Dir, Seele des Weltalls K. 429 (468a)

SKU: BR.OB-5326-16

One already finds echoes of the 'Magic Flute' in this fragment, which Mozart wrote in 1785.

ISBN 9790004334232. 9 x 12 inches.

Thanks to the Mozart specialist Franz Beyer, the cantata Dir, Seele des Weltalls has been completed in its original scoring and with an unerring feeling for stylistic accuracy. One already finds echoes of the Magic Flute in this fragment, which Mozart wrote in 1785. The two introductory and two closing bars added by Beyer along with the full orchestration of the piece allow musicians to discover a Mozart cantata that will ring familiar with many modern-day listeners. - The traditional version by Maximilian Stadler (for soprano solo, mixed chorus and orchestra without organ) continues to remain available.

One already finds echoes of the 'Magic Flute' in this fragment, which Mozart wrote in 1785.

SKU: BR.OB-5326-30

One already finds echoes of the 'Magic Flute' in this fragment, which Mozart wrote in 1785.

ISBN 9790004334263. 9 x 12 inches.

Thanks to the Mozart specialist Franz Beyer, the cantata Dir, Seele des Weltalls has been completed in its original scoring and with an unerring feeling for stylistic accuracy. One already finds echoes of the Magic Flute in this fragment, which Mozart wrote in 1785. The two introductory and two closing bars added by Beyer along with the full orchestration of the piece allow musicians to discover a Mozart cantata that will ring familiar with many modern-day listeners. - The traditional version by Maximilian Stadler (for soprano solo, mixed chorus and orchestra without organ) continues to remain available.

One already finds echoes of the 'Magic Flute' in this fragment, which Mozart wrote in 1785.

SKU: BR.EB-8667

One already finds echoes of the 'Magic Flute' in this fragment, which Mozart wrote in 1785.

ISBN 9790004180877. 7.5 x 10.5 inches.

Thanks to the Mozart specialist Franz Beyer, the cantata Dir, Seele des Weltalls has been completed in its original scoring and with an unerring feeling for stylistic accuracy. One already finds echoes of the Magic Flute in this fragment, which Mozart wrote in 1785. The two introductory and two closing bars added by Beyer along with the full orchestration of the piece allow musicians to discover a Mozart cantata that will ring familiar with many modern-day listeners. - The traditional version by Maximilian Stadler (for soprano solo, mixed chorus and orchestra without organ) continues to remain available

One already finds echoes of the 'Magic Flute' in this fragment, which Mozart wrote in 1785.

SKU: BR.OB-5326-11

One already finds echoes of the 'Magic Flute' in this fragment, which Mozart wrote in 1785.

ISBN 9790004334218. 9 x 12 inches.

Thanks to the Mozart specialist Franz Beyer, the cantata Dir, Seele des Weltalls has been completed in its original scoring and with an unerring feeling for stylistic accuracy. One already finds echoes of the Magic Flute in this fragment, which Mozart wrote in 1785. The two introductory and two closing bars added by Beyer along with the full orchestration of the piece allow musicians to discover a Mozart cantata that will ring familiar with many modern-day listeners. - The traditional version by Maximilian Stadler (for soprano solo, mixed chorus and orchestra without organ) continues to remain available.

One already finds echoes of the 'Magic Flute' in this fragment, which Mozart wrote in 1785.

SKU: BR.OB-4911-26

ISBN 9790004324691. 9 x 12 inches.

SKU: BR.CHB-3647-02

ISBN 9790004405499. 6.5 x 9.5 inches.

SKU: M2.MOS-68007-60

ISBN 9790203771968.

Von der Fragment gebliebenen Freimaurer-Kantate KV 429 sind nur der Eingangs-Chor und die anschliessende Tenor-Arie mit der von Mozart angedeuteten Instrumentierung erhalten. Mozarts Skizzen sind nicht erhalten, jedoch eine Abschrift seines Sohnes (Sopran, Mannerchor und Klavier) sowie eine weitere Abschrift im Salzburger Mozarteum (Sopran, gemischter Chor, Streicher, zwei Oboen und zwei Horner). Beide Fassungen gehen vermutlich auf Abbe Stadler zuruck. In der vorliegenden Ausgabe wurde die Fassung des Werkes im Ganzen beibehalten. Sie ist nur insofern verandert, als zum einen im Chorteil die beiden Horner-Stimmen (Fullstimmen) und zum anderen in der Arie die Querfloten- und Fagott-Stimme (die fast wortlich den Streicherstimmen folgen) weggelassen wurden. Durch eine Wiederholung des Chorteils nach der Arie ist die Formung der beiden Fragmente zu einem Ganzen moglich.