Edition de Erwin List Anonymus: Widele, Wäddele, hinterm Städele - Zur michelo akhalnu M. Adamis: Karavi karavaki O. Asgeirsson: Augun min og J.S. Bach: Dir, dir, Jehova, will ich singen B. Britten: All people that on earth (Kanon) - God moves in a mysterious way (Kanon) E. Cerverat: A vinticinc de desembre J. Chailley: Os olhos de Marianita E. Daniel: Pujdem spolu do Betléma P. Donostia: Aitak et' amak herritik M. Gentilhomme: Suivons tour à tour G.F. Händel: Halleluja (Judas Maccabaeus) C. Janequin: De ta bouche tant vermeille Z. Kódaly: Esti dal: Erdö mellet estvélëdtem A. Langrée: Quand je vais au jardin F. Mendelssohn: Kyrie eleison G.O. Pitoni: Cantate Domino H. Schütz: Lob und Preis sei Gott, dem Vater M. Trommenschlager: Vem kan segla für utan vind J.K. Vodnansky: Rorando caeli defluant H. Werner: Heidenröslein: Sah ein Knab ein Röslein stehn H. Willisegger: Vinide tote (Ranz des vaches): Lè j'ármalyi di Colonbètè
SKU: M2.MOS-62009
ISBN 9790203760092.
SKU: M2.MOS-62005
ISBN 9790203760054.
SKU: CA.1235100
ISBN 9790007165543. Language: English. Text: Moses, Brian.
Commissioned by Europa Cantat Festival 2015, Pecs.
SKU: HL.49044792
ISBN 9790001123983. UPC: 841886027084. 7.5x10.5 inches. English.
A composition for six-part women's choir, soloist and harp which juxtaposes open fifths and romantic sounds. For this work, the young Belgian composer Maarten van Ingelgem received a special mention at the European Award for Choral Composers 2014/2015 as part of Europa Cantat 2015 in Pecs/Hungary.
SKU: HL.49017674
ISBN 9790001150217. UPC: 841886009929. 7.5x10.75x0.012 inches. English.
Two of the best-known and most popular folk songs from the British Isles, arranged by the English choral expert Malcolm Goldring, the director of the 'Open Singing' event at the festival 'Europa Cantat Mainz 2006'. The English song 'Early One Morning' and the secret national anthem of Wales 'All Through The Night' are available in equally sentimental arrangements for mixed choir.
SKU: CA.230500
ISBN 9790007302108.
Swiss up your choir! The choral collection Swiss Choral Music is a real treasure trove of recent choral music from Switzerland. As diverse as the country itself, this volume of 29 choral settings of varying levels of difficulty includes not only a range of musical styles, but all the Swiss national languages (Romansh, French, Swiss/German and Italian) as well as English and Latin. For pure listening pleasure or as an aid to pronunciation, all works have been sung by the Swiss Youth Choir under the direction of Nicolas Fink. Pronunciation aids for the Rhaeto-Romanic and Swiss-German texts can be accessed via a QR code. In creating their musical excursion through this mountainous country, the editors and renowned choral conductors Johannes Meister and Patrick Secchiari have not only selected familiar names such as Beat Furrer or Heinz Holliger but also up-and-coming young composers such as Sara Bucher or Grégoire May. The collection includes a number of previously unpublished pieces. •,28 choral settings of varying levels of difficulty•,for mixed choir a cappella•,As a cost-effective edition for the choir, the choral collection WITHOUT CD is available at an attractive bulk price•,Exciting compilation of contemporary choral music from Switzerland For orders from Switzerland: Members of the SCV (Swiss Choral Association) or the SFEC (Swiss Federation Europa Cantat) please order via Éditions musicales Henry Labatiaz Sà rl, St-Maurice.https://editions-henry-labatiaz.ch/en/shop.html?id=28698
SKU: BT.EMBZ14949
German.
SKU: CA.230510
ISBN 9790007302115.
SKU: CA.1235105
ISBN 9790007165550. Language: English. Text: Moses, Brian.
Commissioned by Europa Cantat Festival 2015, Pecs. Score available separately - see item CA.1235100.
SKU: HG.SK-66
ISBN 9790202840450.
Nur in Chorstarke, ab 20 Stuck.
SKU: BT.DHP-1226427-130
English-German-French-Dutch.
Four roads lead to Santiago, so begins the Book of the Pilgrim. Written in the 12th century, the Codex Calixtinus opened the way for pilgrimage from most cities in Europe and North Africa to Santiago de Compostela, in Spain. Compostela - The Way of St James describes the pilgrims' journey. After a slow introduction, a brilliant theme announces the start of the journey. The arrival in Spain is indicated by incantatory chants and majestic chords. Finally, the music softens as the pilgrims venerate St James. ‘Er leiden vier wegen naar Santiago’ zo begint het boek der pelgrims. De Codex Calixtinus, geschreven in de 12e eeuw, effende indertijd de weg voor pelgrimages vanuit de meeste steden in Europa en Noord-Afrika naar het Spaanse Santiago de Compostela. Compostela - The Way of St James (Compostela de weg van de heilige Jakobus) is een beschrijving van zo’n pelgrimstocht. Na een langzame inleiding kondigt een stralend thema het begin van de reis aan. De aankomst in Spanje wordt gemarkeerd door bezwerende melodieën en majestueuze akkoorden. Tot slot wordt de muziek zachter om de diepe eerbied van de pelgrims voor de heilige Jakobus te verklanken. Vier Wege führen nach Santiago“, so beginnt das Pilgerbuch. Der im 12. Jahrhundert verfasste Codex Calixtinus ebnete den Weg für Pilgerreisen aus den meisten Städten Europas und Nordafrikas nach Santiago de Compostela in Spanien. Compostela - The Way of St James beschreibt die Pilgerreise auf dem Jakobsweg. Nach einer langsamen Einleitung kündigt ein brillantes Thema den Beginn der Reise an. Die Ankunft in Spanien wird durch religiöse Gesänge und majestätische Akkorde angezeigt. Schließlich wird die Musik leiser, während die Pilger den Heiligen Jakob verehren. « Quatre chemins vont Saint-Jacques », ainsi commence le Livre du Pèlerin. Écrit au XIIe siècle, le Codex Calixtinus ouvre la voie du pèlerinage qui va de la plupart des villes d’Europe et du nord de l’Afrique vers Saint-Jacques de Compostelle, en Espagne. Compostela - Sur le chemin de St Jacques de Compostelle (The Way of St James) décrit la marche des pèlerins. Après une lente introduction, un thème brillant annonce qu’il faut prendre la route. L’arrivée en Espagne est indiquée par des chants incantatoires et des accords majestueux. Enfin, la musique d’adoucit alors que les pèlerins vénèrent St Jacques.
SKU: BT.DHP-1226427-030
SKU: BT.DHP-1094652-010
9x12 inches. English-German-French-Dutch.
This arrangement of the popular Polovtsian Dances by Russian composer Borodin contains seven dances from the original manuscript, some of which have been used in the musical Kismet, as well as being performed by such famous names as Tony Bennett and Bing Crosby. Includes a solo for snare drum! Masamicz Amono bewerkte de ´Polovetser Dansen´ van de rus Alexander Borodin voor harmonieorkest. Borodin begon in 1869 aan de opera, Prins Igor, volgens sommigen zijn voornaamste werk. De opera bevat deze Polovetser Dansen,die meestal als een zelfstandig stuk wordt uitgevoerd en in deze vorm waarschijnlijk zijn meest bekende compositie is. Bij zijn dood was de opera niet volledig, daar hij onvoldoende tijd had voor componeren, gezien zijn werkals scheikundige. De opera werd postuum afgemaakt door Nikolaj Rimski-Korsakov en Aleksandr Glazoenov.Masamicz Amano nahm sich die beliebten Polovetzer Tänze des russischen Komponisten Alexander Borodin vor, die auch schon im Musical Kismet verwendet und als Lied von Tony Bennet, Bing Crosby und den Four Aces interpretiert wurden. Amano schuf daraus ein überzeugendes Arrangement für Blasorchester, in dem die Snare Drum solistisch glänzen darf. Les Danses polovtsiennes offrent l’exemple le plus spectaculaire de l’exotisme musical russe, d’une sensualité pre, sauvage, et d’une rare virtuosité orchestrale. Ce divertissement dansé et chanté en plusieurs épisodes, quintessence de l'opéra Le Prince Igor (1879), contient tout ce qui suscita la faveur de l'Europe fin XIXe : désir d'ailleurs, attraction pour un Orient plus rêvé que réel. Masamicz Amano en a réalisé une version étonnante pour Orchestre d’Harmonie avec un délicieux solo de caisse claire.Le Polovtsian Dances offrono l’esempio più spettacolare dell’esotismo musicale russo, fatto di una sensualit selvaggia e di una rara virtuosit orchestrale. Questo divertimento ballato e cantato in vari episodi, quintessenza dell’opera Il Principe Igor (1879), contiene tutto ciò che l’Europa del XIX secolo adora: desiderio di posti lontani, attrazione per un oriente più sognato che reale. L’arrangiamento di Masamicz Amano propone un delizioso assolo per rullante.
