Consort in 4 Parts - Part 1

SKU: HL.422662

UPC: 196288061540. 6.75x10.5x0.029 inches. II Corinthians 9:15, Proverbs 17:22, Zechariah 9:9.

With a text that patters like a Gilbert and Sullivan aria, this folk-based seasonal offering is destined to become a standard. The joy-filled text is the perfect closer for concerts and services alike. Score and Parts for Full Orchestra (fl 1, fl 2/pic, ob, cl 1-2, bn, hn 1-2, tpt 1-3, tbn 1-2, tba, timp, perc 1-2, hp, hpsi, vn 1-2, va, vc, db); Chamber Orchestra (fl, cl, tpt 1-2, tbn, bls, perc, kybd) and Celtic Consort (gtr, fl/pwhis, cl, bls, perc, vn/fdl, vc) each available as a digital download.

SKU: ST.Y344

ISBN 9790220225284.

CONTENTS
Peter Philips
Almande (3)
Aria del Gran Duca (4)
Dolorosa Pavan (5a)
Dolorosa Galliard (5b)
Dolorosa Pavan in Four Parts (5c)
Pavan in F (6a)
Galliard in F (6b)
Galliard (7)
Paget Pavan (8a)
Paget Galliard (8b)
La Vecha (9)
Aria (14)
Pavan (15a)
Galliard (15b)

Richard Dering
Pavan No. 1 (22)
Almaine No. 1 (23)
Pavan No. 2 (24)
Almaine No. 2 (25)
Pavan No. 3 (26)
Pavan No. 4 (27)
Almaine No. 4 (28)
Pavan No. 5 (29)
Pavan No. 6 (30)
Galliard No. 6 (31)
Pavan No. 7 (32)
Pavan No. 8 (33)
Fantasia No. 1 (35)
Fantasia No. 2 (36)
Fantasia No. 3 (37)
Fantasia No. 4 (38)
Fantasia No. 5 (39)
Fantasia No. 6 (40)
Fantasia No. 7 (41)
Fantasia No. 8 (42).

SKU: ST.Y345

ISBN 9790220225291.

CONTENTS
Peter Philips
Fantasia in Six Parts, No. 1 (16)
Fantasia in Six Parts, No. 2 (17)
Passamezzo Pavan (18)

Richard Dering
Fantasia No. 1 (43)
Fantasia No. 2 (44)

Anon. ?Richard Dering
Fantasia No. 3 (45)
Fantasia No. 4 (46)
Fantasia No. 5 (47)
In Nomine No. 1 (48)
In Nomine No. 2 (49).

SKU: ST.Y328

ISBN 9790220224119.

Set of Parts. For viol consort or string quartet/quintet. Reconstructed by Alan Brown from keyboard sources. Set of string parts corresponding with Musica Britannica Volume 96, Appendix III.

SKU: HL.44001639

UPC: 073999016390. International (more than one language).

Jan Van der Roost composed the Chemical Suite for the Daniel Speer Trombone Consort. In the unusual work the general characteristics of the chemical materials Potassium, Glycerin, Chloroform and Ethanol are portrayed in four movements. All advanced trombone groups will love playing this work ? look out especially for the interesting sound effects!

Jan Van der Roost schrieb die Chemical Suite speziell fur das Daniel Speer Trombone Consort. In dieser ungewohnlichen Suite werden die allgemeinen Eigenschaften der chemischen Stoffe Kalium, Glycerin, Chloroform und Ethanol in vier gleichnamigen Satzen mit Hilfe von interessanten Klangeffekten musikalisch dargestellt.

Jan Van der Roost ha scritto Chemical Suite per il Daniel Speer Trombone Consort. In questa suite inusuale vengono tradotti in musica, con l'aiuto di particolare effetti sonori, le caratteristiche delle combinazioni di quattro elementi chimici.

SKU: HL.44012730

9x12 inches. English-German-French-Dutch.

Christmas as celebrated in England is a relatively newtradition dating from the time of Queen Victoria. Herhusband Prince Albert was from Germany and he broughtmany German Christmas traditions with him, including theChristmas tree and Christmascards, and even carols such asHark, the Herald Angels Sing. Philip Sparke has however useda varied selection of English melodies to arrange into his?Festival of Carols?.The choir parts are seperately available (order no. AMP 227-050). Christmas as celebrated in England is a relatively new tradition dating from the time of Queen Victoria. Her husband Prince Albert was from Germany and he brought many German Christmas traditions with him, including the Christmas tree and Christmas cards, and even carols such as Hark, the Herald Angels Sing. Philip Sparke has however used a varied selection of English melodies to arrange into his Festival of Carols. The choir parts are seperately available (order no. AMP 227-050).

Hoewel de Engelsen een lange traditie kennen in het zingen van carols zijn veel van de melodieen die er worden gezongen afkomstig van het Europese vasteland - of uit Amerika. Desondanks heeft Philip Sparke een gevarieerde selectievan Engelse melodieen kunnen samenstellen voor dit prachtige 'Festival of Carols' - dat zowel met als zonder koor kan worden uitgevoerd.

Weihnachten, wie es heute in England gefeiert wird, ist eine relativ junge Tradition aus dem 19, Jahrhundert, die der deutsche Ehemann von Konigin Victoria mit in seine neue Heimat brachte. Viele gebrauchliche Weihnachtslieder stammen ebenfalls nichtaus England. Philip Sparke gelang es jedoch, eine abwechslungsreiche Sammlung von Liedern aus seiner Heimat zu diesem schonen englischen Weihnachtslieder-Festival zu formen.Die optional einsetzbaren Chorstimmen sind unter der Artikelnummer AMP227-050 separat erhaltlich.

<< La plupart des traditions de Noel en Angleterre sont relativement recentes. Montee sur le trone en 1837, la reine Victoria (nee de Hanovre) regnera jusqu'a sa mort en 1901. En 1840, elle epousa son cousin, le prince Albert de Saxe-Cobourg-Gotha. Leprince consort, originaire d'Allemagne, importa bon nombre de traditions de Noel allemandes au Royaume-Uni. Ainsi, il fit decouvrir aux Anglais la coutume du sapin et les cartes de Noel, entre autres, contribuant largement au Noel typiquement anglaistel que nous le connaissons aujourd'hui.Bien que les chants de Noel font l'objet d'une longue tradition en Angleterre, de nombreuses melodies que nous chantons proviennent ducontinent europeen ou des Etats-Unis. Je savais bien que le celebrissimeSilent Night (Douce nuit) etait d'origine autrichienne et que Hark, the Herald Angels Sing (Ecoutez le chant des Anges) etait d'origine allemande. Pourtant, quelle ne fut pas ma surprise d'apprendre qu'Away in a Manger (Sur la paillefraiche) ou encore We Three Kings nous venaient des Etats-Unis et que Ding, Dong Merrily on High etait un noel d'origine francaise. Quoiqu'il en soit, j'ai reussi a constituer un canevas de melodies anglaises pour realiser cefestival de chants de Noel. >>Philip SparkeRemarques sur l'interpretation : Cet arrangement est adapte pour une interpretation avec ou sans Chœur. S'il est joue par un Brass Band, les parties vocales seront doublees par des partiesinstrumentales.Les tempi indiques correspondent a une interpretation par un Brass Band seul. Si l'œuvre est donnee avec un Chœur, il est sans doute necessaire de baisser le tempo en fonction du nombre de choristes et de l'acoustique du lieude concert.Les parties de Chœur (en anglais) sont disponibles separement (Ref. : AMP 227-050).

The choir parts are seperately available (order no. AMP 227-050).

SKU: ST.MB26

ISBN 9790220209710.

The volume includes airs and suites for two trebles, two basses and organ, and four-part fantasias and airs. Jenkins was a renowned composer in his own time, and his life and works forged a historical link between the glory of Jacobean consort music and its culmination in the music of Purcell.

SKU: ST.Y242

ISBN 9790220222177.

In the output of the long-lived 17th-century composer John Jenkins, the 32 'Ayres' for two trebles, two basses and organ have a special place. They were probably composed during the English Civil War, while the composer was in East Anglia, and his royalist patrons were subject to harassment by Parliamentarian forces. Though one of the pieces, 'Newark Siege', is a rare instance of programmatic music in Jenkins's output, the pieces in general are far removed from the lightweight dance idioms of the time, being full of contrapuntal interplay inspired perhaps by the consort airs of the court composer William Lawes.

The four parts retain original note values, and correspond to the edition in Musica Britannica MB36, though the bass parts have alto clefs for the higher passages. The organ part, not included with the instrumental material, is played from full score in the parent volume.

SKU: HL.49030429

ISBN 9790220119422. 9.25x12.0x0.13 inches.

'Apart from the ten 5-minute string quartets that I wrote in 1992 as theoriginal version of A Man in a Room, Gambling, there are 8 years between my second and third quartets. Another element which finds its way into the quartet comes from my work with groups from the world of early music, particularly from the experience of writing for a consort of viols . In several places I ask for little or no vibrato from the strings, occasionally preferring open strings and natural harmonics to stopped notes.'.