Format : Sheet music + CD
SKU: GI.G-8651
ISBN 9781622770656.
Visit 2013 Midwest Clinic Page 2013 marks the 20th anniversary of the passing of Dizzy Gillespie, a master entertainer and one of the greatest jazz musicians of all time. This book celebrates the relationship and influence Dizzy had with Arturo and his family. Through amazing photographs and stories, this book tracks the remarkable story of how the two met in Cuba during a very restrictive period and the eventual role Dizzy would play in Arturo’s flight to freedom. It also recounts the modest start and parallels that exist between the two musicians as well as their career developments. Throughout his career Dizzy Gillespie faced a huge challenge to achieve success as a black man born in the South with limited education. He endured the hardship of the Great Depression as well as the humiliation and restrictions of the deep-rooted racism and segregation of the time. Decades later, Arturo Sandoval suffered his own bonds of tyranny when he was forbidden the freedom to perform the music he loved. While serving his three years of obligatory military service in Cuba, he was jailed for three months for listening to the “Voice of America†program hosted by Willis Conover on a short wave radio. Both Dizzy and Arturo were angered and demoralized by their individual circumstances, yet both found ways to persevere no matter the political or social consequences of the times. One does not have to look far to realize the level of affection that quickly grew between Dizzy Gillespie and Arturo Sandoval. Their relationship was not only one of mentor-proteÌgeÌ, but also a father-son type of kinship. Dizzy never had a son until he met Arturo. In Arturo’s words, were it not for Dizzy “ maybe I would have ended up in jail, or worse, because nothing good could have happened to me if I stayed there.†One of Dizzy’s greatest achievements and contributions to music was not only the discovery, but the encouragement and promotion of Arturo Sandoval. Arturo Sandoval's life was the subject of the film For Love or Country.
SKU: HL.7013138
UPC: 888680736606. 9.0x12.0x0.224 inches.
Includes: Birk's Works, Con Alma, Tour De Force, Woodyn' You.
SKU: BT.DHP-1053915-140
English-German-French-Dutch.
The well-known American jazz musician Benny Golson (b. 1929) worked with great names like Benny Goodman, Dizzy Gillespie and Lionel Hampton. He wrote a number of jazz standards, including I Remember Clifford. The Japanese composer/arranger Toshio Mashima has produced this exciting arrangement of this jazz classic for trumpet and concert band. De bekende Amerikaanse jazzmuzikant Benny Golson (geb. 1929) werkte samen met de allergrootsten, onder wie Benny Goodman, Dizzy Gillespie en Lionel Hampton. Hij schreef verschillende jazz-standards, waaronder I Remember Clifford.De Japanse componist/arrangeur Toshio Mashima maakte van dit stuk een sfeervol arrangement voor trompet en harmonieorkest.Nicht nur unter Jazzliebhabern bekannt ist der amerikanische Jazzer Benny Golson, Zeitgenosse und Mitmusiker von Größen wie Benny Goodman, Dizzy Gillespie und Lionel Hampton. I Remember Clifford, eine seiner Kompositionen, gehört mittlerweile zu den Jazz-Standards. Toshio Mashima schrieb eine reizvolle Bearbeitung des Klassikers für Blasorchester. Für Jazzfans ein Muss, in jedem Fall aber eine unterhaltsame Bereicherung des Repertoires. Le célèbre musicien de jazz américain Benny Golson (1929) s’est produit avec de grands noms, de Benny Goodman Lionel Hampton en passant par Dizzy Gillespie. Benny Golson est également l’auteur de plusieurs standards du jazz dont I Remember Clifford. Le compositeurarrangeur japonais Toshio Mashima en a réalisé un arrangement pour Trompette solo et Orchestre d’Harmonie. Il noto musicista jazz americano Benny Golson (nato nel 1929) lavorò con grandi nomi come Benny Goodman, Dizzy Gillespie e Lionel Hampton. Scrisse numerosi jazz standards, tra i quali I Remember Clifford, del quale il compositore e arrangiatore giapponese Toshio Mashima ha composto un accattivante arrangiamento per tromba e banda.
SKU: BT.DHP-1053915-010
SKU: HL.7013658
UPC: 840126921373. 9.0x12.0x0.227 inches.
Composed by jazz master Dizzy Gillespie, and arranged here by Latin master Michael Mossman, this appealing chart features a comfortable cha-cha groove, a distinctive harmonic progression, and a tuneful melody suitable for young players. Every section has an interesting and important role to play, and solos (written or ad lib) are featured for trumpet and tenor sax.
SKU: HL.285375
UPC: 888680888930. 5.0x5.0x0.184 inches.
This jazz standard by the great Dizzy Gillespie is here arranged using an alternating Latin Swing and a straight swing style. There is lots of room to feature soloists along with an ensemble scat section. This is an important song from the Bebop era of jazz and a great arrangement by one of the great jazz educators.
SKU: AP.1-ADV14506
ISBN 9783892211662. UPC: 805095145069. English.
This unique jazz improvisation method, The Jazz Workshop Series, features six full performances with opening/closing themes and improvised solos, and six play-along tracks featuring a rhythm section without the soloist. It also contains at least one solo transcription, excerpts from other solos, and pertinent chord/scale information. Titles: Bye-Ya (Thelonious Monk) * Con Alma (Dizzy Gillespie) * Elegy (Bill Dobbins) * Hallucinations (Bud Powell) * Goodbye, Pork Pie Hat (Dizzy Gillespie) * Webb City (Bud Powell).
SKU: HL.7011082
UPC: 073999859348. 9.0x12.0x0.026 inches.
Playing jazz should be fun and this carefully constructed arrangement for young players will certainly help make this happen. Alto and trumpet take the melody at the top, then the rest of the band joins in for a lively romp!
SKU: KN.52580S
Originally written in 1946 by Charlie Parker soon after his longtime friend and musical companion Dizzy Gillespie left him in Los Angeles to return to New York City, this uptempo setting for big band in the original key of Bb features the I Got Rhythm changes on which Parker's tune is based. A wide-open solo for lead alto, shorter solo segments for 3 trombones, and an 8-bar unaccompanied solo for the drummer allows ample stretching room for proficient players. Duration 3:45.