Dowland John - The Second Book Of Songs

The Original First and Second Books Including Dowland’s Original Lute Tablature. THE FIRST BOOK OF SONGS I. Unquiet thoughts II. Who ever thinks or hopes of love III. My thoughts are wing'd with hopes IV. If my complaints could passions move V. Can she excuse my wrongs? VI. Now, O now, I needs must part VII. Dear, if you change VIII. Burst forth, my tears IX. Go crystal tears X. Think'st thou then by thy feigning XI. Come away, come sweet love XII. Rest awhile you cruel cares XIII. Sleep, wayward thoughts XIV. All ye, whom Love or Fortune XIVa. All ye, whom Love or Fortune XV. Wilt thou, unkind, thus reave me XVI. Would my conceit XVII. Come again XVIII. His golden locks XIX. Awake, sweet love, thou art return'd XX. Come, heavy Sleep XXI. Away with these self-loving lads ------ My Lord Chamberlain his Galliard (For two to play...) THE SECOND BOOK OF SONGS I. I saw my Lady weep II. Flow my tears III. Sorrow, stay IV. Die not before thy day V. Mourn, day is with darkness fled VI. Time's eldest son, Old Age (The first part) VII. Then sit thee down (The second part) VIII. When others sing Venite (The third part) IX. Praise blindness eyes X. O sweet woods XI. If floods of tears XII. Fine knacks for ladies XIII. Now cease my wand'ring eyes XIV. Come ye heavy states of night XV. White as lilies was her face XVI. Woeful heart XVII. A shepherd in a shade XVIII. Faction that ever dwells XIX. Shall I sue XX. Toss not my soul XXI. Clear or cloudy XXIa. Clear or cloudy XXII. Humour say what mak'st thou here (a Dialogue)

Musica Britannica Vol. 6-Edited by David GreerThis completely new edition of a popular MB volume presents Dowland's 65 ayres for SATB and lute in original note values and features the lute part both in tablature and staff notation. The volume includes The First Booke of Songes or Ayres (1597) The Second Booke of Songs or Ayres (1600) The Third and Last Booke of Songs or Aires (1603) and A Pilgrimes Solace (1612). Published 2000.

Par SANVOISIN MICHEL. Playing and Learning Soprano Recorder & Volume 1 by Michel Sanvoisin is the first book of an anthology of classical pieces. Written for beginners, this method in English, German and French will enable them to acquire the seventeen notes most commonly played on the recorder. The additional notes are covered in a second book that also includes some revision work. It features pieces inspired by G. Gastoldi, Le Clerc, Pierre Attaingnant, William Byrd, John Dowland and G. P. Telemann among others. It is a great way to learn while playing nice pieces instead of just working on basic exercises. In addition to thismethod, Michel Sanvoisin also wrote one for Alto Recorder. / Pédagogie / Méthode / Flûte à Bec Soprano

A Selection of Renaissance Tunes Instrument : treble recorder and piano Nombre de Pages : 56 Steven Rosenberg writes in the preface: This book is intended to give recorder players a repertoire of solo pieces from the Renaissance. Solo literature for the recorder is often dominated by music of the baroque era, while the music of Renaissance is primarily preformed by consorts. I hope that this collection will expand the solo repertoire by bringing to recorder players some of the most beautiful melodies of this period. I have performed all of these pieces in public and have taken care only to include music that is of performance quality. Some of the pieces are grouped in suites, but you should feel free to play them in the order of your choice. For those of you equally at home on descant (soprano) and treble (alto), fell free to intersperse pieces from the companion book for descant recorder. The edition is part of the ABRSM Summer 2006 syllabus (grades 1-3) and the Trinity syllabus 2007 (grade 6). Content : Four Elizabethan Masque Dances: 1. The Fairy Masque (Johnson) - Four Elizabethan Masque Dances: 2. Wilson's Love (Anon) - Four Elizabethan Masque Dances: 3. The Witches - Second Dance (Anon) - Four Elizabethan Masque Dances: 4. The King's Mistress (Anon) - Three English Country Dances from John Playford's Dancing Master: 1. The Merry Milkmaids - Three English Country Dances from John Playford's Dancing Master: 2. Dissembling Love (or The Lost Heart) - Three English Country Dances from John Playford's Dancing Master: 3. Newcastle - Two Country Dances from John Playford collection: 1. Bellamira - Two Country Dances from John Playford collection: 2. Pell-mell - Allemande (1) (Susato) - Allemande (2) (Susato) - Lady Bannings Almand (Sturte) - Le coeur est bon (Susato) - Pass et medio (Susato) - Pavane Mille regretz (Susato) - Recercada quinta (Ortiz) - Recercada segunda (Ortiz) - Recercada segunda sobre 'O Felici Occhi Miei' (Ortiz) - Ronde Mon amy (Susato) - Ronde III (Susato) - Ronde IV (Susato) - Ronde V (Susato) - Ronde VI (Susato) - The Leaves be Green (Phalese) - What if a Day (Dowland) - Woodycock (Anon)

For Classical Guitar. Par SCHUETT LAUDON. This book will prove to be a treasure trove to any aspiring lutenist or afficionado of the lute and early music. Instead of attempting to create a comprehensive lute method, the first section covers topics that students often ignore, while the second offers a fresh repertoire of newly revised and edited original music for the intermediate or advanced player. On a broader scale, vocalists and students of any instrument would do well to take note of the book?s musical and interpretive concepts.The author not only offers his own insights to technique and performance, but also provides a glossary of period musical vocabulary and includes comments on general musicianship from authentic Renaissance and Baroque resources. These include John and Robert Dowland, Jean-Baptiste Besard, Nicolas Vallet, Thomas Mace, and other historic lutenists and theorists. If early music specialist Laudon Schuett had been born during the Renaissance, he would have been the court lutenist and possibly the jester in some kingdom or principality.Written in French tablature for the 6-course Renaissance lute and in standard notation for the classic guitar with the 3rd string lowered to F#, the author provides 30 original compositions in the contrapuntal polyphonic style characteristic of the 16th and early 17th centuries. / Date parution : 2022-05-31/ Méthode / Guitare Classique