy (a hymn sung to the tune “Beech Spring”) and Fisher’s Hornpipe. The work follows an emotional journey: not necessarily step-by-step with the Voyage of Discovery heroes, but a kind of grand arch. Beginning in the mists of history and myth, traversing peaks and valleys both real and emotional (and a solemn funeral scene), finding help from native people, and recalling their zeal upon finding the one great river that will, in fact, take them to the Pacific. When the men finally roar through the Columbia Gorge in their boats (a feat that even the Indians had not attempted), the magnificent river combines its theme with the chorale of Jefferson’s Promise. The Dream is fulfilled: not quite the one Jefferson had imagined (there is no navigable water passage from the Missouri to the Pacific), but the dream of a continental destiny.
SKU: PR.46500013L
UPC: 680160600151. 11 x 14 inches.
I n 1803, President Thomas Jefferson sent Meriwether Lewis and William Clarks Corps of Discovery to find a water route to the Pacific and explore the uncharted West. He believed woolly mammoths, erupting volcanoes, and mountains of pure salt awaited them. What they found was no less mind-boggling: some 300 species unknown to science, nearly 50 Indian tribes, and the Rockies. I have been a student of the Lewis and Clark expedition, which Thomas Jefferson called the Voyage of Discovery, for as long as I can remember. This astonishing journey, lasting more than two-and-a-half years, began and ended in St. Louis, Missouri and took the travelers up more than a few rivers in their quest to find the Northwest Passage to the Pacific Ocean. In an age without speedy communication, this was akin to space travel out of radio range in our own time: no one knew if, indeed, the party had even survived the voyage for more than a year. Most of them were soldiers. A few were French-Canadian voyageurs hired trappers and explorers, who were fluent in French (spoken extensively in the region, due to earlier explorers from France) and in some of the Indian languages they might encounter. One of the voyageurs, a man named Pierre Cruzatte, also happened to be a better-than-average fiddle player. In many respects, the travelers were completely on their own for supplies and survival, yet, incredibly, only one of them died during the voyage. Jefferson had outfitted them with food, weapons, medicine, and clothing and along with other trinkets, a box of 200 jaw harps to be used in trading with the Indians. Their trip was long, perilous to the point of near catastrophe, and arduous. The dream of a Northwest Passage proved ephemeral, but the northwestern quarter of the continent had finally been explored, mapped, and described to an anxious world. When the party returned to St. Louis in 1806, and with the Louisiana Purchase now part of the United States, they were greeted as national heroes. I have written a sizeable number of works for wind ensemble that draw their inspiration from the monumental spaces found in the American West. Four of them (Arches, The Yellowstone Fires, Glacier, and Zion) take their names, and in large part their being, from actual national parks in Utah, Wyoming, and Montana. But Upriver, although it found its voice (and its finale) in the magnificent Columbia Gorge in Oregon, is about a much larger region. This piece, like its brother works about the national parks, doesnt try to tell a story. Instead, it captures the flavor of a certain time, and of a grand adventure. Cast in one continuous movement and lasting close to fourteen minutes, the piece falls into several subsections, each with its own heading: The Dream (in which Jeffersons vision of a vast expanse of western land is opened); The Promise, a chorale that re-appears several times in the course of the piece and represents the seriousness of the presidential mission; The River; The Voyageurs; The River II ; Death and Disappointment; Return to the Voyage; and The River III . The music includes several quoted melodies, one of which is familiar to everyone as the ultimate river song, and which becomes the through-stream of the work. All of the quoted tunes were either sung by the men on the voyage, or played by Cruzattes fiddle. From various journals and diaries, we know the men found enjoyment and solace in music, and almost every night encampment had at least a bit of music in it. In addition to Cruzatte, there were two other members of the party who played the fiddle, and others made do with singing, or playing upon sticks, bones, the ever-present jaw harps, and boat horns. From Lewis journals, I found all the tunes used in Upriver: Shenandoah (still popular after more than 200 years), Vla bon vent, Soldiers Joy, Johnny Has Gone for a Soldier, Come Ye Sinners Poor and Needy (a hymn sung to the tune Beech Spring) and Fishers Hornpipe. The work follows an emotional journey: not necessarily step-by-step with the Voyage of Discovery heroes, but a kind of grand arch. Beginning in the mists of history and myth, traversing peaks and valleys both real and emotional (and a solemn funeral scene), finding help from native people, and recalling their zeal upon finding the one great river that will, in fact, take them to the Pacific. When the men finally roar through the Columbia Gorge in their boats (a feat that even the Indians had not attempted), the magnificent river combines its theme with the chorale of Jeffersons Promise. The Dream is fulfilled: not quite the one Jefferson had imagined (there is no navigable water passage from the Missouri to the Pacific), but the dream of a continental destiny.
SKU: CN.17440
Riversong was originally composed for solo vibraphone and was presented in lead sheet format (for an improvising musician's use) and in a completely written-out version. Spelled here for piano, the original flow and lure of a river's pull is augmented by two additional vignettes - Water Catcher and Terra Firma - that depict both an unexpected outing and the satisfaction of a completed trip. Riversong was originally composed for solo vibraphone and was presented in lead sheet format (for an improvising musician's use) and in a completely written-out version. Spelled here for piano, the original flow and lure of a river's pull is augmented by two additional vignettes that depict both an unexpected outing and the satisfaction of a completed trip. Water Catcher reminds us of what may lie around the next bend when storms follow the river and powerfully replace calm with chaos. Terra Firma confirms our respect and desire for the journey - natural repose and quiescence in harmony with anticipation of revisiting the river's song.
SKU: HL.365041
ISBN 9781705135259. UPC: 840126960624. 9.0x12.0x0.359 inches.
The Strum Together series enables players of five different instruments – or any combination of them – to “strum together” on 70 great songs. This new, easy-to-use format features melody, lyrics, and chord diagrams for five popular folk instruments: standard ukulele, baritone ukulele, guitar, mandolin, and banjo. This collection includes 70 gospel/hymn favorites: Amazing Grace • Blessed Be the Name • Down by the Riverside • Great Is Thy Faithfulness • His Eye Is on the Sparrow • In the Garden • Just As I Am • Love Lifted Me • Nothing but the Blood • The Old Rugged Cross • Precious Memories • Rock of Ages • Shall We Gather at the River? • There Is a Balm in Gilead • What a Friend We Have in Jesus • When the Saints Go Marching In • and more.
SKU: KJ.WP1213
UPC: 084027053690.
This dramatic 10-page solo was commissioned by the Richmond, Virginia Music Teachers Association in honor of their 50th anniversary. The James River has always been important to life in Virginia, flowing 340 miles from the Appalachian Mountains to Chesapeake Bay. Following the big sounds of the introductory fanfare in 4/4 time, the melody (marked Flowing swiftly), appears in 6/8 time, richly accompanied by arpeggiated LH harmonies. Later in the piece, the hands switch roles, with RH broken chords over a LH treble melody. Hand-over-hand arpeggios follow, adding to the visual impression to the performance. The music returns to 4/4 time before concluding in a similarly dramatic fashion as found in the opening of the work. A true showpiece for late-intermediate level students and performers!
SKU: BT.DHP-1175794-070
ISBN 9789043152419. English-German-French-Dutch.
Pascal Proust has many years of experience as a musician and music teacher. His works include several hundred compositions for the most diverse range of instrumentations. He wrote 14 Intermediate Flute Quartets for flute players who have around 4-5 years of experience. It is important that these players have paid special attention to an easy-to-follow and attractive musical style. These quartets are ideal performance and competition works for young flute ensembles.De componist Pascal Proust kan bogen op een jarenlange ervaring als muzikant en muziekdocent. Zijn oeuvre omvat honderden composities voor de meest diverse instrumentaties. Hij schreef 14 Intermediate Flute Quartets voor fluitisten die ongeveer vier tot vijf jaar les hebben gehad, waarbij hij speciaal aandacht heeft besteed aan een makkelijk te volgen, aantrekkelijke muziekstijl. Daardoor zijn deze kwartetten ideale voordrachts- of wedstrijdwerken voor jonge fluitensembles.Der Komponist Pascal Proust kann aus seiner langjährigen Erfahrung als Musiker und Musikpädagoge schöpfen; sein Oeuvre umfasst mehrere hundert Kompositionen für verschiedenste Besetzungen. Er schrieb 14 Intermediate Flute Quartets für Flötisten mit ungefähr 4 5 Jahren Unterrichtserfahrung und legte besonderes Augenmerk auf einen leicht verständlichen, attraktiven musikalischen Stil. Dadurch eignen sich diese Quartette ideal als Vortrags- und Wettbewerbsstücke für junge Flötenensembles.Le compositeur Pascal Proust puise volonté dans son immense expérience de musicien et professeur de musique ; son catalogue d’oeuvres englobe plusieurs centaines de compositions pour divers instruments. Il a écrit 14 Intermediate Flute Quartets pour fl tistes ayant environ 4 5 années de pratique, dans un style musical accessible et coloré. De ce fait, ces quatuors sont des pièces idéales pour tout examen ou audition de jeunes ensembles de fl tes.
SKU: BT.DHP-1175795-070
ISBN 9789043152426. English-German-French-Dutch.
Pascal Proust has many years of experience as a musician and music teacher. His works include several hundred compositions for the most diverse range of instrumentations. He wrote 14 Intermediate Clarinet Quartets for clarinet players who have around 4-5 years of experience. It is important that these players have paid special attention to an easy-to-follow and attractive musical style. These quartets are ideal performance and competition works for young clarinet ensembles.De componist Pascal Proust kan bogen op een jarenlange ervaring als muzikant en muziekdocent. Zijn oeuvre omvat honderden composities voor de meest diverse instrumentaties. Hij schreef 14 Intermediate Clarinet Quartets voor klarinettisten die ongeveer vier tot vijf jaar les hebben gehad, waarbij hij speciaal aandacht heeft besteed aan een makkelijk te volgen, aantrekkelijke muziekstijl. Daardoor zijn deze kwartetten ideale voordrachts- of wedstrijdwerken voor jonge klarinetensembles.Der Komponist Pascal Proust kann aus seiner langjährigen Erfahrung als Musiker und Musikpädagoge schöpfen; sein Oeuvre umfasst mehrere hundert Kompositionen für verschiedenste Besetzungen. Er schrieb 14 Intermediate Clarinet Quartets für Klarinettisten mit ungefähr 4 5 Jahren Unterrichtserfahrung und legte besonderes Augenmerk auf einen leicht verständlichen, attraktiven musikalischen Stil. Dadurch eignen sich diese Quartette ideal als Vortrags- und Wettbewerbsstücke für junge Klarinettenensembles.Le compositeur Pascal Proust puise volonté dans son immense expérience de musicien et professeur de musique ; son catalogue d’oeuvres englobe plusieurs centaines de compositions pour divers instruments. Il a écrit 14 Intermediate Clarinet Quartets pour clarinettistes ayant environ 4 5 années de pratique, dans un style musical accessible et coloré. De ce fait, ces quatuors sont des pièces idéales pour tout examen ou audition de jeunes ensembles de clarinettes.
SKU: BT.DHP-1175797-070
ISBN 9789043152440. English-German-French-Dutch.
Pascal Proust has many years of experience as a musician and music teacher. His works include several hundred compositions for the most diverse range of instrumentations. He wrote 14 Intermediate Trumpet Quartets for trumpet players who have around 4-5 years of experience. It is important that these players have paid special attention to an easy-to-follow and attractive musical style. These quartets are ideal performance and competition works for young trumpet ensembles.De componist Pascal Proust kan bogen op een jarenlange ervaring als muzikant en muziekdocent. Zijn oeuvre omvat honderden composities voor de meest diverse instrumentaties. Hij schreef 14 Intermediate Trumpet Quartets voor trompettisten die ongeveer vier tot vijf jaar les hebben gehad, waarbij hij speciaal aandacht heeft besteed aan een makkelijk te volgen, aantrekkelijke muziekstijl. Daardoor zijn deze kwartetten ideale voordrachts- of wedstrijdwerken voor jonge trompetensembles.Der Komponist Pascal Proust kann aus seiner langjährigen Erfahrung als Musiker und Musikpädagoge schöpfen; sein Oeuvre umfasst mehrere hundert Kompositionen für verschiedenste Besetzungen. Er schrieb 14 Intermediate Trumpet Quartets für Trompeter mit ungefähr 4 5 Jahren Unterrichtserfahrung und legte besonderes Augenmerk auf einen leicht verständlichen, attraktiven musikalischen Stil. Dadurch eignen sich diese Quartette ideal als Vortrags- und Wettbewerbsstücke für junge Trompetenensembles.Le compositeur Pascal Proust puise volonté dans son immense expérience de musicien et professeur de musique ; son catalogue d??oeuvres englobe plusieurs centaines de compositions pour divers instruments. Il a écrit 14 Intermediate Trumpet Quartets pour trompettistes ayant environ 4 5 années de pratique, dans un style musical accessible et coloré. De ce fait, ces quatuors sont des pièces idéales pour tout examen ou audition de jeunes ensembles de trompettes.
SKU: M7.ART-42090
ISBN 9783866420908.
Mit 'My Piano Dreams' ist Autor Jens Rupp eine wunderschöne Fortsetzung seines Spielbuches 'Klavierträume' gelungen. Seine 16 zauberhaften Stücke sind von romantischer, aber auch eingängiger, moderner Klaviermusik geprägt. Die bei einigen Stücken verwendeten Synkopen machen die Musik lebendig und rhythmisch. So erinnern einige Stücke an Filmmusik mit vielfältigen Stimmungen. Mal romantisch, leicht melancholisch, dann wieder beruhigend und liebevoll, bis hin zu jazzig-heiteren Klangfarben. Die Stücke sind leicht arrangiert, werden im Verlauf des Buches aber immer anspruchsvoller. Auch die Tonarten sind einfach gehalten. So eignen sich die Stücke hervorragend für Vorspiele aller Art. 'My Piano Dreams' bildet einen nahtlosen Übergang zu Jens Rupps 'Shades of Piano' oder auch Stücken wie 'River Flows In You' von Yiruma, die dann mit Leichtigkeit gespielt werden können. Unabhängig davon sind die Stücke für alle Pianistinnen und Pianisten geeignet, die musikalischen Erfolg mit Spaß kombinieren möchten. 'My Piano Dreams' - immer wieder eine Einladung zum Träumen.
SKU: BT.DHP-1175796-070
ISBN 9789043152433. English-German-French-Dutch.
Pascal Proust has many years of experience as a musician and music teacher. His works include several hundred compositions for the most diverse range of instrumentations. He wrote 14 Intermediate Saxophone Quartets for saxophone players who have around 4-5 years of experience. It is important that these players have paid special attention to an easy-to-follow and attractive musical style. These quartets are ideal performance and competition works for young saxophone ensembles.De componist Pascal Proust kan bogen op een jarenlange ervaring als muzikant en muziekdocent. Zijn oeuvre omvat honderden composities voor de meest diverse instrumentaties. Hij schreef 14 Intermediate Saxophone Quartets voor saxofonisten die ongeveer vier tot vijf jaar les hebben gehad, waarbij hij speciaal aandacht heeft besteed aan een makkelijk te volgen, aantrekkelijke muziekstijl. Daardoor zijn deze kwartetten ideale voordrachts- of wedstrijdwerken voor jonge saxofoonensembles.Der Komponist Pascal Proust kann aus seiner langjährigen Erfahrung als Musiker und Musikpädagoge schöpfen; sein Oeuvre umfasst mehrere hundert Kompositionen für verschiedenste Besetzungen. Er schrieb 14 Intermediate Saxophone Quartets für Saxophonisten mit ungefähr 4 5 Jahren Unterrichtserfahrung und legte besonderes Augenmerk auf einen leicht verständlichen, attraktiven musikalischen Stil. Dadurch eignen sich diese Quartette ideal als Vortrags- und Wettbewerbsstücke für junge Saxophonensembles.Le compositeur Pascal Proust puise volonté dans son immense expérience de musicien et professeur de musique ; son catalogue d??oeuvres englobe plusieurs centaines de compositions pour divers instruments. Il a écrit 14 Intermediate Saxophone Quartets pour saxophonistes ayant environ 4 5 années de pratique, dans un style musical accessible et coloré. De ce fait, ces quatuors sont des pièces idéales pour tout examen ou audition de jeunes ensembles de saxophones.
SKU: LO.30-3623H
UPC: 000308151190.
Rich choral textures and a warm harmonic palette enhance the emotion and audience appeal of this popular spiritual arrangement. There are a few short sections with divisi, but singers should find the vocal parts quite easy and enjoyable to learn. Program Ain’t That Good News (15/3606H) to follow this title for an extended performance option.
SKU: CL.012-4136-01
North Carolina is a beautiful state, and there is no better place to enjoy whitewater rafting, than a trip on the Nantahala River. Noted composer, James Swearingen, takes you on a riveting journey that can only be described as both intense and exhilarating. Dramatic percussion writing coupled with exciting wind parts is an integral part of why this piece will challenge your students to make the music come alive and seem like a real life experience. Be prepared for the audience to be immediately on their feet following the breathtaking finish. Truly exciting!
SKU: CL.012-4136-75
SKU: MB.30798
ISBN 9781513465340. 8.75 x 11.75 inches.
Jason Raso?s Soloing on Electric Bass: A Chord Tone Approach provides the next step following his first book for Mel Bay Publications, Improvising on Electric Bass. The primary focus of this second book is to help you develop a more melodic approach to solo bass playing. The author suggests avoiding root notes, concentrating instead on chord tones of a 3rd, 5th, and 7th as fertile ground to begin revising your approach to more creative soloing. Following a series of standard notation exercises exploring intervals and goal notes in all keys, Jason presents a dozen original solo etudes in notation and tablature.
SKU: MB.93814M
ISBN 9780786687428. 8.75 x 11.75 inches.
Written for diatonic and chromatic harmonica, this is one of the hottest-selling blues harp books available. As usual, Phil Duncans instructions are thorough and easy to understand. One of the best books in this popular harmonica style. The blues technique of playing cross-harp is clearly presented. Chords and melody, bending, tones and vibrato are but a few skills that are taught. No previous musical knowledge is necessary. Includes access to online audio and video.In the companion video, the blues technique of playing cross-harp is clearly presented. Chords and melody, bending, tones and vibrato are but a few skills that are demonstrated. The online video follows the book, helping to ensure accuracy, proper interpretation and ease of learning. No previous musical knowledge is necessary. Includes access to online audio in stereo play-along format.
SKU: BT.RSK200127
ISBN 9781789361131. English.
The 2020 Ukulele syllabus extends Rockschool's offering to a full suite of grades. The syllabus has been designed in conjunction with their new Ukulele Method books, giving students a comprehensive pathway from absolute beginner stages through to entry into the graded system, and subsequently following a progressive pathway through to grade 8. The syllabus features six tracks for each grade that have been meticulously benchmarked to support students as they learn the instrument. At each grade, two of the pieces offer the students an opportunity to perform without full band backing, exploring the sound and resonance of their instrument. These include duet parts from Debut toGrade 3, which give further opportunities for teaching and group learning. The remaining tracks are ‘session style’ backing tracks, performed with full backing band and including vocal accompaniment which is also shown in the notation as a melody line and lyric over the main ukulele part. Il sillabus 2020 Ukulele amplia l'offerta di Rockschool a tutti i livelli di studio. Il syllabus è stato pensato come complemento per il nuovo metodo di ukulele, offrendo così agli studenti un percorso strutturato a partire dal livello principiante assoluto fino al livello 8. I sei brani inclusi in ogni volume sono stati selezionati e arrangiati attentamente per consolidare l'appprendimento di ogni studente. El Syllabus 2020 Ukulele expande la oferta de Rockschool en todos los niveles de estudio. El syllabus está pensado para complementar el nuevo método de ukelele, ofreciendo a los estudiantes un camino estructurado desde el nivel principiante hasta el nivel 8. Las seis piezas incluidas en cada volumen han sido cuidadosamente seleccionadas y arregladas para consolidar el aprendizaje de cada estudiante.
SKU: KJ.WB266F
Memorable melodies and expert writing are the hallmarks of John Zdechlik's music. A brief fanfare opens the piece followed by a spritely scalar motive and a chorale-like melody. After the rubato section, the opening material returns and the overture flies towards an exciting conclusion.
SKU: KJ.WB266
UPC: 8402700157.
SKU: BT.DHP-1053813-401
ISBN 9789043122276. 9x12 inches. English-German-French-Dutch.
The following situation may be familiar to you: You’re at a party, visiting friends or hosting relatives and someone asks you to play something on the piano. It’s best to choose a song that people know, but it is often difficult to choose one that is suitable. You are expected to perform on the spot and impress your audience. This book contains thirteen pieces written especially for such occasions. From Lambada to Beethoven, from The Muppet Show to Sting, you’re sure to find familiar songs for your impromptu performances. And best of all, these pieces can be played by anyone who has taken piano lessons for just a few years.Een stuk spelen op verzoek - van klassiek tot populair? In dit boek staan dertien bekende stukken waarmee de pianist voor de dag kan komen bij diverse gelegenheden. Van de Lambada tot Beethoven en van The Muppet Showtot Sting: By Request is geschikt voor iedereen die een paar jaar les heeft gehad.Die folgende Situation ist sicherlich vielen vertraut: Bei einer Party oder einem Familienfest wird man gebeten, etwas Nettes auf dem Klavier vorzuspielen. Da ist es oft schwer, das Passende zu finden. Dieses Buch enthält dreizehn leichte Stücke, mit welchen auch Spieler mit wenig Erfahrung bei solchen Gelegenheiten groß herauskommen können. Ob vorgetragen oder zu Hause zum eigenen Vergnügen gespielt: Es ist für jeden Anlass und jede Stimmung etwas dabei! Lors d’une soirée entre amis ou en famille, on vous demande de vous mettre au piano et de jouer une petite musique sympathique. By Request contient treize moreaux adaptés spécialement ce genre de situation : de la Lambada Ludwig van Beethoven, du Muppet Show Sting, toutes les pièces présentées dans ce recueil sont célèbres et sont accessibles aux pianistes ayant quelques années de pratique instrumentale. Quando alla sera fra amici o in famiglia, vi viene domandato di mettervi al pianoforte e di suonare una piccola e simpatica musica, la difficolt risiede nella scelta del brano. By Request contiene 13 brani adatti a questo genere di situazione: dalla Lambada a Ludwig van Beethoven, da Muppet Show a Sting, tutti i brani presenti in questa raccolta sono celebri e accessibili a tutti i pianisti con qualche anno di pratica strumentale.
