Domine Deus

Voici une partition musicale pour Chant/Vocal/Choeur et plus spécialement pour 3 Voix STB Sans Accompagnement que vous pouvez acquérir pour moins de 10C. Classée dans la catégorie Classique, cette partition dont le titre est Domine Deus In Simplicitate Offertoire Pour Les 1Er Dim/3 VoixStb/A/Acct a été composée par le célèbre compositeur Franck. C'est l'éditeur Leduc sous la référence AL27936 qui a les droits pour éditer cette partition. / 3 Voix STB Sans Accompagnement / Partition

Description The Oratorio Anthology - Soprano Newly edited and engraved arias, compiled by Richard Walters. Songlist Auf Starkem Fittige (The Creation) [Haydn, Franz Joseph] Bid The Virtues, Bid The Graces (Come Ye Sons Of Art) [Purcell, Henry] Blute Nur, Du Liebes Herz (St Matthew Passion) [Bach, Johann Sebastian] Cujus Animam Gementem (Stabat Mater) [Pergolesi, Giovanni} Domine Deus (Gloria) [Vivaldi, Antonio] Hear Ye, Israel (Elijah) [Mendelssohn, Felix] I Know That My Redeemer Liveth (Messiah) [Handel, George Frideric] Ich Folge Dir Gleichfalls (St John Passion) [Bach, Johann Sebastian] Ich Will Dir Mein Herze Schenken (St Matthew Passion) [Bach, Johann Sebastian] If God Be For Us (Messiah) [Handel, George Frideric] Inflammatus Et Accensus (Stabat Mater) [Rossini, Gioacchino] Laudamus Te (Mass In C Minor) [Mozart, Wolfgang Amadeus] Laudate Dominum (Vesperae Solennes De Confessore K.339) [Mozart, Wolfgang Amadeus] Let The Bright Serahphim (Samson) [Handel, George Frideric] Mein Glaubiges Herze (Cantata No.68) [Bach, Johann Sebastian] Nun Beut Die Flur (The Creation) [Haydn, Franz Joseph] Nur Ein Wink Von Seinem Handen (Christmas Oratorio) [Bach, Johann Sebastian] O Liberty, Thou Choicest Treasure (Judas Maccabaeus) [Handel, George Frideric] Oh! Had I Jubal's Lyre (Joshua) [Handel, George Frideric] Pie Jesu (Requiem) [Faure, Gabriel] Preist Der Erlosers Gute (Christ On The Mount Of Olives) [Beethoven, Ludwig Van] Quia Respexit (Magnificat) [Bach, Johann Sebastian] Quis Non Posset (Stabat Mater) [Haydn, Franz Joseph] Rejoice Greatly, O Daughter Of Zion! (Messiah) [Handel, George Frideric] Seufzer, Thranen, Kummer, Noth (Cantata No.21) [Bach, Johann Sebastian] Tune The Soft Melodious Lute (Jeptha) [Handel, George Frideric] Vidit Suum Dulcem Natum (Stabat Mater) [Pergolesi, Giovanni] Welche Labung Fur Die Sinne (The Seasons) [Haydn, Franz Joseph] Zerfleisse, Mein Herze (St John Passion) [Bach, Johann Sebastian]

Par ROSSINI GIOACHINO. Die 'Messa di Rimini', 1809 für die Kathedrale in Rimini geschrieben, zählt neben der 'Petite Messe solennelle', dem 'Stabat Mater' und der 'Messa di Gloria' zu Rossinis umfangreichen Beiträgen zur Musica sacra. Sie besteht aus großangelegten Chorsätzen und Arien für jeden der vier Solisten; Ensembles begegnen dagegen nur zweimal, im 'Domine Deus' [Duett] und im 'Et in terra pax' [Quartett]. Eine melodienreiche und klangschöne, eher kammermusikalische Komposition, noch ohne die für Rossini später so typischen ausladenden Koloraturen und 'Crescendowalzen'. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2

15 Vocal Masterworks from the Baroque Era Through the Twenty-First Century-This superb vocal collection features 15 of the world’s best-loved arias from the Baroque era through the 21st Century presented with comprehensive historical information accurate translations IPA pronunciation guides and performance suggestions designed to enhance and educate developing vocalists. Available in Medium High and Medium Low editions with optional piano accompaniment CDs. Songs include: Domine Deus (Vivaldi) Gioite al canto mio (Peri) I Attempt from Love’s Sickness (Purcell) I Got Plenty O’ Nuttin’ (Gershwin) La donna è mobile (Verdi) Non siate ritrosi (Mozart) O mio babbino caro (Puccini) O Rest in the Lord (Mendelssohn) Ombra mai fù(Handel) Sheep May Safely Graze (Bach) Sorry Her Lot (Gilbert & Sullivan) Time To Say Goodbye (Sartori) Voi che sapete (Mozart) Where’er You Walk (Handel) and You Raise Me Up (Løvland)

Par ROSSINI GIOACHINO. Die 'Messa di Rimini', 1809 für die Kathedrale in Rimini geschrieben, zählt neben der 'Petite Messe solennelle', dem 'Stabat Mater' und der 'Messa di Gloria' zu Rossinis umfangreichen Beiträgen zur Musica sacra. Sie besteht aus großangelegten Chorsätzen und Arien für jeden der vier Solisten; Ensembles begegnen dagegen nur zweimal, im 'Domine Deus' [Duett] und im 'Et in terra pax' [Quartett]. Eine melodienreiche und klangschöne, eher kammermusikalische Komposition, noch ohne die für Rossini später so typischen ausladenden Koloraturen und 'Crescendowalzen'. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2

Par ROSSINI GIOACHINO. Die 'Messa di Rimini', 1809 für die Kathedrale in Rimini geschrieben, zählt neben der 'Petite Messe solennelle', dem 'Stabat Mater' und der 'Messa di Gloria' zu Rossinis umfangreichen Beiträgen zur Musica sacra. Sie besteht aus großangelegten Chorsätzen und Arien für jeden der vier Solisten; Ensembles begegnen dagegen nur zweimal, im 'Domine Deus' [Duett] und im 'Et in terra pax' [Quartett]. Eine melodienreiche und klangschöne, eher kammermusikalische Komposition, noch ohne die für Rossini später so typischen ausladenden Koloraturen und 'Crescendowalzen'. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2

Par ROSSINI GIOACHINO. Die 'Messa di Rimini', 1809 für die Kathedrale in Rimini geschrieben, zählt neben der 'Petite Messe solennelle', dem 'Stabat Mater' und der 'Messa di Gloria' zu Rossinis umfangreichen Beiträgen zur Musica sacra. Sie besteht aus großangelegten Chorsätzen und Arien für jeden der vier Solisten; Ensembles begegnen dagegen nur zweimal, im 'Domine Deus' [Duett] und im 'Et in terra pax' [Quartett]. Eine melodienreiche und klangschöne, eher kammermusikalische Komposition, noch ohne die für Rossini später so typischen ausladenden Koloraturen und 'Crescendowalzen'. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2

Already a staple in flute pedagogy, former New York Philharmonic principal flutist Jeanne Baxtresser's Orchestral Excerpts for Flute becomes even more essential with this edition containing over 50 of the most-requested audition pieces, Including: Stravinsky-Firebird Suite; Tchaikovsky-Symphony #4; Brahms-Symphony #4; Hindemith-Symphonic Lied Von Der Erde; Prokofiev-Peter And The Wolf; Mendelssohn-Midsummer Night's Dream; Rossini-William Tell Overture; R.Strauss-Dance Of The Seven Veils; Bizet-Menuet from L'Arlesienne ; Bach-Orchestral Suite #2; Rimsky-Korsakov-Capriccio Espagnol; Debussy-Prelude a L'apres-Midi d'un Faun and many more. For students at the Medium-Advanced through Advanced levels, this edition is packed with helpful tips and performance notes, additional errata, new and alternate fingerings, suggested tempi for all pieces, plus two updated, professional, principal flute audition lists. As required literature for more and more college courses, this is a must-have flute book for advanced players. Learning to Take a Successful AuditionPlaying in an OrchestraHow to Use This BookAcknowledgmentsAbout Jeanne Baxtresser and Martha RearickNotes for the Pianist2. AUS LIEBE FROM ST. MATTHEW PASSION3. DOMINE DEUS FROM MASS IN B MINOR4. SYMPHONY NO. 35. SYMPHONIE NO. 46. LEONORE NO. 37. ENTR'ACTE FROM CARMEN8. MENUET FROM L'ARLESIENNE9. SYMPHONY NO. 110. SYMPHONY NO. 411. AFTERNOON OF A FAUN12. SYMPHONY NO. 813. MENUET AND DANCE FROM ORPHEUS14. SYMPHONIC METAMORPHOSES15. MIDSUMMER NIGHT's DREAM16. CLASSICAL SYMPHONY17. PETER AND THE WOLF18. BOLERO19. DAPHNIS ET CHLOE20. RUSSIAN EASTER OVERTURE21. CAPRICCIO ESPAGNOL22. WILLIAM TELL OVERTURE23. CARNIVAL OF THE ANIMALS24. SALOME25. PETROUCHKA26. CHANT DU POSSIGNOL27. SYMPHONY NO. 428. CLOSING REMARKS / Flûte traversière / Theodore Presser Company

15 Vocal Masterworks from the Baroque Era Through the Twenty-First Century-This superb vocal collection features 15 of the world’s best-loved arias from the Baroque era through the 21st Century presented with comprehensive historical information accurate translations IPA pronunciation guides and performance suggestions designed to enhance and educate developing vocalists. Available in Medium High and Medium Low editions with optional piano accompaniment CDs. Songs include: Domine Deus (Vivaldi) Gioite al canto mio (Peri) I Attempt from Love’s Sickness (Purcell) I Got Plenty O’ Nuttin’ (Gershwin) La donna è mobile (Verdi) Non siate ritrosi (Mozart) O mio babbino caro (Puccini) O Rest in the Lord (Mendelssohn) Ombra mai fù(Handel) Sheep May Safely Graze (Bach) Sorry Her Lot (Gilbert & Sullivan) Time To Say Goodbye (Sartori) Voi che sapete (Mozart) Where’er You Walk (Handel) and You Raise Me Up (Løvland)

Par PART ARVO. Arvo Pärt wrote the prayer of peace Da pacem Domine to fulfil a commission from Jordi Savall. He began to set this ninth-century Gregorian antiphon two days after the Madrid bombings on 11 March 2004 as his personal tribute to the victims. Since then Da pacem Domine has been performed every year in Spain to commemorate the victims of this terrorist attack. Even while originally composing this four-voice piece, Pärt made allowances for variable scorings. As a result, it exists in several versions, not only for voice but also entirely for instruments. Wolfgang Sandner Da pacem Domine in diebus nostris quia non est alius qui pugnet pro nobis nisi tu Deus noster./ Répertoire / Orchestre à Cordes

The offertory “Misericordias Domini” K.222 (205a) has a special place among Mozart’s minor ecclesiastical works. A letter from Wolfgang to Padre Martini dated 4 September 1776 informs us that the piece was written in January or February 1775 in Munich at the request of the Prince Elector of Bavaria and was performed there on 5 March. Drawing closely on the carefully wrought works of Mozart’s Salzburg predecessors and incorporating a motif from Johann Ernst Eberlein’s “Benedixisti Domine” this contrapuntal masterpiece unites polyphony with expressive tension-laden harmonies. Unfortunately as the copy sent to Padre Martinicannot be located in Bologna the authenticity of the viola part is still open to question.- Urtext of the New Mozart Edition- Full score performance material (BA4789) and vocal score (BA4789-90) available for sale.

The offertory “Misericordias Domini” K.222 (205a) has a special place among Mozart’s minor ecclesiastical works. A letter from Wolfgang to Padre Martini dated 4 September 1776 informs us that the piece was written in January or February 1775 in Munich at the request of the Prince Elector of Bavaria and was performed there on 5 March. Drawing closely on the carefully wrought works of Mozart’s Salzburg predecessors and incorporating a motif from Johann Ernst Eberlein’s “Benedixisti Domine” this contrapuntal masterpiece unites polyphony with expressive tension-laden harmonies. Unfortunately as the copy sent to Padre Martinicannot be located in Bologna the authenticity of the viola part is still open to question.- Urtext of the New Mozart Edition- Full score performance material (BA4789) and vocal score (BA4789-90) available for sale.