Format : Study Score / Miniature
SKU: BR.PB-5509
The concertos in A minor and B flat major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany.
ISBN 9790004211694. 9 x 12 inches.
The concertos in A minor, B flat major and A major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. The A minor Concerto, composed in 1750, is performed quite frequently today. C. P. E. Bach most likely wrote the Concerto in B flat major Wq. 171 as the last of the little work group in 1753 in Potsdam, at the court of King Frederick the Great. He reworked the composition for flute and harpsichord shortly thereafter. Various sources prove that copies of the work had made it known quite extensively in the second half of the 18th century. In his new Urtext edition, Ulrich Leisinger bases himself on two reliable manuscripts.
SKU: BR.OB-4855-19
The autograph score of the present work is included amongst the 387 works from Johann Melchior Molter's pen preserved in the Baden State Library in Karlsruhe, and is the only Concerto per Violoncello concertato in the collection.
ISBN 9790004323113. 9 x 12 inches.
Since it was composed doubtlessly for the use of the Margrave of Baden Durlach's court, which was situated at the new residence in Karlsruhe from 1715 onwards, its subtitle of Little Karlsruhe Margrave-Concerto seems appropriate and justified.The autograph score of the present work is included amongst the 387 works from Johann Melchior Molter's pen preserved in the Baden State Library in Karlsruhe, and is the only Concerto per Violoncello concertato in the collection.
SKU: BR.OB-4855-15
ISBN 9790004323090. 9 x 12 inches.
SKU: BR.OB-4855-12
ISBN 9790004323083. 9 x 12 inches.
SKU: BR.OB-4855-16
ISBN 9790004323106. 9 x 12 inches.
SKU: BR.PB-5354
Bach's manuscript leaves several questions unanswered.
ISBN 9790004211533. 9 x 12 inches.
When an editorial formula proves to be as compelling as in the case of the E-major Concerto BWV 1042, then its obvious that it is going to be applied again: this time to Klaus Hofmanns new Urtext edition of the A-minor Concerto. Bachs manuscript leaves several questions unanswered. The slurring, particularly in the solo part, is once again equivocal and inconsistent. Bach himself expected his performers to be creative, which is why the interpretative suggestions of Baroque expert Sigiswald Kuijken are particularly welcome. The edition for violin and keyboard instrument (with continuo ad lib.) once again contains three violin parts (the first unmarked, the second with markings and comments by Sigiswald Kuijken, the third as a facsimile). This provides well-grounded stimuli for ones own personal interpretation based on historically informed performance practice. The keyboard arrangement by Siegfried Petrenz is transparent and easy to play. A violoncello part has been added for chamber-music.Bach's manuscript leaves several questions unanswered.
SKU: AP.36-50255107
ISBN 9781682963944. UPC: 660355060243. English.
An absolute classic for strings, this version is in C major to avoid forward extensions for viola and violoncello. There is nothing out of first position except for a simple shift for violoncello and bass in a brief passage. A solo string quartet section gives the work a truly Baroque feel.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: HL.50037240
UPC: 073999255515. 8.0x10.75x0.12 inches.
SKU: HL.50036460
UPC: 073999054361. 8.0x10.75x0.112 inches.
