Declaration for Trumpet

SKU: HL.35028270

UPC: 884088638276. 4.75x5 inches.

Uses: General, Church Heritage, Reformation

Scripture: Matthew 7:25-26; I Corinthians 3:16

Two time-honored hymn texts are lifted to new heights with a jubilant setting for choral forces that emphasize the confidence of these sturdy affirmations of faith. The lightly detached character of the vocal writing gives a quasi-classical feel to the choral and the text is ideal for church heritage or Reformation gatherings. Available separately: SATB, StudioTrax CD, Orchestration CD-rom (Score & parts Flute 1&2, Oboe, Clarinet 1&2, Bassoon, Horn 1&2, Trumpet 1, Trumpet 2&3, Trombone 1&2, Bass Trombone/Tuba, Timp, Perc 1&2, Harp, Violin 1, Violin 2, Viola, Cello, Double Bass). Duration: ca. 3:12.

SKU: LP.765762205604

UPC: 765762205604.

Based on Psalm 121, this stirring and energetic song of praise and surrender, made popular by Christian recording artist Aaron Shust and arranged by Russell Mauldin, speaks of God as our hope and refuge. Shust writes that the song is a declaration about who God is and who we are in Him because of His great love for us..

SKU: CA.4061611

ISBN 9790007073657. Key: C major. Language: Latin.

Here, as also in his earlier Litte Credo Mass KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the Credo. This presupposes that the setting of the words of the intonation Credo in unum Deum as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word Credo to be repeated before the individual articles of belief, thus strengthening the declaration of faith. Score and part available separately - see item CA.4061600.

SKU: CA.4061607

ISBN 9790007073862. Key: C major. Language: Latin.

Here, as also in his earlier Litte Credo Mass KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the Credo. This presupposes that the setting of the words of the intonation Credo in unum Deum as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word Credo to be repeated before the individual articles of belief, thus strengthening the declaration of faith. Score available separately - see item CA.4061600.

SKU: CA.4061605

ISBN 9790007073633. Key: C major. Language: Latin.

Here, as also in his earlier Litte Credo Mass KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the Credo. This presupposes that the setting of the words of the intonation Credo in unum Deum as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word Credo to be repeated before the individual articles of belief, thus strengthening the declaration of faith. Score available separately - see item CA.4061600.

SKU: CA.4061612

ISBN 9790007073664. Key: C major. Language: Latin.

Here, as also in his earlier Litte Credo Mass KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the Credo. This presupposes that the setting of the words of the intonation Credo in unum Deum as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word Credo to be repeated before the individual articles of belief, thus strengthening the declaration of faith. Score and part available separately - see item CA.4061600.

SKU: HP.2601

UPC: 763628126018.

Stoic hymn tunes
This hymn is one of the most beloved, stoic and strong hymns by Martin Luther. Along with optional trumpet, it declares the absolute power of God and was a rallying cry for the Reformation. In this 3-6 octave handbell version, with 3 octaves optional handchimes and trumpet, the composition takes you progressively through the Christian journey and ends with a triumphant strong verse of comfort and strength. It is perfect for celebrations, festivals and concerts. . . A barn burner! The Instrumental product includes parts for both C and B-flat instruments.

SKU: HP.2601P

UPC: 763628226015.

Stoic hymn tunes
This hymn is one of the most beloved, stoic and strong hymns by Martin Luther. Along with optional trumpet, it declares the absolute power of God and was a rallying cry for the Reformation. In this 3-6 octave handbell version, with 3 octaves optional handchimes and trumpet, the composition takes you progressively through the Christian journey and ends with a triumphant strong verse of comfort and strength. It is perfect for celebrations, festivals and concerts. . . A barn burner! The Instrumental product includes parts for both C and B-flat instruments.

SKU: CA.5293903

ISBN 9790007300272. German.

Max Reger’s setting of Psalm 100 is one of the “grand style” choral-symphonic works of the classical modern repertoire. Contrapuntal skill in the tradition of Bach combines with overwhelmingly powerful expressiveness, rich in contrasts. The full harmonic and stylistic breadth of the early 20th century sings out, not only in frenetic song, but also in the search for awareness in quieter passages. Reger’s opulence, tonal and contrapuntal almost throughout, finally culminates in a double fugue with an off-stage orchestra similar to the trumpets of Jericho over “Ein feste Burg ist unser Gott”. The composer’s declared aim was: “The psalm must go so brilliantly, that all will be simply ’bowled over‘.”.