So There

There is no rose of such virtue is an anonymous mediaeval text, already well known through beautiful settings by Britten (in his Ceremony of Carols), John Joubert and others. The poem is 'macaronic' (it presents a verse in English, followed by a varying Latin refrain). This new version follows the illustrious examples above by remaining strophic and presenting broadly the same music in a succession of slightly different guises. The first verse is a straightforward four-part setting, the second gives the melody to the tenors and surrounds them with hushed, wordless writing for the other parts, and the third explores a freely canonic relationship between the tenor and soprano lines before carrying the previous verse-endings to a higher, more exalted pitch and mood. The fourth verse then expands its texture in a free climactic passage evoking the songs of praise sung by the angels. This subsides towards the final verse, where the texture of the music attenuates again to four parts, and canonic writing (based on the first four notes of the original melody) permeates all of them. This slightly extended statement leads to a hushed final cadence. Francis Pott (b. 1957) began musical life as a chorister at New College, Oxford. He held open music scholarships at Winchester College and at Magdalene College, Cambridge, where he studied composition with Robin Holloway and Hugh Wood while pursuing piano studies privately in London with the distinguished British artist, Hamish Milne. Throughout the 1990s Francis was John Bennett Lecturer in Music at St Hilda's College, Oxford, and a lay clerk in the Choir of Winchester Cathedral. In 2001 he became Head of London College of Music, University of West London, later leading research across the University's Faculty of Arts and acceding in 2007 to its first Chair in Composition. Francis Pott has become recognised particularly for his sacred choral and organ music. This has been performed in concert and on radio in over three dozen countries worldwide, published by four major UK houses and released extensively on CD. Winner of four national composition awards, in 1997 he received first prize in the piano solo section of the S. S. Prokofiev Composing Competition, Moscow. In 2006 and 2011 he was a nominated finalist in the BASCA/BBC Annual Composer Awards. In summer 2012 he was winner of the international composing competition of the Cheltenham Festival, which sought new piano variations on the arioso song Bist du bei mir, well known in the arrangement by J. S. Bach. Francis lives with his wife and two children on the outskirts of Winchester. An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. / Choeur Mixte (SATB)

Amoureux de Variété Internationale Et Divers, vous trouverez la partition de vos rêves, que ce soit en format séparé ou en recueil.Cette partition Here Awa', There Awa' Choral Ssa Piano est idéale pour les amateurs ou professionnels de musique qui souhaitent acquérir une partition pour Voix. / Voix / Chanson En Séparée

Inspired by the spiritual “Were You There ” this musical experience is based on several monologues by thosse who were at the cross. The work leads us through many emotions: from the Holy Love shown to Mary Magdalene to the intimacy of Mother Marty's Still My Son to the regret of Peter in It Should Have Been Me. The musical can be of almost any length since each momologue and anthem may be used independently. However We WereThere is used it will provide a powerful Holy Week resource for years to come. Maximum length if all pieces are used: 53 minutes.Includes: Were You There?; Holy Love; Christ Is Our Brother; Surely This Was the Sonof God; How Can It Be?; Still My Son; It Should Have Been Me; We Were There; At the Cross.

Par BARTOLOMEY MATTHIAS. A young cellist called Theresa inspired Bartolomey to write this composition: from a trill, a motive develops that quickly intensifies and varies. It leads into the main part of the work which is characterised by rhythmically distinct themes and percussive effects. Short repetitive passages create a groove that will immediately make audiences‘ feet tap. There‘s an exciting, interpretative challenge awaiting the player in the middle of the piece that shall not be revealed at this point. A “must have“ for all those who dare to try something new on the cello and want to look beyond the “bow“. / Date parution : 2023-03-21/ Répertoire / Violoncelle

Each songbook in the Big Book series provides musicians of all ability levels with a big list---usually 40 or more titles per book---of the very best songs from a favorite musical genre. Rarely are there more catchy tunes than those performed in Broadway musicals. Alfred's Big Book series introduces hit songs from a variety of musicals. Songs include And All That Jazz (Chicago) * Fame (Fame) * Give My Regards to Broadway (Yankee Doodle Dandy) * Grease (Grease) * I Got Rhythm (An American in Paris) * New York, New York (On the Town) * Singin' in the Rain (Singin' in the Rain) * A Spoonful of Sugar (Mary Poppins) * Stayin' Alive (Saturday Night Fever) * That's Entertainment (The Band Wagon) * We're Off to See the Wizard (The Wizard of Oz) * and many more. / Miscellaneous, Scores, Songbooks / Recueil / Piano, Voix, Guitare et Clavier

11 songs arranged for piano from the score penned by James Newton Howard for Hunger Games: Catching Fire, the second in this popular trilogy of films, released in 2013. Includes: Arena Crumbles · Daffodil Waltz · Horn of Plenty · I Need You · Just Friends · Let's Start · A Quarter Quell · There's Always a Flaw · The Tour · Waltz in a (Op. 39, #15) · We're a Team. / Piano

The traditional Scottish folk tune O Jeanie There's Naething To Fear Ye arranged by Gregg Smith for SATB choir a cappella.