Format : DVD
SKU: HL.49002063
ISBN 9790001022170. UPC: 884088097813. 9.0x12.0x0.098 inches.
Harald Genzmer's composition Divertimento di danza for string orchestra clearly continues the baroque form of the divertimento. This light music * in the truest sense of the word * consisted of a sequence of loose movements with free forms and dance movements alternat-ing in varied succession. The divertimento comprised five to six movements. Genzmer kept to all these facts but he brought new life into the old forms. Though he did not compose in the old style, he respected certain rules of the traditional form. Ouverture * Allegro (Fugato) * Adagio * Presto (on an Old French dance) * Finale (on an English dance movement).
SKU: HL.49016231
ISBN 9790001101196. 8.25x11.5x0.105 inches.
This collection consists mainly of unknown dance movements from northern, western and southern Europe, intermingled with original movements by Richard Zettler and written for small groups of players. The music is arranged so that it can be played by woodwind or brass instruments in various keys. Thus many combinations of Instruments can be used as desired.
SKU: HL.49016229
ISBN 9790001101172.
This collection consists mainly of unknown dance movements from northern, western and southern Europe, intermingled with original movements by Richard Zettler and written for small groups of players. The music is arranged so that it can be played by woodwind or brass instruments in various keys. Thus many combinations of instruments can be used as desired.
SKU: HL.49012079
ISBN 9790001101165. 8.25x11.75x0.098 inches.
SKU: HL.49016230
ISBN 9790001101189.
SKU: HL.49001945
ISBN 9790001025041. 8.25x11.75x0.166 inches.
This splendidly-sounding piece consists of a vocal movement based on the baroque concertino ripieno principle and a dance movement whose particular attraction results from a long flageolet passage.
SKU: CF.MXE110
ISBN 9781491151167. UPC: 680160908660. 9 x 12 inches.
For the 20th anniversary season of the Cassatt String Quartet, Godfrey created a three-movement work that has been hailed as some of the most ambitious chamber music we have heard from any living composer. (New Music Connoisseur) Built on the concept of looking back/looking forward, Ricordanza-Speranzo opens with a quiet, reflective movement, before a furious second movement of ever-shifting meter (con furore). The third movement begins with a piano solo passage. Natalie Zhu, who performed the Philadelphia premiere with the Daedalus Quartet, says, There's a huge piano solo at the beginning, and it's almost like an improvisation. It's written out but it feels like you're improvising. When the strings join in, Zhu says, It's almost like a waltz. It's lively and pretty, and the strings and piano are having fun. We're trading melodies. It's almost like a conversation between the instruments.
SKU: FJ.FJH2372
ISBN 9781619283558. UPC: 241444441312. English.
A new, four-book series by composer Wynn-Anne Rossi. The Dancing with the World series is inspired by international dance, rhythms and melodies, uniting performers in the celebration of movement. A brief introduction related to the background of each dance is included for every piece, and the music can be used as the basis of a themed recital to celebrate the history and cultural significance of each dance. Book 3 is arranged at the Intermediate level and includes dances from Ireland, Israel, Romania, France, Brazil, Sweeden, Greece, Cambodia, Mexico and more!
SKU: KN.8893
UPC: 822795088939.
This German dance is the 4th of 6 movements in Beethoven's final quartet, composed the year before his death. As with most string quartet music there is lots of interest in parts as they weave back and forth with imitative motives. The dynamics are exquisite and make a great teaching point as well as the 3 beat slurs which occur in all parts. Duration 3:00.
SKU: KN.08893S
SKU: M7.KC-2070
ISBN 9782843944277. English French Spanish.
Vicente Emilio Sojo is not only one of the most significant figures in the cultural history of Venezuela but also a Moral and intellectual reference of the highest importance. Sojo was Born in 1887 in Guatire, near the estate of Padre Sojo, who was himself the creator of the 18th Century Musical movement known as the Chacao School. Vicente Emilio Sojo died in Caracas in 1974.
SKU: CF.CAS114F
ISBN 9781491151709. UPC: 680160909209. 9 x 12 inches.
Canarios is a movement taken from the Suite Espanola for guitar by Gaspar Sanz, a leading composer of Spanish Baroque music.? Deborah Baker Monday presents this delightful arrangement in D major which engages all sections of the ensemble in the interplay between 6/8 and 3/4.? The rich and resonant texture makes this piece a great concert or festival selection.
Gaspar Sanz lived from ca.16401710. He was a leading composer of music from the Baroque period in Spain, but it is his guitar music which has given him the most attention. He wrote three collections of pieces as an Instruction for guitar and they include about 90 pieces which are part of the guitar repertory.
The Suite Espanola has become popular as a performance piece in the modern guitar world. It contains numerous movements of which Canarios is one of the most popular. Many guitar concerts include a selection of these wonderful dance movements:
1 Espanoletas
Gaspar Sanz lived from ca.1640a1710. He was a leading composer of music from the Baroque period in Spain, but it is his guitar music which has given him the most attention. He wrote three collections of pieces as an Instruction for guitar and they include about 90 pieces which are part of the guitar repertory.
A A 1 EspaA+-oletas
Gaspar Sanz lived from ca.1640-1710. He was a leading composer of music from the Baroque period in Spain, but it is his guitar music which has given him the most attention. He wrote three collections of pieces as an Instruction for guitar and they include about 90 pieces which are part of the guitar repertory.
About Carl Fischer Concert String Orchestra Series
This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:
SKU: CF.CAS114
ISBN 9781491151334. UPC: 680160908837. 9 x 12 inches. Key: D major.
SKU: BT.EMBZ14690
9x12 inches.
This splendidly instrumented work successfully combines 20th-century musical language with the antique elements deriving from its theme - for example, in the first movement we immediately find an ancient Greek asymmetrical rhythm. The second movement takes us on an adventurous journey to those astonishing geological wonders, the Meteoras the third movement presents a picture of the Delphic dancers, in its title the fourth movement indicates the form used in it, which preserves the unity between the thousands-of-years-old building and its contrasting environment, echoing to the music of the bouzouki. In the suite the composer expertly exploits the possibilities of instrumentationoffered by the wind orchestra, this extremely effective work can be a rewarding concert piece for any ensemble. (Recorded by Mirasound on CD 'Salute from Hungary' wwm 500.009 for World Wind Music label - www.worldwindmusic.nl ). Dieses Werk von István Bogár ist eines der ungarischen Stücke für Blasorchester, welches in den letzten Jahrzehnten international einen großen Erfolg erntete. Es entstand im Auftrag des Ungarischen Rundfunks, seine Erstaufführung fand 1982 statt. Das grossartig instrumentierte Werk vereint erfolgreich die musikalische Sprache des 20. Jahrhunderts mit den vom Thema vorgegebenen, antiken Elementen. Ein Beispiel hierzu ist gleich im ersten Satz ‚Thessaloniki' ein altgriechischer, asymmetrischer Rhythmus. Der zweite Satz führt uns zu einem verblüffenden geologischen Wunder, den Meteoren, im dritten Satz wird das Bild der Delphi-Tänzer gezeichnet. Im vierten Teil (‚Athen') wird diegebrauchte Form schon im Titel angekündigt: Diese verewigt die kontrastierende Einheit der mehrere Jahrtausend alten Akropolis und ihr von Bouzouki-Musik lautes Umfeld (‚Plaka'). Der Komponist nutzt in der Suite die vom Blasorchester vermittelten Instrumentierungsmöglichkeiten meisterhaft aus. Thessaloniki (danse de Macédoine) • Meteora • Delphi (danse antique) • Athènes (Acropolis, le quartier Plaka) En composant son oeuvre Hellas, le compositeur hongrois, István Bogár, a renoué avec ses racines grecques. La superbe trame orchestrale combine le langage musical du XXe siècle avec des éléments de la musique grecque antique. Les quatre mouvements sont techniquement exigeants et exploitent toutes les possibilités d’une formation vent. Une oeuvre enrichissante !Un brano dalla splendida strumentazione, composto anche per ricordare le origini in parte greche del compositore, che abbina al linguaggio musicale del XX° secolo elementi antichi. I quattro movimenti Thessaloniki (Danza proveniente dalla Macedonia), Meteora, Delphi (Antica danza) e Athens compongono insieme un brano da concerto esigente ma allo stesso tempo molto gratificante.
SKU: BT.EMBZ14690SET
SKU: BO.B.3672
Written during the winter of 2007, this work is a metaphor of the three stages of a short but intense love story.The first movement is called Poniente. This is the name of a rainy wind that comes from west. In this sense, west is not only the place where the sun sets, but where night begins. The first movement represents the beginning, the happiness and freshness of something new. The violin evokes freshness and spontaneity over the constant rhythm of the guitar, which plays the higher voice. While the violin signs happily, the guitar, instead of being just its accompaniment, plays the role of a counterpoint with its rhythmical and constant theme.The second movement is called Largo-Balada-Largo and it's divided in two different parts. In the first one, guitar plays alone, reflexive and slow, representing the moments of loneliness of the one that waits for the lovers reunion. In the second movement, violin and guitar begin a dialogue where the violin plays a sweet yearning ballad, while the guitar answers as a baroque counterpoint. At the end, calm comes back, as in the first part of the second movement.The third movement is called Danza ritual and it is the most violent of the three parts. It represents the lovers reunion, the resolution of all the controlled excitement. It's the flame that consumes quickly but intensely. At the end of this part, the violin reintroduces the main theme of the first movement, but with a variation, more intense and dramatic. This dramatic and intense quality is also due to the guitar ostinato, which ends in a hysteric trill. This leads us again to the first part, ending the third movement and this work in a sudden setback, as an interrogation tag.
SKU: BT.AMP-375-010
English-German-French-Dutch.
Dance of the Whale was commissioned by the Spanish music foundation, Musica et Orbi, at the instigation of its president, Frank De Vuyst. It is part of a unique project which involved nine composers each writing a short movement, describing ananimal of the composers’ choice, to form a suite called Bestiarium. A consortium of bands around the world helped to fund the project and the world premiere of the suite took place in March 2013 in Medell n, Colombia. Dance of the Whaleuses the tenor instruments of the band to describe a lazy and graceful dance by a blue whale and is dedicated to endangered species around the world.Dance of the Whale werd geschreven in opdracht van de Spaanse muziekstichting Musica et Orbi, op initiatief van zijn voorzitter, Frank De Vuyst. Het is onderdeel van een uniek project; negen componisten schreven elk een kort deel waarin een dier naar keuze het onderwerp vormde. Zo vormen ze samen de suite genaamd Bestiarium. De wereldpremière van de suite vond plaats in maart 2013 in Medell n, Colombia. Dance of the Whale gebruikt de tenorinstrumenten van het orkest om de gracieuze dans te beschrijven van een blauwe vinvis. Het werk is gewijd aan bedreigde diersoorten over de hele wereld.Das Stück Dance of the Whale (Tanz des Wales“) ist Teil eines einzigartigen Projekts, in das neun Komponisten eingebunden waren. Jeder Komponist sollte ein Tier seiner Wahl musikalisch in einem kurzen Satz darstellen. Das Ergebnis war eine Suite namens Bestiarium. Dance of the Whale setzt Tenorinstrumente ein, um den trägen und zugleich anmutigen Tanz eines Blauwals zu beschreiben. Das Werk ist den bedrohten Tierarten auf der ganzen Welt gewidmet.Dance of the Whale (Danse de la Baleine), un ballet pour les espèces menacées est une commande de la fondation musicale espagnole Musica et Orbi l’instigation de son président, Frank De Vuyst. Cette œuvre fait partie d’un projet unique en son genre dans le cadre duquel neuf compositeurs ont chacun écrit un court mouvement décrivant un animal de leur choix pour former une suite intitulée Bestiarium. Un consortium d’orchestres du monde entier a contribué au financement du projet et la suite a été créée en mars 2013 Medell n, en Colombie.Dance of the Whale (La danza della balena) è parte di un unico progetto che coinvolge nove compositori, ognuno dei quali scrive un breve movimento descrivendo un animale a sua scelta, per formare una suite che prende il nome di Bestiarium. Un gruppo di bande da tutto il mondo ha aiutato a sostenere il progetto e la prima esecuzione assoluta della suite ha avuto luogo nel marzo del 2013 a Medell n in Colombia. Dance of the Whale utilizza gli strumenti tenori della banda per descrivere una pigra e aggraziata danza di una balenottera azzurra ed è dedicato alle specie in via di estinzione in tutto il mondo.
SKU: BT.AMP-375-140
Dance of the Whale was commissioned by the Spanish music foundation, Musica et Orbi, at the instigation of its president, Frank De Vuyst. It is part of a unique project which involved nine composers each writing a short movement, describing ananimal of the composers’ choice, to form a suite called Bestiarium. A consortium of bands around the world helped to fund the project and the world premiere of the suite took place in March 2013 in Medell n, Colombia. Dance of the Whaleuses the tenor instruments of the band to describe a lazy and graceful dance by a blue whale and is dedicated to endangered species around the world. Dance of the Whale werd geschreven in opdracht van de Spaanse muziekstichting Musica et Orbi, op initiatief van zijn voorzitter, Frank De Vuyst. Het is onderdeel van een uniek project; negen componisten schreven elk een kort deel waarin een dier naar keuze het onderwerp vormde. Zo vormen ze samen de suite genaamd Bestiarium. De wereldpremière van de suite vond plaats in maart 2013 in Medell n, Colombia. Dance of the Whale gebruikt de tenorinstrumenten van het orkest om de gracieuze dans te beschrijven van een blauwe vinvis. Het werk is gewijd aan bedreigde diersoorten over de hele wereld.Das Stück Dance of the Whale (Tanz des Wales“) ist Teil eines einzigartigen Projekts, in das neun Komponisten eingebunden waren. Jeder Komponist sollte ein Tier seiner Wahl musikalisch in einem kurzen Satz darstellen. Das Ergebnis war eine Suite namens Bestiarium. Dance of the Whale setzt Tenorinstrumente ein, um den trägen und zugleich anmutigen Tanz eines Blauwals zu beschreiben. Das Werk ist den bedrohten Tierarten auf der ganzen Welt gewidmet.Dance of the Whale (Danse de la Baleine), un ballet pour les espèces menacées est une commande de la fondation musicale espagnole Musica et Orbi l’instigation de son président, Frank De Vuyst. Cette œuvre fait partie d’un projet unique en son genre dans le cadre duquel neuf compositeurs ont chacun écrit un court mouvement décrivant un animal de leur choix pour former une suite intitulée Bestiarium. Un consortium d’orchestres du monde entier a contribué au financement du projet et la suite a été créée en mars 2013 Medell n, en Colombie.Dance of the Whale (La danza della balena) è parte di un unico progetto che coinvolge nove compositori, ognuno dei quali scrive un breve movimento descrivendo un animale a sua scelta, per formare una suite che prende il nome di Bestiarium. Un gruppo di bande da tutto il mondo ha aiutato a sostenere il progetto e la prima esecuzione assoluta della suite ha avuto luogo nel marzo del 2013 a Medell n in Colombia. Dance of the Whale utilizza gli strumenti tenori della banda per descrivere una pigra e aggraziata danza di una balenottera azzurra ed è dedicato alle specie in via di estinzione in tutto il mondo.
SKU: FG.55011-297-1
ISBN 9790-55011-297-1.
This work was premiered by Idee Fixe Wind Quintet in Helsinki in January 2010. The first movement is a four-voiced canon, the second a fantastic variation on one tone: F-sharp/G-flat. Danza, the last movement further develops the thematic material from Canon. The duration of the work is ca. 12 minutes.
SKU: UT.CH-385
ISBN 9790215328174. 9 x 12 inches.
The Sonatina del Sur (Sonatina of the South) was commissioned by Isabel Siewersâ?? mother as a 34th birthday present for her daughter. Its music pays token, rather than imitative, homage to South American music. Thus the sonata form first movement, whose brief development section accounts for the workâ??s â??diminutiveâ?? title, merely hints at syncopations that are as common in South America as they are in Europe. The Canción de cuna (Cradle Song) is unusual in the fact that it is played entirely in natural harmonics â?? no string touches a fret from start to finish, a compositional challenge I had long planned to face. The third movement was originally titled Milonga, but when the dedicatee said that, although it has a South American air over it, and the rhythm is right, it was not really like a milonga, it was renamed! Perhaps, though, it captures a little of the happy and lightness-of-touch character of its eponym. The Danza negra, another common South American genre, is energetic, with a variety of percussive gestures that demand extreme agility on the part of the performer.
SKU: FG.55011-296-4
ISBN 9790-55011-296-4.
SKU: BT.DHP-1064039-140
9x12 inches. English-German-French-Dutch.
This suite was written in the style of traditional Russian folk music, but does not use existing melodies or themes as its basis. The colourful and varied work contains a number of surprising turns, but also familiar sounds. After the introduction, a kind of Trepak follows ? a fairly quick dance with attractive themes. The second movement (Garovot) is predominantly slow and conveys some melancholy, although, during a more dynamic passage the passion flares up again. Finally, the Troika takes us along in a reindeer sleigh through a grand snowy landscape. This is a wonderful tribute to the music of Eastern Europe in the style of some of the great Russian masters.Wie seine Werke Rikudim, Puszta und Balkanya schrieb Jan Van der Roost diese Suite im Stil russischer Volksmusik, ohne dabei bestehende Melodien oder Themen zu verwenden. Melancholie, aber auch feuriges Temperament, Virtuosität neben sehr vertrauten Momenten und melodischer Ausdruck neben würzigen Rhythmen: Das alles steckt in der Seele russischer Musik. Diese klangfarben- und abwechslungsreiche Suite wartet mit einer Reihe überraschender Wendungen auf, enthält aber auch vertraute Klänge.Cette suite colorée et variée contient des cheminements surprenants dans un paysage sonore caractéristique de l’ me musicale russe. L’introduction est suivie d’une danse rapide qui s’apparente au Trepak ; les thèmes sont accrocheurs. Le second mouvement, Garovot, est lent dans l’ensemble et quelque peu mélancolique. Pourtant, la passion renaît dans un passage plus animé. Enfin, Troika nous emmène pour une promenade en traîneau tiré par des rennes travers un vaste paysage enneigé.Questa suite colorata e varia contiene cammini sorprendenti in un paesaggio sonoro caratteristico dell’anima musicale russa. L’introduzione è seguita da una danza veloce simile al Trepak; i temi sono combattivi. Il secondo movimento, Garovot, è lento e malinconico. Ma la passione rinasce in un passaggio più animato. Infine, Troika ci accompagna in una passeggiata su una slitta trainata da renne attraverso un paesaggio innevato.
