Format : Sheet music
Mélodieuses, brèves mélodies arrangé pour flûtistes intermédiaires et les guitaristes de la musique populaire américaine et au début de le (1817). Ecrit en notation standard, ces arrangements délicieuses vedette des collections de mélodies populaires de cette époque ainsi que des airs et des danses. Conformément à la pratique de l'interprétation de la musique traditionnelle a joué pendant cette période, ces arrangements sont organisés en ensembles de pièces comme ils peuvent ont été effectués pendant cette période. Les jeux incluent les turluttes, airs lentes et marches ainsi que des mélodies qui étaient populaires du continent. Ces arrangements sont appropriés pour la musique de fond ainsi que des performances de concert public. Les arrangements sont tirées d'un livre de mélodies flûte intitulé ' flûte mélodies de Riley. ' Publié en 1816 et 1817, cet ouvrage a été peut-être utilisé comme musiciens de jazz utilisent des feuilles de plomb pour élaborer des ententes spontanées des pièces selon l'occasion et les musiciens à portée de main. Les accords de guitare ont été modélisées sur existants plénier de guitare... / Guitare Classique / 32 pages / niveau : Débutant/Intermédiaire / Partition - Format: 11 X 8,5
SKU: BT.CMP-1009-06-040
9x12 inches. English.
Commissioned by the Williamsburg Consort Symphonic Band - Sally Craig, Founder and DirectorAn exquisite 18th century American musical quilt! So many stirring melodies artfully stitched into a rich mélange of early Americana: anthems of the revolution, songs of political protest, and so much more. Those who are familiar with Mr. Hosay’s previous works will be eager to examine this exciting new score. Every player in the band will enjoy interpreting this remarkable new concert band offering. Sing We Liberty is a great centerpiece for any patriotic venue and works wonderfully as an opener as well. There are also plenty of opportunities for cross-curricularteaching with this piece.Innovative!
SKU: HL.35028867
UPC: 884088888633. 5.25x7.5 inches.
From the composer of Festival of Carols and The Winter Rose comes a cantata that celebrates the legacy of early American carols and hymnody. Composed in the spirit of folk music, the cantata combines traditional sounds with more rustic elements creating a blend that is fresh and pleasing. Popular American carols like Away In a Manger and O Little Town of Bethlehem dance with traditional spirituals such as Children, Go Where I Send Thee and Go, Tell It on the Mountain. Sacred Harp tunes are re-tooled for Advent and stand alongside new versions of Shaker hymns and Appalachian melodies. Thoughtful narration weaves the movements together in a meaningful tapestry of song and Scripture. Two orchestral options are available allowing maximum flexibility in performance. A full line of support products is also available. Available separately: SATB, CD-ROM Full Orchestration (Score & Parts for Flute 1 & 2, alto recorder, Oboe/English Horn, Clarinet 1 & 2, Bassoon, Horn 1 & 2, Trumpet 1-3, Trombone 1 & 2, Bass Trombone/Tuba, Timpani, Percussion, Acoustic Guitar, Banjo, Harp, Piano, Synth, Solo fiddle, Violin 1 & 2, Viola, Cello, Double Bass), Printed Full Orchestration, Appalachian Consort Orchestration (Score & parts for Flute, Violin, Cello, Mandolin, Guitar, Percussion and Piano), StudioTrax CD (accompaniment only), SplitTrax CD, Listening CD, 10-Pack Listening CDs, Preview Pack (Book/CD combo), RehearsalTrax CDs (part predominant, reproducible), Digital Resource Kit (PowerPoint, Choir Devotionals, Poster, Program, Flyers, Children's Program PDFs). Duration: approx. 40 min.
SKU: MB.WBM58M
ISBN 9781736363058. 8.75x11.75 inches.
A comprehensive collection of 172 guitar solos for the flatpick or plectrum guitarist. All solos are written in standard notation with accompanying online recordings by the author. The solos include beautiful American, British and Celtic airs and ballads, Celtic dance tunes, lute and early music, popular classical repertoire and contemporary etudes. Includes access to online audio.
SKU: AP.40455
UPC: 038081460147. English.
Beautiful, original melodies abound in all sections, but the violas and cellos really get a chance to shine in this suite comprised of three movements: River Hymn, Waltz of the Hills, and Barn Dance. In C Major, this piece is ideal to teach F and C natural. The movements are brief and can be performed individually or as a suite. Remaining true to the early Americana feel of the piece, the last movement is an upbeat, old-timey tune! Correlates to Sound Innovations Book 2, Level 2. This title is available in MakeMusic Cloud.
SKU: PR.140401340
ISBN 9781491134450. UPC: 680160684953.
Best known for his settings of spirituals and influence on Dvorák, Henry T. Burleigh was a celebrated baritone, and a prolific composer of original works. FROM THE SOUTHLAND is a suite of six atmospheric scenes of the American south, inspired by Black musical and cultural traditions. FROM THE SOUTHLAND is within reach of intermediate pianists and artistically suited for professional recitals.In 1835, Henry T. Burleigh’s maternal grandfather purchased his own release from slavery for the sum of $50, and traveled north out of Maryland to begin a new life as a free man. He established his family in Ithaca, NY, and then moved to the bustling lakefront city of Erie, PA, where three decades later his grandson Henry would be born and raised.For Burleigh, the “Southland” that inspired this collection of piano sketches was a distant place that could not have been more different from the physical world he knew, up there in the northern snowbelt. And yet these southern landscapes and vignettes must have been intensely present in his consciousness, absorbed through the stories and songs he first learned at his grandfather’s knee.The music of the South – the spirituals and work songs he heard as a child –would travel with Burleigh throughout his long and illustrious musical life. Even as he progressed through his early classical training, his career as a baritone soloist in Erie’s churches and synagogue, his move to New York to study at the National Conservatory of Music, and his rise to national prominence as a concert soloist, these ancestral melodies stayed firmly centered in his musical identity.When he wrote From the Southland, his only composition for solo piano, Burleigh was just beginning his career as a composer. The art songs that would establish him as one of America’s best known composers in the genre were still to come. And so were his iconic arrangements of spirituals that would bring the songs of slavery onto concert stages around the world, transformed into timeless and uniquely American music.These little piano sketches bring together all the things that made Burleigh the musician he was – the lush, late-romantic style of his time; a broad vision for American music; and a profound respect for his heritage, a memory of the world his grandfather left behind, and a love of the music he brought with him.