Crypt

SKU: HL.14028046

ISBN 9788759859377. 9.5x14.25x0.12 inches. International (more than one language).

Score available: KP00247 Ruders writes: Quartet No. 3 Motet was written in 1979, commissioned by the Lerchenborg music-week of 1979 during which it was first performed by Quatuor Bernede. This short one-movement quartet is a kind of modernization of the 14th century French motets, a cadeau to this weird and fantastic music whose abstract and almost deprecatory, introvert expression appears unaccountably modern and incredibly ancient at the same time. Motet is a sober, cool treatise on rhythm and statics, depicted in a Gothic, crypt-like atmosphere. The almost completely non-vibrato movement is suggestive of boys' choir, monks' processions, and the piercing sound of musical glasses. An ancient world is reborn and becomes the world of today.

SKU: HL.380545

ISBN 9781493059850. UPC: 196288019077. 6.0x9.0x0.916 inches.

Nirvana, the White Stripes, Hole, the Hives - all sprang from an underground music scene where similarly raw bands, enjoying various degrees of success and luck, played for throngs of fans in venues ranging from dive bars to massive festivals, but were mostly ignored by a music industry focused on mega-bands and shiny pop stars. We Never Learn: The Gunk Punk Undergut, 1988-2001 tracks the inspiration and beautiful destruction of this largely undocumented movement. What they took, they fought for, every night. They reveled in '50s rock 'n' roll, '60s garage rock, and '70s punk while creating their own wave of gut-busting riffs and rhythm. The majority of bands that populate this book - the Gories, the Supersuckers, the Dwarves, the Mummies, Rocket from the Crypt, Jon Spencer Blues Explosion, and the Muffs among them - gained little long-term reward from their nonstop touring and brain-slapping records. What they did have was free liquor, cheap drugs, chaotic romances, and a crazy good time, all the while building a dedicated fan base that extends across the world. Truly, this is the last great wave of down-and-dirty rock 'n' roll. Includes access to a twenty-song playlist for streaming!

SKU: SU.29130271

Set of parts (8-7-6-5-4)Also available: Full Score (Cat #29130270)String Orchestra Duration: 3’ Composed: 1989 Published by: Christopher Fulkerson.

SKU: HL.50496968

8.25x11.75x0.11 inches.

HOMMAGE CRYPTE ET MONOMODAL A RAY MANZAREK.

SKU: PR.114417670

ISBN 9781491107973. UPC: 680160636228. 9x12 inches.

The inscription above Carter Pann's Emerald's on Artemis reads: A music box for Emerald Weber (born 18 June, 2010) on Morgan Black's harp Artemis. The title of this 2010 composition is a bit cryptic, but Artemis is the given name of harpist Morgan Black's instrument. The music is both out-and-out tender and exuberant, clearly celebrating the birth of Emerald, the first daughter of one of Pann's dear childhood friends. For advanced harpists._______________________________________Text on the scanned back cover:Composer/pianist Carter Pann (2016 Pulitzer Prize Finalist in Music) has written for and worked with musicians around the world, garnering performances by ensembles such as the London Symphony and City of Birmingham Symphony, the Tchaikovsky Symphony in Moscow, many radio symphonies around Europe, the Seattle Symphony, National Repertory Orchestra, the youth orchestras of New York and Chicago, and countless wind ensembles.He has written for Richard Stoltzman, the Antares Ensemble, the Capitol Saxophone Quartet, the West Coast Wind Quintet, the River Oaks Chamber Ensemble, and many concert pianists. His String Quartet No. 2 “Operas” was commissioned by the Takács Quartet. Pann has been awarded a Charles Ives Fellowship, a Masterprize seat in London, and many ASCAP awards over the years. His numerous CDs encompass solo, vocal, chamber, orchestral, and wind music, and have received two Grammy nominations. He currently teaches at the University of Colorado in Boulder.

SKU: ST.D108

ISBN 9790220225628.

James McCarthy's Codebreaker dramatically recounts key episodes in the story of Alan Turing, whose work at Bletchley Park decrypting the naval Enigma codes helped save countless lives during the Second World War, and whose legacy endures in our contemporary digital culture transformed by computer science. Turing is recalled as a brilliant mathematician, pioneer and prophet. Above all, in a score conceived in bold contrasts of pathos and dynamic energy, he is remembered as a suffering individual, an outsider destroyed by the unforgiving public prejudice of his time, yet whose complex and sensitive inner being was inseparable from his genius. On the cusp of a twenty-first century revolution in artificial intelligence, the passionate, accessible and visionary music of Codebreaker urges us all to regret past misunderstandings, be vigilant against lingering bigotries, and simply to hold in reverence Turing's inspiring achievement, while wondering at the cruel betrayal of an ordinary-extraordinary man who was also a profound benefactor to humankind.

SKU: BA.BA09378

ISBN 9790006539086. 32.5 x 25.5 cm inches.

A modern sequel to the music of the Romantic era.

The first movement hints at the chromatic of “Tristan”; cantilena lines convey a mournful scene. It is succeeded by a brilliant scherzo with the cryptic title “Erste fremde Szene” (First Foreign/Unknown Scene – one is invited to solve this riddle), while the third movement, with its singing quality, is related to the first.
The final movement, a “Zweite fremde Szene” (“Second Foreign/Unknown Scene”), alludes to the “last dance” tradition, with its ironic undertones and the copious use of sixths, counterpointed with tarantella rhythms.

A rewarding, striking work, equally valuable for concerts combining older compositions with new works as for contemporary music programmes.