Flûte Concerto In B Minor Op. 30

Music Minus One Flute. Composed by Antonio Vivaldi (1678-1741). Sheet music. Music Minus One. Classical. Softcover Audio Online. 20 pages. Music Minus One #MMO3315. Published by Music Minus One

Arranged by Amanda Oosthuizen. For flute. Flute. Classic. Beginning-Intermediate. Book. Published by Kevin Mayhew Publishers

For Flute. Classical (orchestral). Includes a high-quality printed music score and a compact disc containing a complete performance of the concerto in split-channel stereo, with the soloist on the right channel; and a second performance in full stereo minus the soloist. Published by Music Minus One

Flute, piano (solo: fl - 0.0.0.2.dble bsn - 3.3.0.0. - timp.perc(3) - hp - str)

SKU: BR.EB-8912

Dances with the Winds. Composed by Einojuhani Rautavaara. Solo instruments; stapled. Edition Breitkopf.

World premiere: Stockholm, May 4, 1974

Solo concerto; Music post-1945. Piano reduction. 40 pages. Duration 21'. Breitkopf and Haertel #EB 8912. Published by Breitkopf and Haertel (BR.EB-8912).

ISBN 9790004185780. 9 x 12 inches.

The flute concerto 'Dances with the Winds' was composed in 1974 for the Swedish flautist Gunilla von Bohr, a specialist in all members of the flute family. The ordinary flute thus alternates with a bass flute at the beginning and end of the four-movement concerto, the second movement is assigned to the shrill piccolo and the third to the sensuous alto flute. The last movement is a summary of all the musical events in the concerto. At the end the bass flute soars to the top of its register, the note D acting as the pivot to many of the symmetries in the work, against a resigned B flat minor chord on the orchestra. (Einojuhani Rautavaara) CD: Patrick Gallois (flute), Helsinki Philharmonic Orchestra, cond. Leif Segerstam ODE 921-2

World premiere: Stockholm, May 4, 1974 Additional to the original scoring for flute, piccolo, alto flute, and bass flute, the flute part in the piano reduction contains ossias for alto flute instead of the bass flute.

For Flute. Includes a newly engraved printed music score printed on high-quality ivory paper; and two compact discs containing a complete performance in digitally remastered stereo, and a second performance minus the soloist. Published by Music Minus One.

Music Minus One Flute. Composed by Various. Sheet music. Music Minus One. Classical, Contest. Softcover Audio Online. 20 pages. Music Minus One #MMO3326. Published by Music Minus One

(Complete Flute and Piccolo Parts to 74 Orchestral Masterworks on CD-ROM) For flute and piccolo. Includes CD-ROM (Windows and Mac). With standard notation. Classical. Series: The Orchestra Musician's CD-ROM Library. 9x12 inches. Published by Hal Leonard.

An ABRSM syllabus title.The source of the present edition of the Recorder Concerto in C minor by Antonio Vivaldi is the Collected Works of Vivaldi edited by Malipiero, published by Ricordi 1953. The title of the original score is Concerto in Do minore per flauto, archi e cembalo the original setting: Flauto, Violini I-II, Viole, Violoncelli, Contrabassi and Cembalo. The arrangement for recorder and piano is kept in accurate conformity with the musical text of the score the continuo part, however, has been more freely adapted (of course within the possibilities of baroque style). In contrast to previous arrangements, the piano part contains the entire orchestral material in theTuttis, thus the soloist is not obliged to play all the Tutti parts. However, in Movement I and III the first and last Tutti may never be omitted by the performer.

Die Grundlage dieser Ausgabe des Blockflötenkonzertes in c-Moll von Antonio Vivaldi ist die von Malipiero redigierte Gesamtausgabe (Ricordi, 1953). Der Titel der Originalpartitur lautet: Concerto in Do minore per flauto, archi e cembalo: die Besetzung ist folgende: Flauto, Violini I-II, Viole, Violoncelli, Contrabassi, Cembalo. Die Ausgabe für Blockflöte und Klavier folgt getreu dem Urtext der Partitur, doch ist die Ausarbeitung des Continuos schon etwas freier behandelt (natürlich im Rahmen der vom Stil der Barockmusik gebotenen Möglichkeit). Zum Unterschied von den bisherigen Bearbeitungen enthält die Klavierstimme an den Tuttistellen das Stimmaterial des ganzen Orchesters: derSolist ist daher nicht verpflichtet, sämtliche Tutti mitzuspielen. (Im I. und III. Satz dürfen jedoch die ersten und letzten Tutti vom Vortragenden nicht weggelassen werden