Fast Forward Jazz Guitar Improvisation

Si vous voulez jouer jazz et improviser comme un vrai pro ? Ce livre vous montrera comment, rapide ! Tout d'abord apprendre quelques notions de base : les échelles de première importance, doigté et séquences de corde, à commencer par un solo de simple Bossa nova. puis passer à arpèges et des modèles plus complexes tels que l'échelle be bop. Expérimenter des formes mélodiques et découvrez que la progression axée sur le jazz blues utilisé des concerts de jazz au plus standards. Les exemples de musique alors démontrent rythmiques et libres des idées qui coule avec beaucoup de conseils sur les techniques avancées utilisées par jazzers professionnels. En aucun temps tout vous créera votre propre solos dans le style de ces grandes légendes jazz Wes Montgomery, Charlie Christian, Sonny Rollins et Jim Hall. Cinq solos complètes sont inclus dans le livre dans l'onglet facile à suivre. Sur le CD, vous trouverez une piste audio correspondante à chaque exemple de musique dans le livre. Chaque piste est enregistré deux fois : premier avec la guitare, l'avec le soutien pistes seulement ce que vous pouvez jouer la partie de guitare. / Guitare / 48 pages / Partition + Cd

If you've heard jazz guitarists like Joe Pass play chord melody you may think that the style requires an encyclopedic knowledge of music theory musical super-powers or making a deal with the devil. But fear not! This bookwill show you how to create your own satisfying chord melody arrangements on the Mandolin...and will do so in a practical applicable way.'Aaron Weinstein has many musical accomplishments. I am very proud to have playeda small part with some of them. When he was only 12 he made his first recordings and asked me to play Mandolin on them. I was knocked out to encounter someone that young that was conversant in both old-time or contest fiddling andJoe Venuti style jazz. Not long after that Aaron became interested in the Mandolin and chords and he came by every so often to play and discuss voicings improvisation and the like. I showed him some of the Jethro Burns chordmelody arrangements that Jethro showed me. I've been teaching those for decades in hopes of one day playing them smoothly myself!Fast forward a few more years and Aaron has a Berklee degree traveled the worldplaying hot Violin music and is hobnobbing with the greatest NYC jazz stars. And oh yeah one other thing: he took the art of chord-melody Mandolin style to an entirely new level! The rich harmonies of the standard jazz and showtune repertoire the swinging bass lines and connecting chords and independent voice movements (doing more than one thing at a time) are all present in Aaron's style thanks to his great ear open mind and gift at locating thingson the fretboard. And now Aaron has documented explained and shared his discoveries and approach with all of us in this book. Thank you Aaron!This is truly a step-by-step method that you will enjoy. You'll findyourself saying 'oh of course!' as the author gets you playing and understanding things that sound very detailed and complex. The first section I would call the mandolinistic stuff: the how-to on getting things moving and