Concerto in F Major, No. 1 for Guitar and Orchestra (Full Score and Parts)

SKU: IS.GOR14017AEM

ISBN 9790365000630.

Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent, considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene, he was most well-known as a lutenist. He composed a total of seven lute concertos during his lifetime, including this Concerto in F Major, No. 2 (not to be confused with his Concerto in F Major, No. 1, which is considered the most popular) in three movements: Allegro moderato, Andante molto, and Tempo di Minuetto. This edition includes the full orchestral score, orchestral parts, as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adapted from lute tablature to modern notation) and guitar (capotasto). Instrumentation: Full Score, Guitar (or Lute) - separate parts included for each instrument, Violin I, Violin II, Cembalo/Cello/Contrabass.

SKU: IS.GOR14019AEM

ISBN 9790365000289.

German composer and violinist Johann Pfeiffer (1697 - 1761) was born in Nuremberg and made a career as concertmaster in various orchestras throughout southern Germany. Much of his life was spent in Bayreuth, working for the court of Wilhelmine of Prussia, Margravine of Bayreuth, teaching her composition and violin. During his lifetime, he composed a variety of orchestra and chamber music, including this Concerto in B-flat Major in three movements: Allegro ma non troppo, Andante, and Allegretto. This edition includes the full orchestral score, orchestral parts, as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adapted from lute tablature to modern notation) and guitar (capotasto). Instrumentation: Full Score, Guitar (or Lute) - separate parts included for each instrument, Violin I, Violin II, Viola, Cembalo/Cello/Contrabass.

SKU: IS.GOR14018AEM

ISBN 9790365000593.

Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent, considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene, he was most well-known as a lutenist. He composed a total of seven lute concertos during his lifetime. This Concerto in B-flat Major is in three movements: Allegretto, Largo, and Tempo di Minuetto. This edition includes the full orchestral score, orchestral parts, as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adapted from lute tablature to modern notation) and guitar (capotasto). Instrumentation: Full Score, Guitar (or Lute) - separate parts included for each instrument, Violin I, Violin II, Cembalo/Cello/Contrabass.

SKU: BO.B.3610

The concerto establishes a dialogue which alternates constantly between the guitar and the symphony orchestra, with the two sound worlds being maintained in perfect balance while also exploring the unique possibilities presented by each: the guitar develops a surprising array of resources which enhance its expressive capacity to the utmost, while the orchestra envelops it in an extensive range of textures which at times give rise to subtle tones, and at others, all the tonal vigour of the tutti.

The language I employ is intended as a means of achieving an efficient symbiosis between modernity and tradition, continuing in the line of my previous works as a composer. It contains no references to popular music and at all times veers away from the expectations created by the language of folklore exploited in concertos of this kind by the majority of recognised composers. In Concerto de Rialp, modernity is reflected through a search for unique expressive forms, experimentation with new means of thematic development and a unique presentation of formal solutions, all the while, however, respecting expressiveness and lyricism as the foundations of communicating with the audience.

The concerto also explores the guitar's new technical resources. Thanks to specific work on left hand extensions, mechanical formulas have been developed which allow certain scales to be played at unprecedented speeds. In the cadenza of the first movement, the guitar develops the main theme in the form of an instrumental motif that has never been used before in guitar scores, producing a polyphonic effect of new dimensions.

I have worked to exploit the distinctive sound differences existing between the guitar and the orchestra -both from the dynamic and the tonal points of view- in order to really develop the dramatic effect that their being brought together affords. In the second movement -calmo assai- this dramatic quality is expressed in a way that is particularly powerful by means of a tension never before achieved in a concerto for guitar and orchestra.

SKU: IS.GP14008EM

ISBN 9790365000647.

German Baroque composer Johann Ludwig Krebs (1713 - 1780) was born in Buttelstedt and was sent to Leipzig to study with Johann Sebastian Bach. Considered one of Bach's finest students, many compositions of Krebs have been erroneously attributed to Bach. Krebs composed two concertos for lute and orchestra, including this Concerto in F Major in three movements: Allegro, Larghetto, and Allegro assai. In this edition, Victor Van Puijenbroeck has created a piano reduction of the orchestral score and also has adapted the lute part to be played on guitar. Included are parts for both lute (the part has been adapted from lute tablature to modern notation) and guitar (capotasto). Additionally, the solo parts feature two versions/interpretations.