Creative Comping Concepts for Jazz Guitar

Par BOLING MARK. Pianistes sont les principales sources d'inspiration pour de nouveaux développements dans la compilation de la guitare jazz. Pourtant les guitaristes ont été lents à développer un vocabulaire comping avec sophistication harmonique, voiceleading subtil et rythmique de la flexibilité au niveau des meilleurs pianistes contemporaines. Cet ouvrage vise à remédier à la situation en articulant un vocabulaire comping dans le contexte de six des airs plus souvent jouées dans le jazz : 12-bar blues, les changements de rythme, blues mineur, une mélodie modale et un couple de normes. Les comps sont écrites en notation et tablature et comprennent des rythmes avec mouvement avant, chords construits en quatrième intervalles voicings structure constante parallèle, polychords, barre oblique chords, etc.. Le focus est sur l'élaboration d'une approche contemporaine de la rythmique, phrasé, voicings chord, voiceleading, substitution de la corde et reharmonization. Un enregistrement de CD ainsi que de jouer de la guitare comps avec basse et batterie aide à obtenir les sons et les rythmes dans votre oreille. La théorie de la façon dont les concepts comping sont appliqués... / Niveau : Intermédiaire à Avancé / Jazz - Rhythm/Backup / Recueil / Guitare

Noted jazz pianist, composer, recording artist and educator Andy LaVerne has drawn from his decades of experience playing with master musicians from Getz to Lovano to create this comprehensive compendium of contemporary moving voicings. Quartal, quintal, drop 2, dominant 7b9/diminished, triadic, whole tone and chromatic performance proven voicings pioneered by McCoy Tyner, Chick Corea, Herbie Hancock, and Andy himself are presented and fleshed out in all twelve keys. This book picks up where others leave off, enabling you to replace static chords with voicings that move melodically, dramatically, and gracefully over the entire range of the keyboard. Firmly rooted in contemporary jazz theory, the emphasis is on practical performance applications. Andy ties it all together with illustrations of comping choruses for five standard jazz tunes. Chords in Motion satisfies a long awaited need in actual comping situations, and shows you how to move chords through varying harmonic rhythms. FINALLY ? a book that gives you moving voicings, and sets them in motion in all twelve keys. Chords in Motion is a valuable resource for all keyboardists, arrangers, and instrumentalists. Activate, animate, and energize your comping with this encyclopedic volume. 156 pages, spiral bound for easy opening. Andy carries the flame of jazz piano tradition and just great music. He always inspires me. Chick Corea This is a great book! I am going to sit down and play through this!! I am always telling my non-piano playing students how important it is to work with (and internalize) the sounds that we live with all our lives as Jazz musicians. Coltrane spent years sitting at the piano and so should all of us!!! John Patitucci Berklee College of Music One thing about Andy?he is complete as can be and has been consistently so for years in both his teaching materials and playing. He is completely knowledgeable in such a way that when I play with him, I know he KNOWS!! Plus he is one of the smoothest and polished of players around. Great book?encyclopedic in content. Dave Liebman Founder, Artistic Director, International Association of Schools of Jazz (IASJ) I've played and recorded with Andy LaVerne many times over the years and in many different settings and he's always come up with the hippest, most interesting chords in the most musical way! His way of playing and looking at chords inspires me as a drummer and his rhythm section partner to play things that are in turn inspiring to the rest of the band. This book, helps musicians, understand, in a clear thoughtful presentation, how to go about getting this together. Billy Drummond Jazz Drummer, Educator, Juilliard, NYU Chords in Motion is an outstanding and comprehensive guide by Andy LaVerne, whose encyclopedic knowledge, decades of experience and brilliance as a performer and educator make this an invaluable handbook of modern jazz piano harmony. Its user-friendly, intelligent design enables musicians to expand their harmonic palette and potentially transform their playing, writing and arranging. Chords in Motion is an invaluable contribution to jazz musicians! Lynne Arriale Jazz Pianist, Composer, Educator, Associate Professor of Jazz Piano, Director of Small Ensembles, University of North Florida Chords in Motion is exactly the book I'd expect from Andy LaVerne. It's clear, openhearted and inspiring, as has been every conversation I've had with Andy over the years. Long a fan of his playing, I have enjoyed this look behind the curtain at how Andy LaVerne formulated his signature style. One other thing -- any pianist, no matter his/her approach, will gain insight into what will surely be new and exciting musical directions. Pete Malinverni Jazz Pianist, Educator, Director of Jazz Studies, SUNY Purchase College Conservatory of Music What a great resource for expanding the harmonic palette! Chords in Motion is a must have for the aspiring young jazz pianist as well as the seasoned veteran. Another winner from Andy! Paul Schmeling Jazz Pianist, Educator, Chair Emeritus, Piano Department, Berklee College of Music In Chords in Motion, I recognize chords and sounds that have inspired me to compose and play: harmony from the music of Chick Corea, Herbie Hancock and McCoy Tyner. This book is well organized, and from the beginning gets you playing. Each chord structure is explained and developed. There is plenty to practice. I especially like the exercises using contrary motion, arpeggiation

Write for a horn section!
In this book, you will learn how to add saxophones and brass to a rhythm section ensemble. You will learn the capabilities and characteristics of the most common instruments, and how to order them effectively. You will also learn the different roles that a horn section can serve in your ensemble. Online audio tracks demonstrate the key concepts, as exemplified in a complete score.
You will learn to:
Write for alto, tenor, and baritone saxophone, as well as trumpet and trombone
Construct common voicings, such as unisons, octave unisons, two- to five-part soli, and open voicings
Expand your harmony by using jazz chords
Use brass mutes
Compose many textures, including melodies, solis, fills, pads, comping parts, background lines, and others
Score advanced harmonic techniques characteristic of brass sections, such as chromatic approach chords, four- and five-part voicings, tension substitutions, and more
?An amazing book that opens your mind for new horn arranging techniques. Horns on steroids!?
?Hassan El Shafei, Artist/Record Producer
?Arranging for Horns is the one-stop-shop the young arranger can make to explore the techniques, applications, and context for contemporary horn arranging. Jerry Gates masterfully compiled three decades of experience?both in classroom and in professional writing?into an organized and concise 80-page text. Highly recommended!?
?Adi Yeshaya, Composer, Arranger (Prince, Aretha Franklin, The Voice)
?An insightful and valuable resource for all arrangers. Jerry?s explanations are very clear and concise. Highly recommended!?
?Mark Harrison, Keyboardist/Composer, Music Educator, and Author
?Jerry is a devoted musician and educator who has written yet another clear and concise book! This time Jerry guides the reader through a direct and useful approach to writing horn arrangements. Included are rhythm section considerations, notations, and a valuable mention about contour shaping as the blueprint for a successful arrangement. This book demystifies arranging for horns and inspires us to dive right in. There are great tools included and distilled from Jerry?s many years of experience and education. I highly recommend it for anyone who wants to get quick and positive results without excess theory to weigh the creative process down.?
?David Goldblatt, Composer, Pianist, and Music Director (for national television programs, world tours, and varied media)
?Jerry Gates? Arranging for Horns is a concise yet thorough guide to horn arranging in jazz and popular styles. The book progresses through each vital instrument, offering writing techniques for them as individuals and as a group. Arranging for Horns goes one step further than many treatments of this topic, looking at how an arrangement can vary throughout a song?changing the intensity of the music. This added consideration gives arrangers a powerful tool for adding shape and contour to their songs. Recommended for all arrangers and songwriters.?
?Ben Newhouse, Composer and Educator
/ Partitions jazz