SKU: HL.35006351
UPC: 888680752897. 9.0x12.0x0.105 inches.
SKU: BT.1143-04-120-MS
T the beginning of the 1980s Alison Moyet was discovered by Vince Clarke, who - in search of greater independence - had left the successful band Depeche Mode. The soulful singing style of Moyet and the electronic, innovative pop that Clarke made melded well together in the group Yazoo with hits such as Only You and Don’t Go. However, after a number of years Moyet went her own way and forged a solo career, during which she demonstrated a somewhat more traditional sound. She recorded several covers (such as The First Time I Ever Saw Your Face and That Ole Devil Called Love) but she also wrotefine songs herself, such as Love Resurrection and, of course, the expressive song AllCried Out. This arrangement by Peter Kleine Schaars does justice to the atmosphere of the original song. Die erfolgreiche Karriere von Alison Moyet begann zu Beginn der 80er-Jahre mit der englischen Popgruppe Yazoo. Nach ein paar Jahren ging die Sängerin mit der starken Soulstimme jedoch eigene Wege und arbeitete an einer Solo-Karriere. Sie nahm einige Cover-Versionen auf, schrieb aber auch selbst schöne Lieder, darunter Love Resurrection und natürlich das ausdrucksvolle, unvergessene All Cried Out. Diese Bearbeitung von Peter Kleine Schaars wird der Stimmung des Originals vollkommen gerecht.La chanteuse Alison Moyet est repérée au début des années 1980 par Vince Clarke, alors la recherche d’une plus grande indépendance : il a quitté son célèbre groupe Depeche Mode. La voix mélancolique d’Alison Moyet et la musique pop électronique innovante de Vince Clarke s’unissent au sein du groupe Yazoo dont des chansons comme Only You et Don’t Go rencontrent un vif succès. Quelques années après, Alison Moyet décide néanmoins de suivre son propre chemin et se lance dans une carrière solo au cours de laquelle elle développe un style plus conventionnel. Elle enregistre plusieurs reprises telles que The First Time I Ever Saw Your Face et That Ole Devil CalledLove, mais compose aussi de superbes titres tels que Love Resurrection et bien entendu All Cried Out, une chanson particulièrement expressive. L’arrangement de Peter Kleine Schaars reste très fidèle l’ambiance de la chanson d’origine.
SKU: BT.1143-04-020-MS
At the beginning of the 1980s Alison Moyet was discovered by Vince Clarke, who - in search of greater independence - had left the successful band Depeche Mode. The soulful singing style of Moyet and the electronic, innovative pop that Clarke made melded well together in the group Yazoo with hits such as Only You and Don’t Go. However, after a number of years Moyet went her own way and forged a solo career, during which she demonstrated a somewhat more traditional sound. She recorded several covers (such as The First Time I Ever Saw Your Face and That Ole Devil Called Love) but she also wrotefine songs herself, such as Love Resurrection and, of course, the expressive song AllCried Out. This arrangement by Peter Kleine Schaars does justice to the atmosphere of the original song. Die erfolgreiche Karriere von Alison Moyet begann zu Beginn der 80er-Jahre mit der englischen Popgruppe Yazoo. Nach ein paar Jahren ging die Sängerin mit der starken Soulstimme jedoch eigene Wege und arbeitete an einer Solo-Karriere. Sie nahm einige Cover-Versionen auf, schrieb aber auch selbst schöne Lieder, darunter Love Resurrection und natürlich das ausdrucksvolle, unvergessene All Cried Out. Diese Bearbeitung von Peter Kleine Schaars wird der Stimmung des Originals vollkommen gerecht.La chanteuse Alison Moyet est repérée au début des années 1980 par Vince Clarke, alors la recherche d’une plus grande indépendance : il a quitté son célèbre groupe Depeche Mode. La voix mélancolique d’Alison Moyet et la musique pop électronique innovante de Vince Clarke s’unissent au sein du groupe Yazoo dont des chansons comme Only You et Don’t Go rencontrent un vif succès. Quelques années après, Alison Moyet décide néanmoins de suivre son propre chemin et se lance dans une carrière solo au cours de laquelle elle développe un style plus conventionnel. Elle enregistre plusieurs reprises telles que The First Time I Ever Saw Your Face et That Ole Devil CalledLove, mais compose aussi de superbes titres tels que Love Resurrection et bien entendu All Cried Out, une chanson particulièrement expressive. L’arrangement de Peter Kleine Schaars reste très fidèle l’ambiance de la chanson d’origine.
SKU: BP.HB558
For 3 to 6 octave handbell choir and optional 1 or 2 (3) trumpets in B-flat. Level 3+. This forceful selection is the perfect way to kick off Easter Sunday! A bold fanfare gives way to the well-known Easter hymn, underscored by moving triplets. A verse in minor gives way to a final, triumphant verse to herald the resurrection of Christ. Add in the optional one or two trumpets for a larger, more celebratory sound! Trumpet parts are included in the score.
SKU: LO.99-2447L
UPC: 000308121933.
Boldly triumphant, this Easter anthem features new music and text by two of this century’s premier church writers. It opens with brilliant figures in the accompaniment and a majestic choral acclamation. The second verse is more reflective, recalling the crucifixion. The tempo quickens as the fanfare returns, heralding the entrance of Beethoven’s beloved Ode to Joy. Shifting again in tempo and in key, the final verse resounds with victorious grandeur and rising alleluias. (From the cantata Forsaken. SATB – 55/1112L; SAB – 55/1113L.).
SKU: LO.30-2424L
UPC: 000308121926.
Boldly triumphant, this Easter anthem features new music and text by two of this century’s premier church writers. It opens with brilliant figures in the accompaniment and a majestic choral acclamation. The second verse is more reflective, recalling the crucifixion. The tempo quickens as the fanfare returns, heralding the entrance of Beethoven’s beloved Ode to Joy. Shifting again in tempo and in key, the final verse resounds with victorious grandeur and rising alleluias. (From the cantata Forsaken. SATB – 55/1112L; SAB – 55/1113L.) Instrumentation: 2 Trumpets, opt. Piccolo Trumpet, opt. F Horn, Trombone 1, Trombone 2 and/or Tuba, Percussion.
SKU: CY.CC2708
The Chorale from the Finale of Symphony No. 2 (Resurrection) by Gustav Mahler is taken from the fifth movement, lasting over an hour. The Chorale is actually a quote from the Dies Irae, which Mahler called the march of the dead. Also added in is the Resurrection theme which is almost a fanfare. This excerpt from the Symphony features the low brass which makes this arrangement by Randall Malmstrom so meaningful.For advanced performers, this work will add another dimension to your concert.
SKU: GI.G-10379
UPC: 785147037965.
An important contribution to the repertoire for both the church organist and the recitalist! These compilations include organ works by composers from the late 19th century to the present. Contents of Volume 4: Fanfare and Fughetta for Organ (Williams) • Fanfare on DARWALL’S 148TH – Rejoice the Lord Is King (Simpson-Curenton) • Fantasia – The Resurrection (Osterman) • Finale– Allegro from Sonata No. 1 for Organ (Price) • Fugue in F (Hurd) • Gospel Fancy – He Knows Just How Much We Can Bear (Hall/arr. Sexton) • Kyrie (Sowande) • Listen to the Lambs (arr. Hailstork) • Obangiji (Sowande) • Poor Wayfaring Stranger (arr. Osterman) • Spirit Fantasy – based on Ev’ry Time I Feel the Spirit (arr. Haywood) • There Is a Balm in Gilead (arr. Hailstork) • Ubi Caritas (arr. Duncan).
SKU: LO.10-5576L
ISBN 9780787774080.
A triumphant resurrection celebration! This is the perfect anthem to begin your Easter morning service. With opt. brass and timpani, the fanfare-like opening is followed by a robust choral entrance followed by a contrasting verse builds into a dramatic key change and powerful ending.
SKU: LO.10-5582MD
ISBN 9780787773915.
Originally featured in the popular choral collection Redeemed (55/1202MD), this bright Easter morning song opens with a festive brass fanfare and driving instrumentation. The lyrics tell of the Easter morning story of the discovery of the empty tomb and the hope found in the resurrection. A perfect opener to an Easter service, this classic is re-energized in this fresh and upbeat arrangement.
SKU: LO.99-1862L
UPC: 000308100365.
This profound text takes us from the dark moments following Jesus' death to the glorious resurrection of the Living Lamb of God! The correlating music moves from melancholy to a joyous fanfare celebrating the risen Lord. (From the cantata You Are the Christ!, SATB: 55/1078L; SAB: 55/1079L).
SKU: KJ.9123X
UPC: 8402702919.
Full Score and Parts (Organ, Brass Quintet) Recharge your Easter repertoire with this new offering! From the festive opening fanfare to the triumphant ending, the color brass and organ writing of Mark Repasky will help you proclaim the glory of the Easter resurrection. Death at last is swept away. Celebrate this holy day. Allelui Can also be performed in organ-only version without brass.
SKU: HL.35031867
UPC: 888680713362. 5.0x5.0x0.15 inches. Hebrews 1:3, Hebrews 2:9, Philippians 4:4.
With an opening instrumental fanfare and a choral flourish, this arrangement of a hymn standard sweeps the listener up in the festivities of worship. Based upon the popular DARWALL tune the melody takes some surprising turns as it offers up the message of resurrection power and the kingship of Christ. Crowned with jubilant Hallelujahs, the anthem ends with punctuation marks of praise! Score and Parts (tpt 1-2, tbn 1-2, cym, timp) available as a digital download.
